gri_2003_m_46_b04_f08_009
- Max. dissimilarity: 0.313
- Mean dissimilarity: 0.21
- Image votes: 0.0
Transcribers
- WINNER - 66913192 - mar15ted
- 66935848 - maestrie
- 67036245 - tinkapuppy
- 67886149 - jsprake
- 68224062 - Janet616
- 68292112 - Traxgeo
WINNER - 66913192 - mar15ted
15 August 1951 My dearest Sylvia, thank you for your nice long letter. You seem to have had a delightful time at Brighton - I'm so glad. I have just seen Mary Cha & she wants me to give all the lectures at the Tate - September - 2 a week. Blake; Turner; English (18th Portraits; Pre-Raphaelites; French Impressionists; School of Paris; Whistler & English Impressionism; Contemporary English Art. [pound] 1 a lecture, of course. The ICA also have written - twice in fact: Ewan Phillips wants me to take part in the discussion on Herbert Reads book, & Sylvester wants me to take part in the discussion on & Form. I'm not sure about the latter - I don't know that I'll bother. When I reached home last night I was dismayed to find that the day for collecting rejected watercolors was on Monday - the day its form reached us. How stupid of me for not reading the form properly - though, in extenuation, the interval of a week is very short. Anyway, that means66935848 - maestrie
15 August 1951My dearest Sylvia,
Thank you for your nice long letter:
you seem to have had a delightful
time at Brighton. I'm so glad.
I have just seen Mary Chamat & she
wants me to give all the lectures at
the Tate: September: 2 a week. Blake;
Turner; (18th Portraits; Pre-
Raphaelites; French Impressionists;
School of Paris; Whistler & English
Impressionism; Contemporary English
Art. lb1 a lecture, of course.
The I C A also have written - twice
in fact: Ewan Phillips wants me to take
part in the discussion on Merchant Roads
book, & Sylvester wants me to take part
in the discussion on Grantl & Farm.
I'm not sure about the latter. I don't that I'll bother.
When I reached home last night I was
dismayed to find that the day for collect-
ing rejected watercolors was on Monday -
the day the form reached us. How stupid
of me for not reading the form properly -
though, in extenuation, the interval of
a week is very short. Anyway, that means
67036245 - tinkapuppy
15 August 1951My dearest Sylvia,
Thank you for your nice long letter,
you seem to have had a delightful
time at Brighton - I'm so glad.
I have just seen Mary Charot & she
wants me to give all the lectures at
the Tate in September: 2 a week. Blake;
Turner; English (18th Portraits); Pre-
Raphaelites; French Impressionists;
School of Paris; Whistler & English
Impressionism; Contemporary English
Art. 1 a lecture, of course.
TCICA also lone written - twice
infact: Ewan Phillips wants me to take
part in the discussion on Merhat Read's
book, & Sylvester wants me to take part
in the discussion on Growth & Form.
I'm not sure about the latter: I don't
know that I'll bother.
When I reached home last night I was
discouraged to find that the day for collect-
ing rejected watercolors was on Monday -
the day the form reached us. How stupid
of me for not reading the form properly
through, in extenuation, the interval of
a week is very short. Anyway, that means
67886149 - jsprake
15 August 1951My dearest Sylvia,
Thank you for your nice long letter
you seem to have had a delightful
time at Brighton - I'm so glad.
I have just seen Mary Chamrot? and she
wants me to give all the lectures at
the Tate in September ~ 2 a week. Blake; Turner; English (18th Portraits; Pre-
Raphaelites; French Impressionists;
School of Paris; Whistler? & English
Impressionism; Contemporary English
Art. 1 a lecture, of course.
TGICA? also have written - twice
in fact: Evan Phillips wants me to take part in the discussion on Merchant Reads
book, and Sylvester wants me to take part
in the discussion on Growth & Farm.
I'm not sure about the latter; I don't
know that I'll bother.
When I reached home last night I was dismayed to find that the day for called
rejected watercolours was on Monday -
The day the form reached us. How stupid
of me for not reading the form properly -
though, in extenuation, the interval of
a week is very short. Anyway, that means
68224062 - Janet616
15 August 1951My dearest Sylvia,
Thank you for your nice long letter. You seem to have had a delightful time at Brighton - I'm so glad.
I have just seen Mary Chamat & she wants me to give all the lectures at the Tate= September = 2 a week. Blake; Turner; English (18th Portraits; Pro-Raphaelites; Frend Impressionists; School of Paris; Whistler & English Impressionism; Contemporary English Art. 1 a lecture, of course.
also have written - twice in fact: Ewan Phillips wants m to take part in the discussion on Merlert Read's book, & Sylvester wants me to take part in the discussion on Growth & Form. I'm not sure about the latter= I don't know that I'll bother.
When I reached home last night I was dismayed to find that the day for collecting rejected watercolors was on Monday - the day its form reached us. How stupid of me for not reading the form properly - though, in extenuation, the interval of a week is very short. , that means
68292112 - Traxgeo
15 August 1951My dearest Sylvia,
Thank you for your nice long letter. You seem to have had a delightful time at Brighton - I'm so glad.
I have just seen Mary Chaurat. She wants me to give all the lectures at the Tate in September: 2 a week. Blake; Turner; English (184 portraits); Po; Raphaelites; Freud ; School of Paris; Whendle of England; Impressionism; Cotemporary English Art. 1 pound a lecture, of course.
The ICA also have written - twice in fact: Ewan Phillips wants me to take part in the discussion on Merkant Read's book, and Sylventa wants me to take part in the discussion on Growth to Farm. I'm not sure about the latter: I don't know that I'll .
When I read at home last night, I was dismayed to find that the day for collecting neglected watercolours was Monday - the day the form reached us. How stupid of me for not reading the form properly - though, in extenualism, the interval of a week is very short. Anyway, that means