gri_2003_m_46_b04_f09_005
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Transcribers
- 66624211 - Preacher357
- 66917221 - clv
- 67101017 - N5bz
- 67266127 - Chris5420
- WINNER - 67657696 - freelulu
- 68056425 - _secunda
66624211 - Preacher357
6 ix 1951 Dearest Sylvia,I do hope that the weather has allowed you to make a start on
the Cricket-Field gate - that charming and picturesque subject.
Here the days start fine and usually turn rainy or even stormy
in the evening, or late afternoon. So, perhaps you will have
been able to paint out of doors during the day.
Father and I started the Festival in light and in dry weather,
ending up at 10:30 in darkness and heavy rain. The site is,
however, delightful at night - you must see it, then. We went
round almost in order (getting lost here and there) and it is an
advantage: just as Shenstone used to complain if anyone came
into his vista from the wrong end, so the designers have often
stressed one aspect. Father enjoyed it: so did I again; and
I anticipate happily seeing it again with you.
My parents have invited me to Wimbledon on Friday to see Occupe
Toi d'Amelie again and with it is Top Hat, which we saw at Streat-
ham a little while ago. If my lectures are in hand, as they say,
I think I shall go. I must see how my work goes, though.
Thank you for reading the early Tudor chapter: I am relieved
and happy that you approve, my dearest. I have a picture of the
Apollo on the Arch: Parsons has it at present but you shall see it
soon. What a pleasure to me that is has turned your mind again
to your play. No, no hurry with the Mss.
Parson's by the way, knows one or two people at the Tate: so
I am giving him as a character-reference. It will read: D.H.K.
Parsons, M.A., Exoter College, Oxford - as I am using his Oxford
address. That sounds quite grand, I think.
I have been working on Blake - so feel defiantly trivial and
camp. However, I must be serious as the lecture is tomorrow.
Yesterday's lecture was, I think, successful: afterwards I went
to sea with a Swiss ann who has a charming collection. Toulouse-
Lautrec drawing, oils by Fantin Latour, Lepine, Guys drawing, and
the centre of the collection - of any private col., - a late oil
by Turner of Venice. He picked it up in an auction room for what
can only be described as 6 10s. Itis authentic alright. It
is superb. It has no provenance so I am going to try and get the
sale room to give information (they are furious and won't speak to
him) by writing on N.G. notepaper. I made his acquaintance
through my lectures which he constantly attends. He tells me
M. Douglas Cooper is going to live in France, near Avignon.
You are in my thoughts all the while. I love you, I love you,
Lawence
66917221 - clv
6 ix 1951Dearest Sylvia
I do hope that the weather has allowed you to make a start on the Cricket-Field gate - that charming and picturesque subject. Here the days start fine and usually turn rainy or even stormy in the evening, or late afternoon. So, perhaps, you will have been able to paint out of doors during the day.
Father and I started the Festival in light and in dry weather, ending up at 10.30 in darkness and heavy rain. The site is, however, delightful at night - you must see it, then. We went round almost in order, (getting lost here and there) and it is an advantage: just as Shenstone used to complain if anyone came into his vista from the wrong end, so the designers have often stressed one aspect. Father enjoyed it: so did I again; and I anticipate happily seeing it again with you.
My parents have invited me to Wimbledon on Friday to see Occupe Toi d'Amelie again and with it is Top Hat, which we saw at Streatham a little while ago. If my lectures are in hand, as they say, I think I shall go. I must see how my work goes, though.
Thank you for reading the early Tudor chapter: I am relieved and happy that you approve, my dearest. I have a picture of the Apollo on the Arch: Parons has it at present but you shall see it soon. What a pleasure to me that it has turned your mind again to your play. No, so hurry with the MSS.
Parsons, by the way, knows one or two people at the Tate: so I am giving him as a character-reference. It will read: D.H.K. Parsons, M.A., Exeter College, Oxford -as I am using his Oxford address. That sounds quite grand, I think.
I have been working on Blake - so feel defiantly trivial and camp. However, I must be serious as the lecture is tomorrow. Yesterday's lecture was, I think, successful: afterwards I went to sea with a Swiss man who has a charming collection. Toulouse- Lautrec drawing, oils by Fantin Latour, Lepine, Guys drawing, and the centre of the collection - of any private col., - a late oil by Turner of Venice. He picked it up I an auction room for what can only be described as L6.10s. It is authentic alright. It is superb. It has no provenance so I am going to try and get the sale room to give information (they are furious and won't speak to him) by writing on N.G. notepaper. I made his acquaintance through my lectures which he constantly attends. He tells me M. Douglas Cooper is going to live in France, near Avignon.
You are in my thoughts all the while. I love you, I love you,
Lawrence
67101017 - N5bz
6 ix 1951Dearest Sylvia,
I do hope that the weather has allowed you to make a start on
the Cricket-Field gate - that charming and picturesque subject.
Here the days start fine and usually turn rainy or even stormy
in the evening, or late afternoon. So, perhaps, you will have
been able to paint out of doors during the day.
Father and I started the Festival in light and in dry weather,
ending up at 10.30 in darkness and heavy rain. The site is,
however delightful at night - you must see it, then. We went
round almost in order (getting lost here and there) and it is an
advantage: just as Shenstone used to complain if anyone came
into his vista from the wrong end, so the designers have often
stressed one aspect. Father enjoyed it: so did I again; and
I anticipate happily seeing it again with you.
My parents have invited me to Wimbledon on Friday to see Occupe
Toi d'Amelie again and with it is Top Hat, which we sat at Streat-
ham a little while ago. If my lectures are in hand, as they say,
I think I shall go. I must see how my work goes, though.
Thank you for reading the early Tudor chapter: I am relieved
and happy that you approve, my dearest. I have a picture of the
Appollo on / the arch: Parons has it at present but you shall see it
soon. What a pleasure to me that it has turned your mind again
to your play. No, no hurry with the MSS.
Parsons, by the way, knows one or two people at the Tate: so
I am giving him as a character-reference. It will read: D.H.K.
Parsons, M.A., Exiter College, Oxford - as I am using his Oxford
address. That sound quite grand, I think.
I have been working on Blake - so feel defiantly trivial and
camp. However, I must be serious as the lecture is tomorrow.
Yesterday's lecture was, I thin, successful: afterwards I went
to sea with a Swiss man who has a charming collection. Toulouse-
Lautrec drawing, oils by Fantin Latour, Lepine, Guys drawing, and
the centre of the collection - of any private col., - a late oil
by Turner of Venice. He picked it up in an auction room for what
can only be desribed as 6 pounds 10 shillings. It is authentic alright. It
is superb. It has no provenance so I am going to try and get the
sale room to give information (they are furious and won't speak to him) by writing on N.G. notepaper. I made his acquaintance
through my lectures which he constantly attends. He tells me
M. Douglas Cooper is going to live in France near Avignon.
You are in my thoughts all the while. I love you, I love you,
Lawrence
67266127 - Chris5420
6 ix 1951Dearest Sylvia,
I do hope that the weather has allowed you to make a start on
the Cricket-Field gate - that charming and picturesque subject.
Here the days start fine and usually turn rainy or even stormy
in the evening, or late afternoon. So, perhaps, you will have
been able to paint out of doors during the day.
Father and I started the Festival in light and in dry weather,
ending up at 10.20 in darkness and heavy rain. The site is,
however, delightful at night - you must see it, then. We went
round almost in order (getting lost here and there) and it is an
advantage: just as Shenstone used to complain if anyone came
into his vista from the wrong end, so the designers have often
stressed one aspect. Father enjoyed it: so did I again; and
I anticipate happily seeing it again with you.
My parents have invited me to Wimbledon on Friday to see Occupe
Toi d'Amelie again and with it is Top Hat, which we saw at Streat-
ham a little while ago. If my lectures are in hand. as they say,
I think I shall go. I must see how my work goes, though.
Thank you for reading the early Tudor chapter: I am relieved
and happy that you approve, my dearest. I have a picture of the
Apollo on the arch: Parsons has it at present but you shall see it
soon. What a pleasure to me that it has turned your mind again
to your play. No, no hurry with the MSS.
Parsons, by the way, knows one or two people at the Tate: so
I am giving him as a character-reference. It will read: D.H.K.
Parsons, M.A., Exeter College, Oxford - as I am using his Oxford
address. That sounds quite grand, I think.
I have been working on Blake - so feel defiantly trivial and
camp. However, I must be serious as the lecture is tomorrow.
Yesterday's lecture was, I think, successful: afterwards I went
to sea with a Swiss man who has a charming collection. Toulouse-
Lautrec drawing, oils by Fantin Latour, Lepine, Guys drawing, and
the centre of the collection - of any private col., - a late oil
by Turner of Venice. He picked it up at an auction room for what
can only be described as lb6 10s. It is authentic alright. It
is superb. It has no provenance so I am going to try and get the
sale room to give information (they are furious and won't speak to
him) by writing on N.G. notepaper. I made his acquaintance
through my lectures which he constantly attends. He tells me
M. Douglas Cooper is going to live in France, near Avignon.
You are in my thoughts all the while. I love you, I love you,
Lawrence
WINNER - 67657696 - freelulu
6 ix 1951Dearest Sylvia,
I do hope that the weather has allowed you to make a start on
the Cricket-Field gate - that charming and picturesque subject.
Here the days start fine and usually turn rainy or even stormy
in the evening, or late afternoon. So, perhaps, you will have
been able to paint out of doors during the day.
Father and I started the Festival in light and in dry weather,
ending up at 10.30 in darkness and heavy rain. The site is,
however, delightful at night - you must see it, then. We went
round almost in order (getting lost here and there) and it is an
advantage: just as Shenstone used to complain if anyone came
into his vista from the wrong end, so the designers have often
stressed one aspect. Father enjoyed it: so did I again; and
I anticipate happily seeing it again with you.
My parents have invited me to Wimbledon on Friday to see Occupe
Toi d'Amelie agan and with it is Top Hat, which we saw at StTreat-
ham a little while ago. If my lectures are in hand, as they say,
I think I shall go. I must see how my work goes, though.
Thank you for reading the early Tudor chapter: I am relieved
and happy that you approve, my dearest. I have a picture of the
Apollo on the Arch: Parsons has it at present but you shall see it
soon. What a pleasure to me that it has turned your mind again
to your play. No, no hurry with the MSS.
Parsons, by the way, knows one or two people at the Tate: so
I am giving him as a character-reference. It will read: D.H.K.
Parsons, M.A., Exeter College, Oxford - as I am using his Oxford
address. That sounds quite grand, I think.
I have been working on Blake - so feel defiantly trivial and
camp. However, I must be serious as the lecture is tomorrow.
Yesterday's lecture was, I think, successful: afterwards I went
to sea with a Swiss man who has a charming collection. Toulouse-
Lautrec drawing, oils by Fantin Latour, Lepine, Guys drawing, and
the centre of the collection - of any private col., - a late oil
by Turner of Venice. He picked it up in an auction room for what
can only be described as EUR6 10s. It is authentic alright. It
is superb. It has no provenance so I am going to try and get the
sale room to give information (they are furious and won't speak to
him) by writing on N.G. notepaper. I made his acquaintance
through my lectures which he constantly attends. He tells me
M. Douglas Cooper is going to live in France, near Avignon.
You are still in my thoughts all the while. I love you, I love you,
Lawrence
68056425 - _secunda
6 ix 1951Dearest Sylvia,
I do hope that the weather has allowed you to make a start on the Cricket-Field gate--that charming and picturesque subject. Here the days start fine and usually turn rainy or even stormy in the evening, or late afternoon. So, perhaps, you will have been able to paint out of doors during the day.
Father and I started the Festival in light and in dry weather, ending up at 10.30 in darkness and heavy rain. The site is, however, delightful at night--you must see it, then. We went round almost in order (getting lost here and there) and it is an advantage: just as Shenstone used to complain if anyone came into his vista from the wrong end, so the designers have often stressed one aspect. Father enjoyed it: so did I again; and I anticipate happily seeing it again with you.
My parents have invited me to Wimbledon on Friday to see Occupe Toi d'Amelie again and with it is Top Hat, which we saw at Streatham a little while ago. If my lectures are in hand, as they say, I think I shall go. I must see how my work goes, though.
Thank you for reading the early Tudor chapter: I am relieved and happy that you approve, my dearest. I have a picture of the Apollo on the Arch: Parsons has it at present but you shall see it soon. What a pleasure to me that it has turned your mind again to your play. No, no hurry with the MSS.
Parsons, by the way, knows one or two people at the Tate: so I am giving him as a character-reference. It will read: D.H.M. Parsons, M.A., Exeter College, Oxford--as I am using his Oxford address. That sounds quite grand, I think.
I have been working on Blake--so feel defiantly trivial and camp. However, I must be serious as the lecture is tomorrow. Yesterday's lecture was, I think, successful: afterwards I went to sea with a Swiss man who has a charming collection. Toulouse-Lautrec drawing, oils by Fantin Latour, Lepine, Guys drawing, and by Turner of Venice. He picked it up in an action room for what can only be described as lb6 10s. It is authentic alright. It is superb. It has no provenance so I am going to try and get the sale room to give information (they are furious and won't speak to him) by writing on N.G. notepaper. I made his acquaintance through my lectures which he constantly attends. He tells me M. Douglas Cooper is going to live in France, near Avignon.
You are in my thoughts all the while. I love you, I love you,
Lawrence