gri_2003_m_46_b05_f07_011

Max. dissimilarity: 0.086
Mean dissimilarity: 0.056
Image votes: 0.0

Transcribers

68827742 - Preacher357
WINNER - 69061292 - mar15ted
69154961 - RommelC
69762235 - jesseytucker
69926934 - Channy58
70469304 - mlesullivan

68827742 - Preacher357

14 July 1952 N.G. My dearest Sylvia,
Thank you so much for your two letters which
arrived together this morning. They contain so
much good news about your painting that is has
made me feel confident and happy for the day.
Your sketch of the cliff is very attractive. Rinaldo
and Armida progresses excellently, to judge
from your account. You mention Grant's
school, or style, in connection with your new
landscape: I disagree really, because your paint
is always brilliant and lively whereas his, or
theirs, is always dryish and blunt.

Your description of your days at Pett are
vivid and intimate and make me feel that
my imagination has been accurate in decid-
ing what you would be doing. The jam-making
at night excepted - that I did not guess, tho,
apparently Tiny would have. (Speaking of
Tiny - is she coming back today or will she
extend her visit to Littlehampton, I wonder?)

I enclose a copy of my review of the
in Adrian Heath's studio. I hope it gives
an idea of what it was like.

WINNER - 69061292 - mar15ted

N.G. 14 July 1952 My dearest Sylvia, Thank you so much for your two letters which arrived together this morning. They contain so much good news about your painting that it has made me feel confident and happy for the day. Your sketch of the cliff is very attractive. Rinaldo and Armida progresses excellently, to judge from your account. You mention Grant's school, or style, in connection with your new landscape: I disagree really, because your paint is always brilliant and lively whereas his, or theirs, is always dryish and blunt. Your description of your days at Pett are vivid and intimate and make me feel that my imagination has been accurate in deciding what you would be doing. The jam-making at night excepted - that I did not guess, tho' apparently Tiny would have. (Speaking of Tiny - is she coming back today or will she extend her visit to Littlehampton, I wonder?) I enclose a copy of my review of the show in Adrian Heath's studio. I hope it gives an idea of what it was like.

69154961 - RommelC

N.G. 14 July 1952

My dearest Sylvia,

Thank you so much for your two letters which arrived together this morning. They contain so much good news about your painting that it has made me feel confident and happy for the day. Your sketch of the cliff is very attractive. 'Rinaldo and Armida' progresses excellently, to judge from your account. You mention Grant's school, or style, in connection with your new landscape: I disagree really, because your paint is always brilliant and lively whereas his, or theirs, is always dryish and blunt.

Your description of your days at Pett are vivid and intimate and make me feel that my imagination has been accurate in deciding what you would be doing. The waking at night excepted- that I did not guess, though apparently Tiny woul have. (Speaking of Tiny- is she coming back today or will she extend her visit to Littlehampton, I wonder?)

I enclose a copy of my review of the show in Adrian Heath's studio. I hope it gives an idea of what it was like.

69762235 - jesseytucker

14 July 1952
NG
My dearest Sylvia,
Thank you so much for your two letters which
arrived together this morning. They contain so
much good news about your painting that it has
made me feel confident and happy for the day.
Your sketch of the cliff is very attractive, Rinaldo
and Armida progresses excellently, to judge
from your account. You mention Grant's
school, or style, in connection with your new
landscape: I disagree really, because your paint
is always brilliant and lively whereas his, or
theirs, is always dryish and blunt.
Your description of your days at Pett are
vivid and intimate and make me feel that
my imagination has been accurate in decid-
ing what you would be doing. The jam-making
at night excepted--that I did not guess, tho
apparently Tiny would have. (Speaking of
Tiny--is she coming back today or will she
extend her visit to Littlehampton, I wonder?)
I enclose a copy of my review of the slow
in Adrian Heath's studio. I hope it gives
an idea of what it was like.

69926934 - Channy58

N. G 14 July 1952

My dearest Sylvia,
Thank you so much for your two letters which arrived together this morning. They contain so much good news about your paintings that it has made me feel confident and happy for the day. Your sketch of the cliff is very attractive. Rinald and Simdia progresses excellently, to judge from your account. You mention Grant's school, on style, in connection with your new landscape: I disagree really, because your paint is always brilliant and lively whereas his, or theirs, is always dryish and blunt.

Your description of your days at Pett are vivid and intimate and make me feel that my imagination has been accurate in deciding what you would be doing. The jam-making at night excepted - that I did not guess tho' apparently tiny would have. (Speaking of Tiny - is she coming back today or will she extend her visit to Littlehampton, I wonder ?)

I enclose a copy of my review of the show in Adrian Heath's studio. I hope it gives an idea of what it was like.

70469304 - mlesullivan

N.G 14 July 1952
My dearest Eylvia,
Thank you so much for your two letters which arrived together this morning. They contain so much good news about your painting that is has made me feel confident and happy for the day. Your stretch of the cliff is very attractive. Rinaldo and Armida progresses excellently, to judge from your account. You mention Grant's school, or style, in connection with your new landscape: I disagree really, because your paint is always brilliant and lively whereas his, or theirs, is always dryish and blunt.
Your description of your days at Pitt are vivid and intimate and make me feel that my imagination has been accurate in deciding what you would be doing. The jam making at night excepted - that I did not guess tho apparently Tiny would have (Speaking of Tiny - is she coming back today or will she extend her visit to littlehampton, I wonder?)
I enclose a copy of my review of the show in Adrian Heath's studio. I hope it gives an idea of what it was like.

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