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gri_2003_m_46_b03_f10_006

Transcribers

  1. WINNER - 66476192 - JanetCormack
  2. 68579727 - jsprake
  3. 68694717 - xuelee
  4. 69168694 - tmeconverse
  5. 72907758 - glt
  6. 73825274 - Greenstar37
  7. 74256471 - southsidesunny

WINNER - 66476192 - JanetCormack

1 XI 50 Evening
This time my lecture was succesful, I am glad to say. We had a long post-script at the end dealing with abstract paintings which was very lively and I used the epidiascope. 65 people came to it, including a dozen charming school-girls, delectable in their enormous mufflers & vast striped knitted gloves. My landlady here, despite her name (Una) is terribly nice: she gave me dinner before I went and now I am eating a light supper & she has just told me I can have a bath. Luckily I do have to go to Hartlepool early tomorrow so I intend having a look at this celebrated town.
I have added 40 lines to the poem and I have picked up the eye image and described the factories in terms of surgeries and also echoed the 'lemons of departure' by describing the industrial squalor as a nature morte. You remember that you read me a few lines of Baudelaire's giantess sonnet? Without realising it until now I had been developing 'the exhalations of the giantess' (the wind in the first part of the poem) into several giantess images in the new section. The poem grows yet at the same time becomes self-supporting, as I hoped it would. Dearest Muse, my time, short as it was, with you still guides my hand.
My tour is half-way now. I continue dividing my time between the lectures, everlasting journeys, reading the Journal of the Courtauld and Warburg Institute & Antal on mannerism, seeing as much as I can of each place, my poems, and, last, but not, in the least, least writing to you my muse, my receptive love.
I love you dearly and long for you
Lawrence
PS The arrivals/animals are nearly finished. They say so much is happening now that they want to stay up to see it for themselves & won't go to bed till another poem. xxxxx L.

68579727 - jsprake

1 x 1 50 Evening
This time my lecture was very successful, I am glad to say. We had a
long? post-script at the end dealing with abstract paintings which was very
lively and I used the epidiascope. 65 people came to it, including
a dozen charming school-girls, delectable in their enormous mufflers &
vast stripped knitted globes. My landlady here, despite her name (Ure)?
is terribly nice: she gave me dinner before I went and now I am eating
a light supper & she has just told me I can have a bath. Luckily I
do not have to go to early tomorrow so I intend having a
look at this celebrated town.

I have added 40 lines to the poem and I have picked up the
image and described the factories in terms of and also echoed
the "lemons of departure" by describing the industrial squalor as a
. You remember that you read me a few lines of Baurdeliare's sonnet? Without realizing it until now I had been developing
"As exlalations? of the giantes' (the wind in the 1st part of the poem) into
several gianters images in the new section. The poem grows yet at
the same time becomes self-supporting, as I hoped it would. Dear-
est muse, my time, short as it was, with you still guides my hand.

My is only half-way now. I continue dividing my time
between the lectures, everlasting journeys, reading the Journal
of the Cou..aned? & Warburg Institute & A.t. on mannerism, seeing
as much as I can of each place, my poems, and, last, but not, in the least, least writing to you my muse, my receptive love.
I love you dearly & long for you.
Lawrence

P.S.
The "animals' are nearly finished. They say so much is happening
now that they want to stay up & see it for themselves & won't go
to bed till another poem.
xxxxx
L.

68694717 - xuelee


69168694 - tmeconverse

1 xi 50 Evening

This time my lecture was very successful, I am glad to say. We had a
long post-script at the end dealing with abstract paintings which was very
lively and I used the epidiascope. 65 people came to it, including
a dozen charming school-girls, delectable in their enormous mufflers &
vast stripped knitted gloves. My landlady here, despite her name (Ure)
is terribly nice: she gave me dinner before I went and now I am eating
a light supper & she has just told me I can have a bath. Luckily I
do not gave to go to Hartlepool early tomorrow so I intend having a
look at this celebrated town.
I have added 40 lines to the poem and I have picked up the ape
image and described its factories in terms of shigeries and also echoes
the 'lessons of departure' by describing the industrial squalor as a vature
morte. You remember that you read a few line of Baudelaire's
Giantess sonnet? Without realising it until now I had been developing
'as exhalations of the giantess (the wind the 1st part of the poem) into
several giantess images in the new section. The poem grows yet at
the same time becomes self-supporting, as I hoped it would. Dear-
est Muse, my time, short as it was, with you still guides my hand.
My tams is over half-way now. I continue dividing my time
between the lectures, everlasting journeys, reading the Journal
of the Countanes & Working Institute & Artal on mannerism, seeing
as much as I can of each place, my poems, and, lastly but not , in
the least , least writing to you you my muse, my receptive love.
I love you dearly & long for you
Lawrence

P.S.
the 'animals' are nearly finished. They say so much is happening
now that they want to stay up & see it for themselves & won't go
to bed till another poem.
xxxxx
L.

72907758 - glt

1 XI 50 Evening
This time my lecture was very successful, I am glad to say. We had a long post-script at the end dealing with abstract paintings which was very lively and I used the epidiascope. 65 people came to it, including a dozen charming school-girls, delectable in their enormous mufflers and vast striped knitted gloves. My landlady here, despite her name () is terribly nice: she gave me dinner before I went and now I am eating a light supper and she has just told me I can have a bath. Luckily I do not have to go to Hartlepool early tomorrow so I intend having a look at this celebrated town.

I have added 40 lines to the poem and I have picked up the ape image and desribed its factories in terms of surgeries and also echoed the 'demons of departure' by describing the industrial squalor as a . You remember that you read me a few lines of Baudelaire's giantess sonnet? Without realising it until now I had been developing 'the exhalations of the giantess' (the wind in the 1st part of the poem) into several giantess images in the new section. The poem grow yet at the same time becomes self-supporting, as I hoped it would. Dearest muse, my time, short as it was, with you still guides my hand.

My tour is over half-way, now. I continue dividing my time between the lectures, everlasting journeys, reading the Journal of the and Working Institute and Artal on mannerism, seeing as much as I can of each place, my poems, and last, but not, in the least, least writing to you my muse, my receptive love.

I love you dearly and long for you
Lawrence

P.S.
The 'animals' are nearly finished. They say so much is happening now that they want to stay up and see it for themselves and won't go to bed till another poem.

XXXXX
L.

73825274 - Greenstar37

I XI 50 Evening
This time my lecture was very successful, I am glad to say. We had a long post-script at the end dealing with abstract paintings which was very lively and I used the epidiascopa. 65 people came to it, including a dozen drawing school-girls, delectable in their enormous mufflers & vast stripped knitted gloves. My landlady here, despite her name (Una) is terribly nice: she gave me dinner before I went and now I am eating a light supper & she has just told me I can have a bath. Luckily I do not have to go to Hartlepool early tomorrow so I intend having a look at this celebrated town.
I have added 40 lines to the poem and I have picked up the one image and described the factories in terms of surgeries and also added the 'lessons of departure' & describing the industrial squalor as a nature waste. You remeber that you read me a few lines of Baudelaire's giantess sonnet? Without realising it until now, I have been developing 'as exhalations of the giantess' (the wind in the first part of the poem) into several giantess images in the new section. The poem grows yet at the same time becomes self-supporting, as I hoped it would. Dearest Muse, my time, short as it was, with you still guides my hand.
Mytour is only half-way now. I continue dividing my time between the lectures, everlasting journeys, reading the journal of theCourtauld & Warburg Institute & Artal on mannerism, seeing as much as I can of each place, my poems, and, last, but not, in the least, least, writing to you my muse, my receptive love.
I love you dearly and long for you
Lawrence
PS
The 'animals' are nearly finished. They say that so much is happening now that they want to stay up to see it for themselves and won't go to bed till another poem.
XXXXX
L.

74256471 - southsidesunny

1 xi Evening

This time my lecture was very successful, I am glad to say. We had a
long post-script at the end dealing with abstract paintings which was very
lively and I used the epidiascope. 65 people came to it, including
a dozen charming school-girls, delectable in their enormous mufflers &
vast stripped knitted gloves. My landlady here, despite her name (Ure)
is terribly nice: she gave me dinner before I went and now I am eating
a light supper & she has just told me I can have a bath. Luckily I
do not have to go to Hartlepool early tomorrow so I intend having a
look at this celebrated town.

I have added 40 lines to the poem and I picked up the ape
image and described the factories in terms of surgeries and also echoed
the lessons of departure in describing the industrial squalor as a nature
morte. You remember that you read me a few lines of Baudelaire's
Giantess sonnet? Without realising it until now I had been developing
'an explanation of the giantess (the wind in the 1st part of the poem) into
several giantess images in the new section. The poem grows yet at
the same time becomes self-supporting, as I hoped it would. Dear-
est Muse, my time, short as it was, with you still guides my hand.

My tour is over half-way now. I continue dividing my time
between the lectures, everlasting journeys, reading the journal
of the Courtauld & Warburg Institute & Artal on mannerism, seeing
as much as I can of each place, my poems, and lasts but not, in
the least, least writing to you my muse, my receptive love.

I love you dearly & long for you
Lawrence

P.S
The'animals' are nearly finished. They say so much is happening
now that they want to stay up & see it for themselves & won't go
to bed till another poem

xxxxx
L.

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