gri_2003_m_46_b01_f04_021
- Max. dissimilarity: 0.076
- Mean dissimilarity: 0.05
- Image votes: 0.0
Transcribers
- 65305800 - jsgoodman
- 65308818 - squizzdoodle
- 65320906 - planetaryscience
- 65375365 - not-logged-in-db4557815c843651bbea
- WINNER - 65378289 - Bethbeth
65305800 - jsgoodman
[25-5-48]11 Mansel Road
Wimbledon
Tuesday
Dearest Sylvia:
I am so distressed to hear that your neuralgia is
back. I was afraid it might be when you said your
neck ached after the examination. All I can say is
what you said to me in your nice letter which I re-
ceived this morning - 'I hope you will rest and sleep
well'. And I see from the end of your letter that
the walk to the sea with Michael has not made any dif-
ference. Oh, Sylvia, I hope you are well by now.
I am glad that the Rectory Umbrella helped with the
journey and I need not tell you my feelings when you
say you read it on Sunday morning instead of going to
church. Good.
I had forgotten that Josette Day in part of La Belle
et al Bet wore her hair in a ring-bun, like yours. And
she has your hairline and neck. It was wonderful to
find these little confirmations outside the actual nar-
rative which is full of congenial allusions. I thought
it very poignant: the symbolised need of love in la
bete. Do you remember the duologues before the great
fire in which the Courtier imperceptibly vanquishes the
animal and then, later, in the glad, when a deer flashes,
and up go his ears and his shoulders hunch... And the
symbolism when la belle observes him guzzling water and
shaking himself: somehow Cocteau suggests teh action
might have shocked her and that it is important that it
doesn't. You see what is implied: compare it, solitary,
animal, with her father's careful preparation before sip-
ping the wine in the beast's palace, and the formal toast.
Oh, and lots more.
I went to Little Stanmore church yesterday and really
it was a treat. Verrio (pupils of), Belluci, and La-
guerre - all are represented, and there is one of the proud-
est 18th century monuments I have ever seen - to the Duke
of Chandos and his two wives. A lot of the information in
Whiffen's Stuart and Gerogian Churches is incorrect, how-
ever, as long talks with the Verger proved. he is a charm-
ing and witty old man and he tells a very funny story of
some Swiss Girls he showed round the church recently. They
came to the Mausoleum which is half marble, half wood painted
to resemble stone. He banged on the wooden portion and
(here he illustrated what he did) threw his voice most skill-
fully: 'what do you want' an old man's voice wheezed. And
then he scampered over to teh other side of teh room and
banged again: 'Now what is it' another voice squeaked.
The Swiss girls are firmly believed now that there are re-
is that what it's called?
65308818 - squizzdoodle
[25-5-48]11 mansel road
wimbledon
tuesday
Dearest Sylvia:
I am so distressed to hear that your neuralgia is back. I was afraid it might be when you said your neck ached after the examination. All I can say is what you said to me in your nice letter which I received this morning - 'I hope you will rest and sleep well'. And I see from the end of your letter that the walk to the sea with Michael has not made any difference. Oh, Sylvia, I hope you are well by now.
I am glad that The Rectory Umbrella helped with the journey and I need not tell you my feelings when you say you read it on Sunday morning instead of going to church. Good.
I had forgotten that Josette Day in part of La Bele et la Bete wore her hair in a ring-bun*, like yours. And she has your hairline and neck. It was wonderful to find these little confirmations outside the actual narrative which is full of congenial allusions. I thought it very poignant: the symbolised need of love in la bete. Do you remember the duologues before the great fire in which the Courtier imperceptibly vanquishes the animal and then, later, in the glade, when a deer flashes, and up go his ears and his shoulders hunch... And the symbolism when la belle observes him guzzling water and shaking himself: somehow Cocteau suggests the action might have shocked her and that is is important that it doesn't. You see what is implied: compare it, solitary, animal, with her father's careful preparation before sipping the wine in the beast's palace, and the formal toast. Oh, and lots more.
I went to Little Stanmore church yesterday and really it was a treat. Verrio (pupils of), Bellucci, and Laguerre - all are represented, and there is one of the proudest 18th century monuments I have every seen - to the Duke of Chandos and his two wives. A lot of the information in Whiffen's Stuary and Georgian Churches is incorrect, however, as long talks with the Verger proved. He is a charming and witty old man and he tells a very funny story of some Swiss Girls he showed round the church recently. They came to the Mausoeum which is half marble, half wood painted to resemble stone. He banged on the wooden portion and (here he illustrated what he did) threw his voice most skillfully: 'what do you want' and old man's voice wheezed. And then he scampered over to the other side of the room and banged again: 'Now what is it' another voice squeaked. The Swiss girls are firmly believed now that there are re-
*is that what it's called?
65320906 - planetaryscience
[25-5-48]11 mansel road
wimbledon
tuesday
Dearest Sylvia:
I am so distressed to hear that your neuralgia is back. I was afraid it might be when you said your neck ached after the examination. all I can say is what you said to me in your nice letter which I received this morning- I 'I hope you will rest and sleep well'. And I see from the end of your letter that the walk to the sea with Michael has not made any difference. Oh, Sylvia, I hope you are well by now.
I am glad that The Rectory Umbrella helped with the journey and I need not tell you my feelings when you say you read it on Sunday morning instead of going to church. Good.
I had forgotten that Josette Day in part of La Belle et la Bete wore her hair in a ring-bun, like yours. And she has your hairline and neck. It was wonderful to find these little confirmations outside the actual narrative which is full of congenial allusions. I thought it very poignant: the symbolized need of love in la bete. Do you remember the duologues before the great fire in which the Courtier imperceptibly vanguishes the animal and then, later, in his glade, when a deer flashes, and up go his ears and his shoulders hunch... And the symbolism when la belle observes him guzzling water and shaking himself: somehow Cocteau suggests the action might have shocked her and that it is important that it doesn't. You see what is implied: compare it, solitary, animal, with her father's careful preparation before sipping the wine in the beast's palace, and the formal toast. Oh, and lots more.
I went to Little Stanmore church yesterday and really it was a treat. Verrio (pupils of), Bellucci, and Laguerre - all are represented, and there is one of the proudest 18th century monuments I have ever seen - to the Duke of Chandos and his two wives. A lot of the information in Whiffen's Stuart and Georgian Churches is incorrect, however, as long talks with the Verger proved. He is a charming and witty old man and tells a very funny story of some Swiss Girls he showed round the church recently. They came to the Mausoleum which is half marble, half wood painted to resemble stone. He banged on the wooden portion and (here here illustrated what he did) threw his voice most skillfully: 'what do you want' an old man's voice wheezed. And than he scampered over to the other side of the door and banged again: 'Now what is it' another voice squeaked. The Swiss girls are now firmly believed now that there are re-
65375365 - not-logged-in-db4557815c843651bbea
11 mansel roadwimbledon
tuesday
Dearest Sylvia:
I am so distressed to hear that your neuralgia is
back. I was afraid it might be when you said you
neck ached after the examination. All I can say is
what you said to me in your nice letter which I re-
ceived this morning - 'I hope you will rest and sleep well'. And I see from the end of your letter that
the walk to the sea with Michael has not made any dif-
ference. Oh, Sylvia, I hope you are well by now.
I am glad that The Rectory Umbrella helped with the
journey and I need not tell you my feelings when you
say you read it on Sunday morning instead of going to
church. Good.
I had forgotten that Josette Day in part of La Belle
et la Bete wore her hair in a ring-bun,* like yours. And
she has your hairline and neck. It was wonderful to
find these little confirmations outside the actual nar-
rative which is full of congenial allusions. I thought
it very poignant: the symbolised need of love in la
bete. Do you remember the duologues before the great
fire in which the Courtier imperceptibly vanquishes the
animal and then, later, in the glade, when a deer flashes, and up go his ears and his shoulders hunch... And the
symbolism when la belle observes him guzzling water and
shaking himself: somehow Cocteau suggests the action
might have shocked her and that it is important than it
doesn't. You see what is implied: compare it, solitary,
animal, with her father's careful preparation before sip-
ping the wine in the beast's palace, and the formal toast.
Oh, and lots more.
I went to Little Stanmore church yesterday and really
it was a treat. Verrio (pupils of), Bellucci, and La-
guerre - all are represented, and there is one of the proud-
est 18th century monuments I have ever seen - to the Duke
of Chandes and his two wives. A lot of the information in
Whiffen's Stuart and Georgian Churches is incorrect, how-
ever, as long talks with the Verger proved. He is a charm-
ing and witty old man and he tells a very funny story of
some Swiss girls he showed round the church recently. They
came to the Mausoleum which is half marble, half wood painted
to resemble stone. He banged on the wooden portion and
(here he illustrated what he did) threw his voice most skill-
fully; 'what do you want' an old man's voice wheezed. And
then he scampered over to the other side of the room and
banged again: 'Now what is it' another voice squeaked.
The Swiss girls are firmly believed now that there are re-
*is that what it's called?
WINNER - 65378289 - Bethbeth
[25-5-48]11 mansel road
wimbledon
tuesday
Dearest Sylvia:
I am so distressed to hear that your neuralgia is back. I was afraid it might be when you said your neck ached after the examination. All I can say is what you said to me in your nice letter which I received this morning - 'I hope you will rest and sleep well'. And I see from the end of your letter that the walk to the sea with Michael has not made any difference. Oh, Sylvia, I hope you are well by now.
I am glad that The Rectory Umbrella helped with the journey and I need not tell you my feelings when you say you read it on Sunday morning instead of going to church. Good.
I had forgotten that Josette Day in part of La Belle at la Bete wore her hair in a ring-bun, x like yours. And she has your hairline and neck. It was wonderful to find these little confirmations outside the actual narrative which is full of congenial allusions. I thought it poignant: the symbolised need of love in la bete. Do you remember the duologues before the great fire in which the Courtier imperceptibly vanquishes the animal and then, later, in the glade, when a deer flashes, and up go his ears and his shoulders hunch... And the symbolism when la belle observes him guzzling water and shaking himself: somehow Cocteau suggests the action might have shocked her and that it is important than it doesn't. You see what is implied: compare it, solitary, animal, with her father's careful preparation before sipping the wine in the beast's palace, and the formal toast. Oh, and lots more.
I went to Little Stanmore church yesterday and really it was a treat. Verrio (pupils of), Bellucci, and Laguerre - all are represented, and there is one of the proudest 18th century monuments I have ever seen - to the Duke of Chandos and his two wives. A lot of the information in Whiffen's Stuart and Georgian Churches is incorrect, however, as long talks with the Verger proved. He is a charming and witty old man and he tells a very funny story of some Swiss Girls he showed round the church recently. They came to the Mausoleum which is half marble, half wood painted to resemble stone. He banged on the wooden portion and (here he illustrated what he did) threw his voice most skillfully: 'what do you want' and old man's voice wheezed. And then he scampered over to the other side of the room and banged again: 'Now what is it' another voice squeaked. The Swiss girls are firmly believed now that there are re-
x is that what it's called?