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gri_2003_m_46_b02_f02_037

Transcribers

  1. WINNER - 65654802 - shmooshy
  2. 65915147 - altheist
  3. 66362147 - MrComaToes2
  4. 66396128 - Zunie2010
  5. 66951766 - itsmestephanie
  6. 67990800 - Pushdos

WINNER - 65654802 - shmooshy

round object in the centre-- in the one case a globe and its reflections, in the other flowers; and finally, the bent arms of the young feminine listener at the concert placed in the centre of the picture after the fashion of the area of Alphonese d'Avalos, But apart from these details, disconnecting though they are-- what is remarkable is the same seller, the same need to fill the canvas and stifle the figure with its restricted limits. Renoir often returned to such a presentation, as "la conversation L'Atelier", "La fin du Dejeuner", "Au cafe", "La Premier Sortie"

65915147 - altheist

round object in the centre - in the one case a globe and its reflections, in the other flowers; and finally, the bent arms of of the young feminine listener at the concert placed in the centre of the picture after the fashion of the arm of Alphonese d'Avalos. But apart from these details disconcerting though they are - what is - remarkable is the same selly, the same need to fill the canvas and stiple my finger within restricted limits. Reward often intwined to such a presentation, as "La Confession, L'Atelics", "La Lui Di DeSeuiev", "Au Cafe", + "La Premier Sortie"

66362147 - MrComaToes2

round object in the centre ___ in the one case(10)
a globe and it's reflections, in the other
flowers; and finally, the bent arms of
the young feminine listener at the
concert placed in the centre of the picture
after the fashion of the arms of Alphonese
a' Arabs, But apart from these details
disconcerting though they are - what is
remarkable is the same setting
the same
need to fill the canvas and stiffle the
figure within restrictive limits. Renoir
often to such a presentation, as
- "La Conversation", L ' Atelia + "La Luid De' Senher," Au Cafe', "La Premiere Sortie"

66396128 - Zunie2010

2
round object in the centre----in the one case on globe and its reflections, in the alter flowers; and, finally, the bent arms of of the young feminine listener at the concert placed in the centre of the picture after the fashion of the area of Alphonese d'Avalos. But apart from these details - disconcerting though they are - what is remarkable is the same selle, the same need to fill the canvas and stifle the figure within restricted limits. Renoir often returned to such a presentation, as - "La Conversation, L'Atelia + "La Lui de Deseuner, "Au Caf'e, "La Pneuuer Sortie"

66951766 - itsmestephanie

round object in the centre - in the one case
a globe and its reflections, in the other
flowers; and finally, the bent arms of
the young feminine listener at the
concert placed in the centre of the picture
after the fashion of the arm of Alphonse
d'Avalos. But apart from these details -
disconcerting though they are - what is
remarkable is the same seller; the same
need to fill the canvas and stifle the
figures within restricted limits. Renoir
often returned to such a presentation, as
in "La Conversation, l'Atelier & La Fin du
D'ejeuner", "Au Caf'e", "La Premi`ere Sortie"

67990800 - Pushdos

round object in the centre - in the one case a globe and its reflections, in the other flowers; and, finally, the bent arms of the young feminine listener at the concert placed in the centre of the picture after the fashion of the arm of Alphonse d'Arabs. But apart from these details, disconcerting though they are - what is remarkable is the same setting, the same need to fill the canvas and stifle the figures within restricted limits. Renoir often returned to such a presentation, as in "La Conversation, L'Atelier + ", La fin du Dejeuner, "Au Cafe, "La Premier Sortie"

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