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gri_2003_m_46_b01_f06_011

Transcribers

  1. 65375462 - TomWillard
  2. 65396401 - ZoeV
  3. 65413871 - akrhsahni
  4. WINNER - 65421725 - Groundkeeper
  5. 65435568 - lawofrelativity
  6. 65506174 - Lynst

65375462 - TomWillard

-3-

heavy as smoke
from a guilty town
their sensual discharge

a crimson helmet
dark as hoarded blood
armpits of red
or dusty pink lips
knots of fire
islands of fire
heraldic calyx

o quim

armadas of rose
ardeur of manes

leaps of folded red
secret vases
of burning petals
soft as armpits

badges of soft flame
trembling symbols
like birds on fire
above a globe of kisses.

65396401 - ZoeV

-3-
heavy as smoke
from a guilty town
their sensual discharge

o crimson helmet
dark as hoarded blood
armpits of red
or dusty pink lips
knots of fire
islands of fire
heraldic calyx

o quim

armadas of rose
ardour of manes

lamps of folded red
secret vases
of burning petals
softs as armpits

badges of soft flame
trembling symbols
like birds on fire
above a globe of kisses

65413871 - akrhsahni


WINNER - 65421725 - Groundkeeper

heavy as smoke
from a guilty town
their sensual discharge
o crimson helmet
dark as hoarded blood
armpits of red
or dusty pink lips
knots of fire
islands of fire
heraldic calyx
o quim
armadas of rose
ardour of manes
lamps of folded red
secret vases of burning petals
soft as armpits
badges of soft flame
trembling symbols
like birds on fire
above a globe of kisses
until 1st poem since Kenington only because it fitted as a symbol of
cordon. The rantonal themes of stanza 7 are traditional criticism
of the town, praise of teh countrymean, and (Adam's head for sunset)
as Fall from Eden (Eden being the matatype for all pantonals). It
is as sound as colin I sleep at the end. Though there are few cliched
references a jam the poem depends on the antitheseis of Eylnea/
aunty and solitiude/uty. Though some of the images may seem
to repeat my autumn poem their development through this poem
is meant to show my rejection of them, and their, transformation to
satisfaction adone and is all country. Poem number four is, of
course, about roses, and their prime symbol. All my love, all, Lawrence
P.S. And I must not forget the malles song you had played for me suggested to me number four.

65435568 - lawofrelativity

-3-
heavy as smoke
from a guilty town
their sensual discharge

o crimson helment
dark as hoarded blood
armpits of red
or dusty pink lips
knots of fire
islands of fire
heraldic calyx

o quim

armadas of rose
ardour of manes

lamps of folded red
secret vases
of burning petals
soft as armpits

badges of soft flame
trembling symbols
like birds on fire
above a globe of kisses

In the 1st poem I use Kenington only because it fitted as a symbol of London. The pastoral themes of stanza 7 are traditional criticisms of the town, praise of the countrymen, and (Adam's head for sunset) the fall from Eden (Eden being the prototype for all pastorals). It is as sound as Colin I sleep at the end. Though there are few direct references to you the poem depends on the antithesis of Sylvia/country and solitude/city. Though some of the images may seem to repeat my autumn poem their development changes this poem is mean to show my rejection of them, and their transformation to satisfaction in lone and in the country. Poem number four is, of course, about roses and their prime symbol. All of my love, all, Lawrence.

P.S. And I must not forget: the Makles song you had played does for the suggested to me number four.

65506174 - Lynst

- 3 -

heavy as smoke
from a guilty town
their sensual discharge

o crimson helmet
dark as hoarded blood
armpits of red
or dusty pink lips
knots of fire
islands of fire
heraldic calyx

o quim

armadas of rose
ardour of manes

lamps of folded red
secret vases
of burning petals
soft as armpits

badges of soft flame
trembling symbols
like birds on fire
above a globe of kisses

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