gri_2003_m_46_b03_f05_004
- Max. dissimilarity: 0.055
- Mean dissimilarity: 0.032
- Image votes: 0.0
Transcribers
- 66049239 - Preacher357
- 66053887 - Bambina41
- WINNER - 66179298 - DoubleOhHelix
- 66214794 - 2416837397
- 66261423 - k.h.pot
- 66301901 - Pandanglish
66049239 - Preacher357
Blackheath 3 vi 1950Dearest Sylvia,
It is a fine evening and I am sitting by the open window
with your pictures, as always, giving me pleasure when-
ever I lift my head, whichever way I look - your nudes,
your still-lifes, or lion-likenesses. The birds are,
to use the word you taught me, creaming. Your recent
letters are beside me and my only disappointment is that
you have not yet sent the second oul-wedding drawing
that you promised days and days ago. But, still, the
one I have is so pretty: I especially admire the dif-
ference in build and proportion between and male and the
female owl. You have exactly caught them.
Peter Raven was under my arm this morning as I walked to-
wards the station and met, guess who, Peter Raven. I
greeted him, but sternly. He was clearly a little ab-
ashed, remembering that he had defaulted. I entered
him for The Observer exhibition this morning.
On Monday I will collect your pictures from the Ken-
sington Gallery for you said, I see, after re-reading
your letters, that 5th June was the day set my Mrs Mar-
chant. Your lion-manager thinks he has somewhere else
to show them. There is to be an exhibition in the foyer
of a small theatre somewhere, the details of which I
can get on Tuesday. If it sounds safe and satis-
factory perhaps you would not mind lending them? What
do you think? It could do no harm. In any case there
is no hurry for a week or two.
I saw Ceri Richards at the Redfern this morning )Miller
was not there as far as I could see) and agree with
you. The picture in the case outside is a full pastiche
of HM. Some of the large pieces are exciting, strong,
and bold bu there is a rather forced feeling about juxta-
posing Matisse colour with his own odd figure formulae.
66053887 - Bambina41
Blackheath 3vi1950Dearest Sylvia,
It is a fine evening and I am sitting by the open window with your pictures, as always, giving me pleasure whenever I lift my head, whichever way I look-your nudes, your still-lifes, or lion-likenesses. The birds are, to use the word you taught me, creaming. Your recent letters are beside me and my only disappointment is that you have not yet sent the second owl-wedding drawing that you promised days and days ago. But, still, the one I have is so pretty: I especially admire the difference in build and proportion between the males and the female owl. You have exactly caught them.
Peter Raven was under my arm this morning as I walked towards the station and met, guess who, Peter Raven. I greeted him-but sternly. He was clearly a little abashed, remembering that he had defaulted. I entered him for The Observer exhibition this morning.
On Monday I will collect your pictures from the Kensington Gallery for you said, I see, after re-reading your letters, that 5th June was the day set my Mrs. Marchant. Your lion-manager thinks he has somewhere else to show them. There is an exhibition in the foyer of a small theater somewhere, the details of which I can get on Tuesday. Ig it sounds safe and satisfactory perhaps you would not mind lending them? What do you think? It could do no harm. In any case there is no hurry for a week or two.
I saw Ceri Richards at the Redfern this morning (Miller was not there as far as I could see) and agree with you. The picture in the case outside is a full pastiche of HM. Some of the large pieces are exciting, strong, and bold but there is a rather forced feeling about juxtaposing Matisse color with his own odd figure formulae.
WINNER - 66179298 - DoubleOhHelix
Blackheath 3 vi 1950Dearest Sylvia,
It is a fine evening and I am sitting by the open window with your pictures, as always, giving me pleasure when-ever I lift my head, whichever way I look - your nudes, your still-lifes, or lion-likenesses. The birds are, to use the word you taught me, creaming. Your recent letters are beside me and my only disappointment is that you have not yet sent the second owl-wedding drawing that you promised days and days ago. But, still, the one I have is so pretty: I especially admire the dif-ference in build and proportion between the male and the female owl. You have exactly caught them.
Peter Raven was under my arm this morning as I walked to-wards the stations and met, guess who. Peter Raven. I greeted him - but sternly. He was clearly a little ab-ashed, remembering that he had defaulted. I entered him for The Observer exhibition this morning.
On Monday I will collect your pictures from the Ken-sington Gallery for you said, I see, after re-reading your letters, that 5th June was the day set by Mrs Mar-chant. Your lion-manager thinks he has somewhere else to show them. There is to be an exhibition in the foyer of a small theatre somewhere, the details of which I can get on Tuesday. If it sounds safe and satisfactory perhaps you would not mind lending them? What do you think? It could do no harm. In any case there is no hurry for a week or two.
I saw Ceri Richards at the Redfern this morning (Miller was not there as far as I could see) and agree with you. The picture in the case outside is a full pastiche of HM. Some of the large pieces are exciting, strong, and bold but there is a rather forced feeling about juxta-posing Matisse colour with his own odd figure formulae.
66214794 - 2416837397
BlackheathDearest Sylvia,
It is a fine evening and I am sitting by the open window with your picture, as always, giving me pleasure whenever I lift my head, whichever way I look- your nudes, your still-lifes, or lion-likenesses. The birds are, to use the word you taught me, creaming. Your recent letters are beside me and my only disappointment is that you have not yet sent the second owl-wedding drawing that you promised days and days ago. But, still, the one I have is so pretty: I especially admire the difference in build and proportion between the male and the female owl. You have exactly caught them. Peter Raven was under my arm this morning as I walked towards the station and met, guess who, Peter Raven. I greeted him- but sternly. He was clearly a little abashed, remembering that he had defaulted. I entered him for The Observer exhibition this morning. On Monday I will collect your pictures from the Kensington Gallery for you said, I see, after re-reading your letters, that 5th June was the day set by Mrs Marchant. Your lion-manager thinks he has somewhere else to show them. There is to be an exhibition in the foyer of a small theatre somewhere, the details of which I can get on Tuesday. If it sounds safe and satisfactory perhaps you would not mind lending them? What do you think? It could do no harm. In any case there is no hurry for a week or two. I saw Ceri Richards at the Redfern this morning (Miller was not there as far as I could see) and agree with you. The picture in the case outside is a full pastiche of HM. Some of the large pieces are exciting, strong, and bold but there is a rather forced feeling about juxtaposing Matisse colour with his own odd figure formulae.
66261423 - k.h.pot
Blackheath3 vi 1950
Dearest Sylvia,
It is a fine evening and I am sitting by the open window
with your pictures, as always, giving me pleasure when-
ever I lift my head, whichever way I look - your nudes,
your still-lifes, or lion-likenesses. The birds are,
to use the word you taught me, creaming. Your recent
letters are beside me and my only disappointment is that
you have not yet sent the second owl-wedding drawing
that you promised days and days ago. But, still, the
one I have is so pretty: I especially admire the dif-
ference in build and proportion between the male and the
female owl. You have exactly caught them.
Peter Raven was under my arm this morning as I walked to-
wards the station and met, guess who, Peter Raven. I
greeted him - but sternly. He was clearly a little ab-
ashed, remembering that he had defaulted. I entered
him for The Observer exhibition this morning.
On Monday I will collect your pictures from the Ken-
sington Gallery for you said, I see, after re-reading
your letters, that 5th June was the day set by Mrs Mar-
chant. Your lion-manager thinks he has somewhere else
to show them. There is to be an exhibition in the foyer
of a small theatre somewhere, the details of which I
can get on Tuesday. If it sounds safe and satis-
factory perhaps you would not mind lending them? What
do you think? It could do no harm. In any case there
is no hurry for a week or two.
I saw Ceri Richards at the Redfern this morning (Miller
was not there as far as I could see) and agree with
you. The picture in the case outsdie is a full pastiche
of HM. Some of the large pieces are exciting, strong,
and bold but there is a rather forced feeling about juxta-
posing Matisse colour with his own odd figure formulae.
66301901 - Pandanglish
Blackheath3 vi 1950
Dearest Sylvia,
It is a fine evening and I am sitting by the open window
with your pictures, as always, giving me pleasure when-
ever I lift my head, whichever way I look - your nudes,
your still-lifes, or lion-likenesses. The birds are,
to use the word you taught me, creaming. Your recent
letters are beside me and my only disappointment is that
you have not yet sent the second owl-wedding drawing
that you promised days and days ago. But, still, the
one I have is so pretty: I especially admire the dif-
ference in build and proportion between the male and the
female owl. You have exactly caught them.
Peter Raven was under my arm this morning as I walked to-
wards the station and met, guess who, Peter Raven. I
greeted him - but sternly. He was clearly a little ab-
ashed, remembering that he had defaulted. I entered
him for The Observer exhibition this morning.
On Monday I will collect your pictures from the Ken-
sington Gallery for you said, I see, after re-reading
your letters, that 5th June was the day set by Mrs Mar-
chant. Your lion-manager things he has somewhere else
to show them. There is to be an exhibition in the foyer
of a small theatre somewhere, the details of which I
can get on Tuesday. If it sounds safe and satis-
factory perhaps you would not mind lending them? What
do you think? I could do no harm. In any case there
is no hurry for a week or two.
I saw Ceri Richards at the Redfern this morning (Miller
was not there as far as I could see) and agree with
you. The picture in the case outside is a full pastiche
of HM. Some of the large pieces are exciting, strong,
and bold but there is a rather forced feeling about juxta-
posing Matisse colour with his own odd figure formulae.