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Transcribers

  1. WINNER - 66125849 - Culebra78
  2. 66166402 - not-logged-in-939538ab60c3411bfee1
  3. 66546318 - MrComaToes2
  4. 66787097 - mikethebike2
  5. 66963567 - ethomson
  6. 67304441 - jsprake

WINNER - 66125849 - Culebra78

1st July 1950
Blackheath
Dearest Sylvia,

My previous letter to you was very short I'm afraid but I shall make this letter more adequate. It is Saturday evening: I have eaten my meat ration, among much else, and pause from critical writing to put down what has been in my mind all day - I love you. I have quite enjoyed this day at home, after a very busy Friday, and look forward to two more days at Blackheath. I miss you but I miss no one else and do not feel impelled to ring anybody up, as I used to. Today I have completed Gilpin, the marisot note (which I enclose in its complete form), and added your observation about Sigimondo as a sequel to the Lady's Last Stake to the psychoanalytical chapter. I look forward to another day's work tomorrow.

However, all this is about me. I hasten to say how glad I am that you have bought your canvas and I look forward very much to news of its progress - from priming onwards. Omit no stage in its creation, my beauty. I think it is a very good idea to continue with the subject despite the setback about the church. I withdraw my suggestion that you paint something classical for clearly that would be a silly compromise with your ideas for the large work. So I await with great curiosity and excitement more news of this ambitious project.

I wonder what has happened about Clifford's interview at Oxford. Do tell me as soon as you know. I was glad to hear he was cheerful on Thursday evening. You must have returned in time to outweigh Grace's telephone calls. Good cat - I'm very pleased.

I am glad the only too well named Savages are good for something. (I sound like you talking about Peter Simmons!) I am sure that you will do a satisfactory portrait for them because they are fond of you and seem appreciative. Your muse commends the commission and will do his best to make all go smoothly, even at long distance.

66166402 - not-logged-in-939538ab60c3411bfee1

1st July 1950 Blackheath
Dearest Sylvia
My previous letter to you was very short I'm afraid but I shall made this letter more adequate. It is Saturday evening: I have eaten my meat ration, among much else, and pause from critical writing to put down what has been in my mind all day - I love you. I have quite enjoyed this day at home, after a very busy Friday and look forward to two more days at Blackheath. I miss you but I miss no-
one else and do not feel impelled to ring anybody up, as I use to. Today I have completed Gilpin, the manizat note (which I enclose in the completed form), and added your observation about Sigismundor as a sequel to The Lady;s Lats Stake in the psych-analytical scripts. I look forward to another day's work tomorrow.

Flower, all this is about me. I hasten to say how glad I am that you have bought your canvas and I look forward very much to news of it's progress - from priming onwards. Omit no stage in its creation, my beauty. I think it is a very good idea to continue units subject despite the set-back about the church. I withdraw my suggestion that you paint something classical for clearly that would be a silly compromise with your ideas for the large work. So I await with great curiosity and excitement more news of this ambitious project.

I wonder what has happened about Clifford's interview at Oxford. Do tell me as soon as you know. I was glad to hear he was cheer-
ful on Thursday evening. You must have returned in time to outweigh Grace's telephone calls. Good cat - I'm very pleased.

I am glad the only too-well named Savages are good for something. (I sound like you talking about Peter Simmons!) I am sure that you will do a satisfactory portrait for them because they are fond of you and seem appreciative. Your muse commends the commis-
sion and will do his best to make all go smoothly, even at long distance.

66546318 - MrComaToes2

1st July 1950 Blackheath

Dearest Sylvia
My previous letter to you was very short I'm afraid but I shall make
this letter more adequate. It is Saturday evening:
I have eaten my
meat ration, among much else, and pause from critical writing to
put down what has been on my mind all day - I love you. I have
quite enjoyed this day at home, after a very busy
Friday, and look
forward to two more days at Blackheath. I miss you but I miss no-
one else and do not feel impelled to ring anybody up, as I used to.
Today I have completed Silpin, the Morisot note (which I enclose in it's
completed form). and added your observations
about Sigismunda as
a sequel to The Lady's Last Stake to the psycho-analytical chapter. I look forward to another day's work tomorrow.
However all this is about me. I hasten to say how glad I am that
you have brought your canvas and I look forward very much to
news of it's progress - from priming onward. Omit no stage in it's
creation, my beauty. I think it is a very good idea to continue
with the subject despite the set - back about the church. I withdraw
my suggestion that you paint something clarrical for clearly that
would be a silly compromise wiith your ideas for the large work.
So I await with great curiosity and excitement more news of this
ambitious project.
I wonder what happened about Clifford's interview at Oxford.
& do tell me as soon as you know. I was glad to hear he was Isen-
hil on thursday evening. You must have returned in time to
outweigh Grace's telephone calls. Good cat - I'm very pleased.

I am glad the only too - well named Savages are good for something.
( I sound like you talking about Peter Simmonds!)
I am sure that you
will do a satisfactory portrait for them because they are fond
of you and seem appreciative. Your muse commends the commis -
sion and will do his best to make all go smoothly,
even at long
distance.









66787097 - mikethebike2

1st July 1950 Broadhants.
Dearest Sylvia, My previous letter to you was very short `i'm afraid but I shall make this letter more adequate. It is Saturday evening: I have eaten my meat ration, among much else, and pause from critical writing to put down what haas been in my mind all day, I love you. I have quite enjoyed this day at home, after a very busy Friday, and look forward to two more days at Blackants. I miss you but I miss no-one else and do not feel impelled to ring anybody up, as I used to. Today I have completed Gilpin, the marisat note (which I enclose in its completed form), and added your observations about Sigismunda as a sequel to The Lady's last stake to the psycho-oralytical slopes. I look forward to another day's work tomorrow.
However all this is about me. I hasten to say how glad I am that you have bought your canvas and I look forward very much to news of its progress, from priming onwards. Omit no stage in its creation, my beauty. I think it is a very good idea to continue with all subject despite the setback about the church. I withdraw my suggestion that you paint something classical for dearly that would be a silly compromise with your ideas for the large work, so I await with great curiosity and excitement more needs of this ambitious project.
I wonder what has happened about Clifford's interview at Oxford. Do tell me as soon as you know. I was glad to hear he was cheerful on Thursday evening. You must have returned in time to outweigh Grace's telephone calls. Good cat, I'm very pleased.
I am glad the only too-well named Savages are good for something.( Sound like you talking about Pete Simmons) I am sure that you will do as satisfactory portrait for them because they are fond of you and seem appreciative. Your muse commends the commission and will do his best make all go smoothly, even at long distance.

66963567 - ethomson

1st July 1950 Blackheath
Dearest Sylvia
My previous letter to you was very short I'm afraid but I shall make
this letter more adequate. It is Saturday evening: I have eaten my
meat ration, among much else, and pause from critical writing to
put down what has been in my mind all day - I love you. I have
quite enjoyed this day at home, after a very busy Friday and look
forward to two more days at Blackheath. I miss you but I miss no-
one else and do not feel impelled to ring anybody up, as I used to.
Today I have completed Gilpin, the Morisot note (which I enclose in its
completed form), and added your observations about Sigismundo as
a sequel to The Lady's Last Stake to the psycho-analytical [[?]]. I
look forward to another day's work tomorrow.
However, all this is about me. I hasten to say how glad I am that
you have bought your canvas and I look forward very much to
news of its progress - from priming onwards. Omit no stage in its
creation, my beauty. I think it is a very good idea to continue
with the subject despite the set-back about the church. I withdraw
my suggestion that you paint something classical for clearly that
would be a silly compromise with your ideas for the large work.
So I await with great curiosity and excitement more news of this
ambitious project.
I wonder what has happened about Clifford's interview at Oxford.
Do tell me as soon as you know. I was glad to hear he was cheer-
ful on Thursday evening. You must have returned in time to
outweigh Grace's telephone calls. Good cat - I'm very pleased.
I am glad the only too-well named Savages are good for something.
(I sound like you talking about Pete Simmons!) I am sure that you
will do a satisfactory portrait for them because they are fond
of you and seem appreciative. Your muse commends the commis-
sion and will do his best to make all go smoothly, even at long
distance.

67304441 - jsprake

1st July 1950
Blackheath
Dearest Sylvia
My previous letter to you was very short I'm afraid but I shall make
this letter more adequate. It is Saturday evening: I have eaten my
meat ration, among much else, and pause from critical writing to
put down what has been on my mind all day - I love you. I have
quite enjoyed this day at home, after a very busy Friday and look
forward to two more days at Blackheath. I miss you but I miss no-
one else and do not feel impelled to ring anybody up, as I used to.
Today I have completed Gilpin?, the marirat note (which I enclose in its
completed form) and added your observation about Sigismunda as
a sequel to The Lady's Last Stake to the psycho-oralytical .loptes. I
look forward to another day's work tomorrow.

However, all this is about me. I hasten to say how glad I am that
you have bought your canvas and I look forward very much to
news of its progress - from priming onwards. Omit no stage in its
creation, my beauty. I think it is a very good idea to continue
with the subject despite the set-back about the church. I withdraw
my suggestion that you paint something clarrical for clearly that
would be a silly compromise until your ideas for the large work.
So I await with great curiosity and excitement more news of this
ambitions project.

I wonder what has happed about Clifford's interview at Oxford.
Do tell me as soon as you know. I was glad to hear he was .le..ful
on Thursday evening. You must have returned in time to
outweigh Grace's telephone calls. Good cat - I'm very pleased.

I am glad the only too-well named Savages are good for something.
(I sound like you talking about Peter Simmons). I am sure that you
will do a satisfactory portrait for them because they are fond
of you and see appreciative. Your muse commends the commis-
sion and will do his best to make all go smoothly, even at long
distance.

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