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gri_2003_m_46_b02_f05_035

Transcribers

  1. 65462578 - landfordjohnmartin
  2. 65498971 - ChrisMM76
  3. 65565945 - LJE
  4. WINNER - 65752513 - Preacher357
  5. 65988162 - tmeconverse
  6. 66211879 - WiltedLotus

65462578 - landfordjohnmartin

neritale jantles My dearest creature - marvellous painter - I adore you.

I am writing this in the N. G. Charles' voice is booming 2 galleries away and soon we are to have lunch though not, as he thinks, at the salad bowl.

I told John Shipp about Peterboro and he is going to try & get somebody else. The exhibition was "Italian Influences on c18th English Painting".

Lastly I must say how much I love you once again. 'Who is it in the orchard?' It is Sylvia, my love, my dream, my painter, my muse. 'Eylnia in a hundred poses', each pose ravishing her lion.

I love you, Lawrence

65498971 - ChrisMM76

2
. My dearest creature
marvellous painter - I adore you.

I am writing this in the N.G. Charles'
voice is booming 2 galleries away and
soon we are to have lunch though not,
as he thinks, at the salad bowl.

I told John Skipp about Peterboro and he
is going to try and get somebody else. The
exhibition was Italian influence on (18th English Painting).

Lastly I must day how much I love you
once again. 'Who is it in the orchard?'
It is Sylvia, my love, my dream, my
painter, my muse. 'Sylvia in a
,each pose ravishing her
lion
I love you
Lawrence

65565945 - LJE

2
hesitate faintlyMy dearest creature - marvelous painter - I adore you.
I am writing this in the N.G. Charles' voice is booming 2 galleries away and soon we are to have lunch though not, as he thinks, at the salad bowl.
I told John Shipp about Peterboro and he is going to try to get somebody else. The exhibition was Italian Influences on (18th English Painting?
Lastly I must say how much I love you once again. Who is it in the orchard? It is Sylvia, my love, my dream, my painter, my muse. 'Sylvia in a hun-dred poses', each pose vanishing her lion.
I love you
Lawrence

WINNER - 65752513 - Preacher357

2
hesitate Jartles. My dearest creature,
marvellous painter, I adore you.

I am writing this in the N.G. Charles'
voice is booming 2 galleries away and
soon we are to have lunch though not,
as he thinks, at the salad bowl.

I told John Shipp about Peterboro and he
is going to try & get somebody else. The
exhibitions was Italian influences on (18th
English Painting!

Lastly I must say how much I love you,
once again. Who is it in the orchard?
It is Sylvia, my love, my dream, my
painter, my muse. 'Sylvia in a hun-
dred poses', each pose ravishing her
lion.
I love you
Lawrence

65988162 - tmeconverse

2
veritate fartles. My dearest creature - marvellous painter - I adore you.

I am writing this in the N.G. Charles' voice is booming 2 galleries away and soon we are to have lunch though not, as he thinks, at the salad bowl.

I told John Skipp about Peterboro and he is going to try to get somebody else. The exhibition was Italian influence on (18th English Painting?

Lastly I must say how much I love you, once again. 'Who is it in the orchard?' It is Sylvia, my love, my dream, my painter, my muse. 'Sylvia in a hundred poses; and each pose ravishing her lion.

I love you
Lawrence

66211879 - WiltedLotus

2
hesitate further. My dearest creature - marvellous painter - I adore you.

I am writing this in the N.G. Charles' voice is booming 2 galleries away and soon we are to have lunch though not, as he thinks, at the salad bowl.

I told John Shipp about Peterboro and he is going to try & get somebody else. The exhibition was 'Italian influence on C 18th English Painting.'

Lastly I must say how much I love you, once again. 'Who is it in the orchard?' It is Sylvia, my love, my dream, my painter, my muse. 'Sylvia in a hundred poses,' each pose ravishing her lion.

I love you
Lawrence

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