gri_2003_m_46_b03_f06_020
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Transcribers
- 66161204 - lexicutioner
- 66208161 - Amber2
- WINNER - 66211577 - SusanMorley53425
- 66671349 - gailkoelker
- 68239048 - JanetCormack
- 68269750 - slicitra
66161204 - lexicutioner
7 VII 19504 Rue de Navarre Paris V
Dearest Sylvia,
Your letter, posted on 6th July, arrived, today - not first post but sometime during the day, which is delightfully fast so that I have fresh news of you so soon. I was up a little before you on Thursday, but only a little. I'm so sorry you were up at seven but I am so happy at your creative firmness and decision, your making of opportunities to paint. Wise as well as beautiful cat - faithful to your rare creative gifts, how I adore you. Give Ting a great big kiss from Netty for sitting for you - how near to completion that admirable portrait of Ting is. Tell me a little more about 'Frankie's' portrait - its size & composition so I can visualise it.
Today, in the afternoon, I went to the Orangerie. No German primitives, however, but an exhibition much more congenial to this old lion - Louix XV et Rocaille, a pleasing exhibition of small dimensions, the purpose of which is to display 60 rococo sculptures, supported by some pictures, tapestries, drawings, porcelain. I will tell you more of it later. Then I crossed over to the Jeu de Paume and lingered for a little while at the place we sat by the pool in the Tuilleries on our one day in Paris and, in a very reminiscent mood looked at Monet & Marisol.
Last night, at 10, thought tired I saw Madchen in Uniform, that fine, harrowing film of lesbianism in a girl's school, a pre-Hitler German film. Then this evening I saw the magnificent mannerist film 'Le Parrion de Jeanne D'Arc', free, at a film society with Peter Simmons. His flat, incidentally, though noisy at night is pleasant, containing as it does two beds, separate kitchen, pressure-cooker, and so on. If I sleep in the pressure cooker it may be quieter tonight ...
My poems are rather static at the moment but your letter, I know, will release the slight inhibition and then I will send you some verse. I am sorry, in view of your own creativity, to be so dilatory. It's only very temporary.
66208161 - Amber2
7 VII 1950 4 Rue do Narame Paris VDearest Sylvia
Your letter, posted on 6th July, arrived, today - not final post but sometime during the day, which is delightfully fast so that I have news of you so soon. I was up a little before you on Thursday, but only a little. I am so sorry you were up at seven but I am so happy at your creative firmness and decision, your making of opportunities to paint. Wise as well as beautiful cat - faithful to your rare creative gifts, how I adore you. Give Ting a great big kiss from Matty for sitting for you - how near to completion that admirable portrait of Ting is. Tell me a little more about 'Frankie's' portrait - its size and composition so I can visualise it.
Today in the afternoon I went to the Orangerie. No German primitives /ameres, but an exhibition much more congenial to this old lion - Louis XV et Rocaille, a pleasing exhibition of small dimensions, the purpose of which is to display 60 rococo sculptures, supported by some pictures, tapestries, drawings, porcelain. I will tell you more of it later. then I carried on to the Jeu de Paume and lingered for a little while at the place we sat by the pool in the Tuileries on our one day in Paris and, in a very reminiscent mood looked at Monet and Marisol.
Last night, at 10, though tired I saw Madchen in Uniform, that fine, ????ing film of lesbianism in a girls' school, a pre-Hitler German film. Then this evening I saw the magnificent mannerist film 'Le Passion de Jeanne D'Arc', free, at a film society with Peter Simmons. His flat, incidentally, though noisy at night, is pleasant, containing as it does tow beds, separate kitchen, pressure-cooker and so on. If I sleep in the pressure cooker it may be quieter tonight....
My poems are rather static at the moment but your letter, I know, will release the slight inhibition and then I will send you some verse. I am sorry in view of your own creativity, to be so dilatory. it is only very temporary.
WINNER - 66211577 - SusanMorley53425
7 VII 1950 4 Rue de Navonne ParisDearest Sylvia
Your letter, posted on 6th July, arrived, today - not first post but
sometime during the day, which is delightfully fast so that I have
fresh news of you so soon. I was up a little before you on Thurs-
day, but only a little. I'm so sorry you were up at seven but I
am so happy at your creative firmness and decision, your making
of opportunities to paint. Wise as well as beautiful cat - faithful to
your rare creative gifts, how I adore you. Give Tiny a great big
kiss from Hetty for sitting for you - how near to completion that admir-
able portrait of Tiny is. Tell me a little more about 'Frankie's'
portrait - its size and composition so I can visualise it.
Today, in the afternoon, I went to the Orangerie. No German primitives,
however, but an exhibition much more congenial to this old lion -
Louis XV at Rocaille, a pleasing exhibition of small dimensions,
the purpose of which is to display 60 rococo sculptures, supported
by some pictures, tapestries, drawings and porcelain. I will tell you
more of it later. Then I crossed over to the Sein de Pauvre and lingered for a little while at the place we sat by the pool in the Tuilleries on our one day in Paris and, in a very reminiscent
mood looked at Monet and Marisol.
Last night, at 10, though tired I saw Madilen in Uniform, that
fine, harrowing film of lesbianism in a girl's school, a pre-
Hitler German film. Then this evening I saw the magnificent man-
merist film 'Le Passion de Jeanne D'Arc', free, at a film society
with Peter Simmons. His flat, incidentally, though noisy at
night is pleasant, containing as it does two beds, separate
kitchen, pressure-cooker, and so on. If I sleep in the pressure
cooker it may be quieter tonight ...
My poems are rather static at the moment but your letter, I know,
will release the slight inhibition and then I will send you some
verse. I am sorry, in view of your own creativity, to be so
dilatory. It is only very temporary.
66671349 - gailkoelker
7 vii 1950 4 Rue de Navarre ParisDearest Sylvia Your letter, posted on 6th July, arrived, today - not first post but sometime during the day, which is delightfully fast so that I have fresh news of you so soon. I was up a little before you on Thursday, but only a little. I'm so sorry you were up at seven but I am so happy at your creative firmness and decision, your making of opportunities to paint. Wise as well as beautiful cat-faithful to your rare creative gifts, how I adore you. Give Tiny a great big kiss from Hetty for sitting for you-how near to completion that admirable portrait of Tiny is. Tell me a little more about "Frankie's" portrait, its size & composition so I can visualize it. Today, in the afternoon, I went to the Orangerie. No German primitives, however, but an exhibition much more congenial to this old lion-"Louis XV at Rocaille", a pleasing exhibition of small dimensions, the purpose of which is to display 60 rococo sculptures, supported by some pictures, tapestries, drawings, porcelain. I will tell you more of it later. Then I crossed over to the and lingered for a little while at the place we met by the pool in the Tuilleries on our one day in Pairs and, in a very reminiscent mood looked at Monet & Marisot. Last night, at 10, though tired I saw "Madchen in Uniform", that fine, harrowing film of lesbianism in a girls school, a pre-Hitler German film. Then this evening I saw the magnificent Mannerist film "Le Parisian de Jeanne D' Arc'", free, at a film society with Peter Simmons. His flat, incidentally, though noisy at night is pleasant, containing as it does two beds, separate kitchen, pressure-cooker, and so on. If I sleep in the the pressure cooker it may be quieter tonight... My poems are rather static at the moment but your letter, I know, will release the slight inhibition and then I will send you some verse. I am sorry, in view of your own creativity, to be so dilatory. It is only very temporary.
68239048 - JanetCormack
7 VII 1950 4 Rue de Navarre ParisDearest Sylvia
Your letter, posted on 5th July, arrived, today - not first post but sometime during the day, which is delightfully fast so that I have fresh news of you so soon. I was up a little before you on Thursday, but only a little. I'm so sorry you were up at seven but I am so happy at your creative firmness and decision, your making of opportunities to paint. Wise as well as beautiful cat - faithful to your rare creative gifts, how I adore you. Give Tiny a great big kiss from Hetty for sitting for you - how near to completion that admirable portrait of Tiny is. Tell me a little more about 'Franke's' portrait - its size and composition so I can visualise it.
Today, in the afternoon, I went to the Orangerie. No German primitives, however, but an exhibition much more congenial to this old lion - Louis XV et Rocaille, a pleasing exhibition of small dimensions, the purpose of which is to display 60 roccoco sculptures, supported by some pictures, tapestries, drawings, porcelain. I will tell you more of it later. Then I crossed over to the Jeu de Paume and lingered for a little while at the place we went to by the pool in the Tuilleries on our one day in Paris and, in a very reminiscent mood looked at Manet & Morrisot.
Last night, at 10, though tired I saw Madchen in Uniform, that fine, harrowing film of lesbianism in a girl's school, a pre-Hitler German film. Then this evening I saw the magnificent mannerist film 'Le Passion de Jeanne d'Arc', free, at a film society with Peter Simmons. His flat, incidentally, though noisy at night is pleasant, containing as it does two beds, separate kitchen, pressure-cooker, and so on. If I sleep in the pressure cooker it may be quieter tonight ...
My poems are rather static at the moment but your letter, I know, will release the slight inhibition and then I will send you some verse. I am sorry, in view of your own creativity, to be so dilatory. It is only temporary.
68269750 - slicitra
4 Rue de Narame Paris7 VII 1950
Dearest Sylvia
Your letter, posted on 6th July, arrived, today - not first post but sometime during the day, which is delightfully fact so that I have fresh news of you so soon. I was up a little before you on Thursday, but only a little. I'm so sorry you were up at seven but I am so happy at your creative firmness and decision, your making of opportunities to paint. Wise as well as beautiful cat - faithful to your rare creative gifts, how I adore you. Give Tiny a great big kiss from Hetty for sitting for you - how near to completion that admirable portrait of Tiny is. Tell me a little more about "Frankie's" portrait - it's size in proportion so I can visualize it.
Today, in the afternoon, I went to the Orange. No German however, but an exhibition much more congenial to this old lion - Louis XV at Rocaillo, a pleasing exhibition of small dimensions, the purpose of which is to display 60 Rococo sculptures, supported & some , tapestries, drawings, porcelain. I will tell you more of it later. Then I carried over to the and lingered for a little while at the place we sat by the pool in the on on day in Paris and, in a very reminiscent mood looked at Monet & .
Last nigth, at 10, though tired I saw Madeline in Uniform, that fire, harrowing fire of lesbianism in a girls' school, a pre-Hitler German film. then this evening I saw the magnificentmannerist film 'Le Parrion de Jeanne D'Aue', free, at a film society with Peter Simmon. His flat, incidentally, though noisy at night is pleasant, containing as it does two beds, separate kitchen, pressure-cooker, and so on. If I sleep in the pressure cooker it may be quieter tonight...
My poems are rather statue at the moment but your letter, I know, will release the slight inhibition and the I will send you some verse. I am sorry, in view of your own creativity, to be so dilatary. It is only very temporary.