gri_2003_m_46_b03_f11_004
- Max. dissimilarity: 0.251
- Mean dissimilarity: 0.161
- Image votes: 0.0
Transcribers
- 65865709 - gailkoelker
- 66593617 - Frosty1
- WINNER - 67833923 - JanetCormack
- 68292683 - Preacher357
- 69913282 - Moggsy8
- 70551457 - Stormqueene
65865709 - gailkoelker
Midland Hotel - B'ham 2 ii 1950Dearest Sylvia
How I wish you were here for I am going to the again this morning to look at the pictures and I know we would enjoy it. I shall think so tenderly of you as I see again the Murillo, the Rubens, the Gainsborough.
I could not afford lunch on the train yesterday so I did not eat between breakfast and dinner. However, the dinner was really admirable: guinea fowl being the main course. I have just eaten a great breakfast and I shall also add lunch to the University account here before returning to London & dinner with . I have plenty to eat at home so do not worry, my love.
My lecture began a little weakly I think but improved as it went on. Both Russell and Garlick said they had learned much from it: Lautrec really is an exciting & interesting figure. His influences include Uccello, Baldoninetti, Velasquez & Maroni, Browner, Brueglel, Bosch, Daumies, mannerist art generally, Japanese color prints, & c. Do you know his late works? They are among his most impressive productions, concentrated & monumental.
You will be glad to hear Russell agrees with us (though, of course, I did not name you to him) that what modern art needs is a revival of history painting. He is at work on some mythological panels even now.
By the way, in the draft of your article are various uncorrected spelling mistakes-all of which I set right in the MS I actually submitted. I mention that in case you re-read your version, & should feel worried.
I enclose at last 3 more poems for you. The Paradox in the longer one is the Paradox of the Fortunate Fall, put to non X-tian purposes, of course. I love you dearly Lawrence
66593617 - Frosty1
Midland Hotel - B'ham 2 xii 1950Dearest Sylvia
How I wish you were here for I am going to the Barber again this morning to look at the pictures and I know we would enjoy it. I shall think so tenderly of you as I see again the Murillo, the Rubens, the Gainsborough.
I could not afford lunch on the train yesterday so I did not eat between breakfast & dinner. However, the dinner was really admirable : guinea fowl being the main course. I have just eaten a great breakfast & I shall also add lunch to see the University Account here before returning to London & dinner will I tell Colquhoun.
I have plenty to eat at home so do not worry, my love.
My lecture began a little weakly I think but improved as it went on. Both Russell and Garlick said they had learned much from it : Lautrec really is an exciting & interesting figure. His influences include Uccello, Baldovinetti, Velasquez & Maroni, Brangwen, Brueghel, Bosch, Daumier, mannerist art generally, Japanese color prints, &c. Do you know his late works? They are among his most impressive productions, concentrated & monumental.
You will be glad to hear that Russell agrees with us (though, of course, I did not name you to him) that what modern art needs is a revival of History Painting. He is at work on some mythological panels even now.
By the way, in the draft of your article are various uncorrected spelling mistakes - all of which I set right in the MS I actually submitted. I mention that in case you re - read your revision, & should feel worried.
I enclose at last 3 more poems for you. The Paradox in the longer one is the Paradox of the Fortunate Fall, put to non X-tian purposes, of course.
I love you dearly
Lawrence
WINNER - 67833923 - JanetCormack
Midland Hotel - Birmingham 2 XII 1950Dearest Sylvia
How I wish you were here for I am going to the Barber again this morning to look at the pictures and I know we would have enjoy it. I shall think so tenderly of you as I see again the Murillo, the Rubens, the Gainsborough.
I could not afford lunch on the train yesterday so I did not eat between breakfast and dinner. However, the dinner, was really admirable: guinea fowl being the main course. I have just eaten a great breakfast & I shall also add lunch ot the University Account here before returning to London & dinner with Ithell Colquhoun. I have plenty to eat at home so do not worry, my dove.
My lecture began a little weakly I think but improved as it went on. Both Russell & Garlick said they had learned much from it: Lautrec really is an exciting & interesting figure. His influences include Uccello, Baldoniretti, Velarquez & Moroni, Brouwer, Breughel, Bosch, Daumier, mannerist and generally, Japanese colour prints etc. Do you know his late works? they are among his most impressive productions, concentrated & monumental.
You will be glad to hear that Russell agrees with us (though, of course, I di not name you to him) that what modern art needs is a revival of History Painting. He is at work on some mythological panels even now.
By the way, in the draft of your article are various uncorrected spelling mistakes - all of which I set right in the MS I actually submitted. I mention that in case you re-read your version, & should feel worried.
I enclose at last 3 more poems for you. The Paradox in the longer one is the Paradox of the Fortunate Fall, put to non X-tian purposes, of course.
I love you dearly
Lawrence
68292683 - Preacher357
2 xii 1950 Midland Hotel - B'ham Dearest SylviaHow I wish you were here for I am going to the Barber again
this morning to look at the pictures and I know we would
enjoy it. I shall think so tenderly of you as I see again the Murillo,
the Rubens, the Gainsborough.
I could not afford lunch on the train yesterday so I did not eat
between breakfast & dinner. However, the dinner was really ad-
mirable: guinea fowl being the main coarse. I have just eaten a
great breakfast & I shall also add lunch to the University Account
here before returning to London & dinner with Ithell Colquhoun.
I have plenty to eat at home so do not worry, my dove.
My lecture began a little weakly I think but improved as it went
on. Both Russell & Garlick said they had learned much from it:
Loutrec really is an exciting & interesting figure. His influences
include Uccello, Boldovineth, Velarquey & Maroni, Braxiner,
, Busch, Doumier, mannerist art generally, Japan-
ese color prints, &c. Do you know his late works? they are among
his most impressive productions, concentrated & monumental.
You will be glad to hear that Russell agrees with us (though, of
course, I did not name you to him) that what modern art needs is a
revival of History Painting. He is at work on some mythological
panels even now.
By the way, in the draft of your article are various uncorrected
spelling mistakes - all of which I set right - the MS I actualy
submitted. I mention that in case you re-read your version,
& should feel worried.
I enclose at least 3 more poems for you. The Paradox in the longer
one is the Paradox of the Fortunate Fall, put to non X-rian purposes,
of coarse.
I love you dearly
Lawrence
69913282 - Moggsy8
Midland Hotel - B'ham 2 X11 1950Dearest Sylvia
How I wish you were here for I am going to the Barker again this morning to look at the pictures and I know we would enjoy it. I shall think so tenderly of you as I see again the Murillo, the Rubens, the Gainsborough.
I could not afford lunch on the train yesterday so I did not eat between breakfast and dinner. however the dinner was really admirable: guinea fowl being the main course. I have just eaten a great breakfast and I shall also add lunch to the University Account here before returning to London and dinner with Ithell Colquhoun. I have plenty to eat at home so do not worry, my dove.
My lecture began a little weakly, I think but improved as it went on. Both Russell and Garlick said they had learned much from it: Lautrec really is an exciting and interesting figure. His influences include Uccello, Baldovinetti, Velasquez and Moroni, Braumer, Brueghel, Bosch, Daumier, mannerist and generally, Japanese color prints, &c. Do you know his late works? They are among his most impressive productions, concentrated and monumental.
You will be glad to know Russell agrees with us ( though, of course, I did not name you to him) that what modern art needs is a revival of History Painting. He is at work on some mythological panels even now.
By the way, in the draft of your article are various uncorrected spelling mistakes - all of which I set right in the MS I actually submitted. I mention that in case you re-read your version & should feel worried.
I enclose at last 3 more poems for you. The paradox in the larger one is the Paradox of the Fortunate Fall, put to non X-tian purposes, of course.
I love you dearly
Lawrence
70551457 - Stormqueene
Midland Hotel - B'lam 2X11 1950Dearest Sylvia
How I wish you were here for I am going to theBarker again this morning to look at the pictures and I know we would enjoy it. I shall think so tenderly of you as I see again aMurillo, a Reubens, a Sainsborough.
I could not afford lunch on the train yesterday so I did not eat between breakfast and dinner. However, the dinner was really admirable: guinea fowl being the main course. I have just eaten a great breakfast & I shall also add lunch to a University account here before returning to London & dinner with lord calqubaum. I have plenty to eat at home so do not worry, my dove.
My lecture began a little weakly I think but improved as it went on. Bart Russell &
Garlick said they had learned much from it: Lautner really is an exciting and interesting figure. His influences include Uccello, Baldoninetta, Velanquez &
Maroni, Brexamer, Brueghel, Bosch, Daumier,mannerist and generally, Japan. are color prints, &c. Do you know his late works? They are amoung his most ompressive productions, concentrated & monumental.
You will be glad to hear that Russell agrees with us (though, of course, I did not name you to him) that what modern art needs is a revival of History Painting. He is at work on some mythological panels even now.
By the way, in the draft of your article are various uncorrected spelling mistakes - all of which I set right - cu MS I submitted. I mention that in case you re-read your version & should feel worried.
I enclose at last 3 poems for you. The Paradox and the larger one is a Paradox of the Fortunate Fall, put to won X-tian purposes, of course.
I love you dearly
Lawrence