gri_2003_m_46_b02_f03_030

Max. dissimilarity: 0.244
Mean dissimilarity: 0.164
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Transcribers

65534742 - Biancamaria
65619606 - not-logged-in-6853f48a9acecae73a5d
65697442 - not-logged-in-3aa780187773fd429a89
65728236 - snikdekl
WINNER - 65845792 - hoskinml
66271694 - RaeHughes
66274935 - Airenne

65534742 - Biancamaria

of the exhibition. 'Oh lonely'. 'And this (an abstraction by Piper)'? 'Oh lonely'. 'You the Constable, too, perhaps?' Silence. (Painted at it). 'Oh, lonely'. They smiled all the time but no powder fell onto the collars of their fur coats though I watched expectantly. With conscious orientation they each bought a catalogue on their way out: to buy a catalogue after having seen an exhibition is an infallible mark of sophistication.
A man and his wife went round the exhibition __backwards. They read the parts conscientiously but cannot have benefitted much starting at the wrong end. They did not discover their mistake and said nothing. When they reached The play Wain the man made an animal sound which the woman answered by a similar noise-though whether of approval or disapproval I can't say. Round the room they went, unspeaking, and disappeared after reading the introductory chart.
Euching an effeminate little pipe a boy -18 or 19-complained of the Braque that it was not 'accurate'. I explained accuracy was not the painter's aim. 'But why couldn't he

65619606 - not-logged-in-6853f48a9acecae73a5d

2
of the exhibition, 'oh lovely'. 'And this (an abstraction by Pipes)'? 'Oh lovely'. 'You like the courtable, too, perhaps?' Silence. I pointed at it. 'oh lovely'. They smiled all the time but no powder fell onto the collar of their fur coats though I watched expectantly. With conscientious ostentation they each bought a catalogue on their way out: to buy a catalogue after having seen an exhibition is an infallible mark of sophistication.

A man & his wife went round the exhibition - backwards. They read the charts conscientiously but can-
not have benefitted much starting at the wrong end. They did not discover their mistake & I said nothing. When they reached the May Wain the man made an animal sound which the woman answered by a similar noise - though whether of approval or disapproval I can't say. Round the room they went, unspeaking, & disappeared after reading the intro-
ductory chart.

Sucking an effeminate little pipe a boy - 18 or 19 - complained of the Broque that it was not 'accurate'. I explained accuracy was not the painter's aim. 'But why couldn't he

[Hand written, brown ink, lined paper, visible folds]

65697442 - not-logged-in-3aa780187773fd429a89

2
of the exhibition. 'oh lovely'. 'And this (an abstraction by Pipa'? 'oh lovely'. 'You like the comcable, too, perhaps?' Silence. I pointed at it. 'oh lovely'. They smiled all the time but no powder fell onto the collars of their fur coats though I waited expectantly. With conscientious ostentation they each bought a catalogue on their way out: to buy a catalogue after you've seen an exhibition is an infallible manr of sordintication.
A man & his wife went round the exhibition backwards. They read the parts conscientiously but cannot have benefitted much starting all the morg erd. They did not discover their mistake & I said nothing. When they readed the May Wain the man made an animal sound and the woman answered by a similar noise - though whether of approval or disapproval I can't say. Round the room they went, unspeaking, & disappeared after reading the introductory chart.
Euching and effeminate little pipe a day - 18 or 19 - complained of the Braque that it was not 'accurate'. I explained accuracy was not the painter's aim. 'But why wouldn't he

65728236 - snikdekl

of the exhibition. 'Oh lovely'. 'And this (an abstraction by Piper)'?
'Oh lovely'. 'You like the Constable, too, perhaps?' Silence.
I pointed at it. 'Oh lovely'. They smiled all the time but
no powder fell onto the collars of their fur coats though I watched
expectantly. With conscientious ostentation they each
bought a catalogue on their way out: to buy a catalogue
after you've seen an exhibition is an infallible mark of
sophistication.

A man & his wife went round the exhibition -
backwards. They read the charts conscientiously but can-
not have benefitted much starting at the wrong end. They
did not discover their mistake & I said nothing. When
they reached The Hay Wain the man made an animal sound
which the woman answered by a similar noise - though whether
of approval or disapproval I can't say. Round the room
they went, unspeaking, & disappeared after reading the intro-
ductory chart.

Sucking an effiminate little pipe a boy - 18 or 19 -
complained of the Braque that it was not 'accurate'. I explained
accuracy was not the painter's aim. 'But why couldn't he

WINNER - 65845792 - hoskinml

2
of the exhibition. 'oh lovely'. 'And this (an abstraction by Piper)'? 'oh lovely'. 'You like the Constable, too, perhaps?' Silence. I pointed at it. 'oh lovely'. They smiled all the time but no powder fell onto the collars of their fur coats though I watched expectantly. With conscientious ostentation they each bought a catalogue on their way out: to buy a catalogue after you've seen an exhibition is an infallible mark of sophistication.
A man & his wife went round the exhibition - backwards. They read the charts conscientiously but can-not have benefitted much starting at the wrong end. They did not discover their mistake & I said nothing. When they reached The May Wain the man made an animal sound which the woman answered by a similar noise - though whether of approval or disapproval I can't say. Round the room they went, unspeaking, & disappeared after reading the intro-ductory chart.
Sucking an effeminate little pipe a boy - 18 or 19 - complained of the Braque that it was not 'accurate'. I explained accuracy was not the painter's aim. 'But why couldn't he

66271694 - RaeHughes

of the exhibition. 'Oh lovely'. 'And this (an abstraction by Pipa)'? 'Oh lovely'. 'You like the Constable, too, perhaps?' Silence. I pointed at it. 'Oh lovely'. They smiled all the time but no powder fell onto the collars of their fur coats though I watched expectantly. With conscientious ostentation they each bought a catalogue on their way out: to buy a catalogue after you've seen an exhibition is an infallible mask of sophistication.

A man & his wife went round the exhibitions - backwards. They read the sharts conscientiously but can-not have benefitted much starting at the wrong end. They did not discover their mistake & I said nothing. When they reached The Hay Wain the man made an animal sound which the woman answered by a similar noise - though whether of approval or disapproval I can't say/ Round the room they went, unspeaking, and disappeared after reading the introductory chart.
Euching an effeminate litte pipe of a boy - 18 or 19 - complained of the Baroque that it was not 'accurate'. I explained accuracy was not the painter's aim. 'But why couldn't he

66274935 - Airenne

2

of the exhibition. 'oh lovely'. 'And this (an abstraction by Piper)'? 'oh lovely'. 'You like the imitable, too, perhaps?' Silence.
I painted at it. 'oh lovely'. They smiled all the time buy no powder fell onto the collars of their fur coats though I watched expectantly. With conscientious ostentation they each bought a catalogue on their way out: to but a catalogue after you've seen an exhibition is an infallible mark of sophistication.
A man & his wife went round the exhibition - backwards. They read the parts conscientiously but can-not have benefitted much starting at teh wrong end. They did not discover their mistake & I said nothing. When they readed The May Wain the man made an animal sound which the woman answered by a similar voice - though whether of approval or disapproval I can't say. Round the room they went, unspeaking, & disappeared after reading the intro - Luctary chant.
Sucking an effeminate little pipe a bay - 18 or 19. complained of the Broque that it was not 'accurate'. I explained accuracy was not the painter's aim. 'But why couldn't he

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