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gri_2003_m_46_b02_f04_004

Transcribers

  1. 65459931 - ChrisMM76
  2. 65498227 - LindaK0412
  3. 65502912 - Maxie_Baby
  4. 65748944 - srasg56
  5. 65796070 - Zunie2010
  6. WINNER - 66244476 - hoskinml

65459931 - ChrisMM76

2
Wednesday evening a painting class was held here. Reluctantly
postponing dinner I stayed to see it. Pupils are all women, & all (but one adolescent) are 40 and considerably over. this was the 3rd
week: sill life was their theme - & previously they had produced
abstractions. There is an odd rarity of phallic symbols: on the
whale the ladies prefer petal forms and layers of colour folding
back... One exception is Mrs. Cuningham ( a single lady, now,
who is school mistress & lives where I do) who turned a drapery into
a serpent prick. the pictures are spontaneous, individual, &
unself-conscious which is a great thing. (Women are much more
sensible & sensitive than the men: not only do fewer men come in
the ones that do are usually inferior to their wives.) the standard
of work is really excellent. The teacher (who is all breasts & bottom & a buttoned-up raincoat) guides without interfering.

This morning I went to Hampstead, invited by the Rev
Cecil Russell, a cultivated man with a pleasant wife, & he show-
ed me his church. I had borrowed Mrs. Cunningham's bicycle for
the journey so I was relieved to see a 13 foot tall image of St Christ-
opher when I went it. I know I was safe from . The
saint is one of numerous (13 wall paintings: Crucifixion ,
Last Supper, Entombment, Judgment, &C., not all equally -
ble. They make a fine covering for the early english stone walls.
Beyond this feast there is a superb Baroque monument, with a free
standing figure in white marble kneeling before it & gesturing pit-
eously at her dead brothers & sisters: it is very large and rich.
There is a signed monument, an interesting collection
of (18th , a (17th Scots , a charming register
starting in 158 something, &C., &C. It is most rich and it would
have been rich had not the plate all been given, with much else,
to the cause of Charles the as hie is described in a small chapel I was delighted to see set by for him. the roundheads
were kept out of the church. Hamstead is totally rural.
When Russell enquired of a labourer about a local custom
(many of which he incorporates with the symbolic games usual
in church) and asked, 'was it old', 'I don't know about
that, sir, it's 800 years old.

65498227 - LindaK0412

2

Wednesday evening a painting class was held here. Reluctantly
postponing dinner I stayed to see it. Pupils are all women, & all (but one adolescent) are 40 and considerably over. This was the 3rd
week: still life was this theme - & previously they had produced
abstractions. There is an odd rarity of phallic symbols: on the
whole the ladies prefer petal forms and layers of colour folding
back... One exception is more Cuningham (a single lady, rare, who is school mistress & lives where I do) who turned a drapery into
a superb prick. The pictures are spontaneous, individual, &
unself-conscious which is a great thing. (Women are much more
sensible & sensitive than the men: not only do fewer men come in
the ones that do are usually inferior to their wives.)
The standard
of work is really excellent. The teacher (who is all breasts &
bottom & a buttoned-up raincoat) guides without interfering.

This morning I went to Flamstead, invited by the Rev.
Cecil Russell, a cultivated man with a pleasant wife, & he show-
ed me his church. I had borrowed Mrs. Cuningham's bicycle for
the journey so I was relieved to see a 13 foot image of St. Christ-
ofer when I went in. I knew I was safe from disaster now. The
saint is one of numerous (13th & (14th wall paintings: crucifixion,
Last Supper, Entombment, Judgement, & C., not all equally neri-
ble They make a fine covering for the early english vane walls.
Beyond this feast there is a superb Baroque monument, with a free-
standing figure in white marble kneeling before it & gesturing pit-
eously at her dead brothers & sisters: it is very large and rich.
There is a signed Flaxman monument, an interesting collection
of early (18th vatchments, a (17th Scots cape, a charming regirtes
starting in 158 something, & C., & C. It is most rich and it would
have been rich had not all the plate been given, with much else,
to the cause of Charles de Marlys as he is described in a small
chapel I was delighted to see set by for him. The roundheads
were kept out of the church. Flamstead is totally rural.
When Burrell enquired of a labourer about a local custom
(many of which he incorporates with the symbolic games usual
in church) and asked, 'Was it old?' he told: 'I don't know about
that, sir, its 800 years old? Or is there an (18th bubble with a
map of The Garden of Eden & 'circumjacent countries.'

65502912 - Maxie_Baby

2

Wednesday evening a painting class was held here. Reluctantly
postponing dinner I stayed to see it. Pupils are all women, & all
(but one adolescent) are 40 and considerably over. This was the 3rd
week: still life was their theme - & previously they had produced
abstractions. There is an odd rarity of phallic symbols: on the
whole the ladies prefer petal forms and layers of colour folding
back... One exception is Mrs Cuningham (a single lady, now,
who is school mistress & lives where I do) who turned a drapery into
a superb prick. The pictures are spontaneous, individual, &
unself-conscious which is a great thing. (Women are much more
sensible & sensitive than the men: not only do fewer men come in
the ones that do are usually inferior to their wives.) The standard
of work is really excellent, The teacher (who is all breasts &
bottom & a buttoned-up raincoat) guides without interfering.

This morning I went to Flamstead, invited by the Rev.
Cecil Russell, a cultivated man witha pleasant wife, & he show-
ed me his church. I has borrowed Mrs. Cunningham's bicycle for
the journey so I was relieved to see a 13 foot image of St Christ-
opher when I went in. I knew I was safe from disaster now. The
saint is one of numerous C13th & C14th wall paintings: crucifixion,
last supper, Entombment, Judgment, &c., not all equally merit-
able. They made a fine covering for the early english nave walls.
Beyond this feast there is a superb Baroque monument, with a free
standing figure in white marble kneeling before it & gesturing pit-
eously at her dead brothers & susters: it is very large and rich.
There is a signed Flaxmann monument, an interesting collection
of early C18th vatchments, a C17yh Scots cape, a charming register
starting in 158something, &c., &c. It is most rich and it would
have been nice had not the plate all been given, with much else,
to the cause of Charles the martyr as he is described in a small
chapel I was delighted to see set by for him. The roundheads
were kept out of the church. Flamstead is totally rural.
When Russell enquired of a labourer aout a local custom
(many of which he incorporates with the symbolic games usual
in church) and asked, 'was it old?; he heard 'I don't know about
that, sir, it's 800 years old' Oh, & there is an C18th hankle with a
map of The Garden of Eden & 'circumjacent countries'.

65748944 - srasg56

2
Wednesday evening a painting class was held here. Reluctantly
postponing dinner I stayed to see it. Pupils are all women, & all
(but one adolescent) are 40 and considerably over. This was the 3rd
week: still life was this theme - & previously they had produced
abstractions. There is an odd rarity of phallic symbols: on the
whole the ladies prefer petal forms and layers of colour folding
back... One exception is Mrs Cuningham (a single lady, now,
who is a school mistress & lives where I do) who turned a drapery into
a superb prick. The pictures are spontaneous, individual &
unself-conscious which is a great thing. (Women are much more
sensible & sensitive than the men: not only do fewer men come in
the ones that do are usually inferior to their wives.) The standard
of work is really excellent. The teacher (who is all breasts &
bottom & a buttoned-up raincoat) guides without interfering.
This morning I went to Flamstead, invited by the Rev.
Cecil Russell, a cultivated man with a pleasant wife, & he show-
ed me his church. I had borrowed Mrs Cuningham's bicycle for
the journey so I was relieved to see a 13 foot image of St Christ-
opher when I went in. I knew I was safe from disaster now. The
saint is one of numerous C13th & C14th wall paintings - crucifixion,
Last Supper, Entombment, Judgment, &c., not all equally - xxx-
like. They make a fine covering for the early English nave walls.
Beyond this feast there is a superb Baroque monument, with a free
standing figure in white marble kneeling before it & gesturing pit-
eously at her dead brothers & sisters: it is very large and rich.
There is a signed Flaxman monument, an interesting collection
of early C18th hatchments, a C17th Scots cope, a charming register
starting in 1580 something, &c. &c. It is most rich and it would
have been rich had it not the plate all been given, with much else,
to the cause of Charles the Martyr as he is described in a small
chapel I was delighted to see set by for him. The Roundheads
were kept out of the church. Flamstead is totally rural.
When Russell enquired of a labourer about a local custom
(many of which he incorporates with the symbolic games usual
in church) and asked, 'was it old?' he told. 'I don't know about
that, sir, it's 800 year old' Oh, & there is an C18th bible with a
map of The Garden of Eden & 'circumjacent countries.'

65796070 - Zunie2010

2

Wednesday evening a painting class was held here. Recluctantly postponing dinner I stayed to see it. Pupils are all women, & all (but one adolescent) are 40 and considerably over. This was the 3rd week : still life was their theme - & previously they had produced abstractions. There is an odd rarity of phallic symbols : on the whole the ladies prefer metal forms and layers of colour folding back... One exception is Mrs. Cuningham (a single lady, now, who is school mistress & lives where I do) who turned a drapery into a superb prick. The pictures are spontaneous, individual & unself-conscious which is a great thing. (Women are much more sensible & sensitive than all men: not only do fewer men come in the ones that do are usually inferior to wines.) the standard of work is really excellent. the teacher (who is all breast's & bottom is buttoned-up raincoat) guides without interfering.

This morning I went to Flamstead, invited & the Rev. Cecil Russell, a cultivated man with a pleasant wife, & he show-ed me his . I had borrowed Mrs - Cuningham's bicycle for the journey as I was relieved to see a 13 foot image of St Christ - after when I went in. I know I was safe from disaster now. The saint is one of numerous (13th (14th wall paintings : crucifixion, last supper, Entombment, Judgment, &c., not all equally were - . They make a fine covering for the early English vane walls. Beyond this feast there is a superb Baroque monument, until a free standing figure in white marble kneeling before it & gesturing piteously at her dead brothers & sisters: it is very large and . There is a signed Fleasmann monument, an interesting collection of early (18th parchments, a (17th Scots cape, a charming starting in 158 something, &c, &c. It is most rich and it would have been nice had not the plate all been given, with much else, to the cause of Charles the martyr as he is describe in a small chapel I was delighted to see set by for him. The roundheads were kept out of the churches. Flamstead is totally rural. When Russell inquired of a labourer about a local custom ( which he incorporates until the symbolic games usual in church) and asked, 'was it old?' he said, 'I don't know about that, sir, it's 800 years old? Oh, and there is an (18th table with a map of The Garden of Eden & circumjacent countries?

WINNER - 66244476 - hoskinml

2 Wednesday evening a painting class was held here. Reluctantly postponing dinner I stayed to see it. Pupils are all women, & all (but one adolescent) are 40 and considerably over. This was the 3rd week : still life was their theme - & previously they had produced abstractions. There is an odd rarity of phallic symbols : on the whole the ladies prefer petal forms and layers of colour folding back . . . One exception is Mrs Cuningham (a single lady, now, who is school mistress & lives where I do) who turned a drapery into a superb prick. The pictures are spontaneous, individual, & unself-conscious which is a great thing. (Women are much more sensible & sensitive than the men= not only do fewer men come in the ones that do are usually inferior to their wives.) The standard of work is really excellent. The teacher (who is all breasts & bottom & a buttoned - up raincoat) guides without interfering.
This morning I went to Hamstead, invited by the Rev. Cecil Russell, a cultivated man with a pleasant wife, & he show-ed me his church. I had borrowed Mrs. Cuningham's bicycle for the journey so I was relieved to see a 13 foot image of St Christ-opher when I went in. I knew I was safe from disaster now. The saint is one of numerous C13th to C14th wall paintings : crucifixion, Last Supper, Entombment, Judgment, &c., not all equally visi-ble. They make a fine covering for the early english nave walls. Beyond this feast there is a superb Baroque monument, with a free standing figure in white marble kneeling before it & gesturing pit-eously at her dead brothers & sisters: it is very large and rich. There is a signed Flaxman monument, an interesting collection of early C18th natchments, a C17 Scots cape, a charming register starting in 158something, &c, &c. It is most rich and it would have been rich had not the plate all been given, with much else, to the cause of Charles the Martyr as he is described in a small chapel I was delighted to see set by for him. The roundheads were kept out of the church. Hamstead is totally rural. When Russell enquired of a labourer about a local custom (many of which he incorporates with the symbolic games usual in church) and asked, 'was it old?' he told. 'I don't know about that, sir, it's 800 years old.' Oh, & there is an C18th bible with a map of The Garden of Eden & 'circumfacent countries'.

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