gri_2003_m_46_b05_f10_004
- Max. dissimilarity: 0.166
- Mean dissimilarity: 0.114
- Image votes: 1.0
Transcribers
- 69527361 - Sticker88
- 70073112 - slartybartfast100
- 70482415 - pogostickies
- WINNER - 70883611 - Chris5420
- 71332031 - k.h.pot
- 71773979 - Zooniverse2017
- 71821996 - JanetCormack
- 73064963 - southsidesunny
69527361 - Sticker88
In the Train 2 october 1952Dearest Sylvia
I have been thinking of your pictures as I worked on tomorrow's lecture.
I look forward to the time when I shall be able to include a slings or two
in my lanterns lecture. (I think I will have a couple made anyway
from some of your photographs for my own use. What do you
say? It would not be very expensive.) You are developing at a
marvellous rate, gaining strength and consistency with each painting.
Cliff Erd and TG Furnace are so impressive. Do not think I disparage
earlier paintings - you know better than that. You can feel that
satisfactory sense of achievement and progress with each new work -
no sense that your latest work is not your best. I think that in
those and the savages - to say nothing of M and myself - you have
loyal and enthusiastic supporters.
Banstead last night was terribly tiring. About 9 people - a few more
than last week, some of them different. Next week will decide if the
class continues or not. Mrs Seidles has a marvellous aptitude for
projective tests: show her a Degas (Martelli) she finds a clown's head
sideways on the table; show her a Picasso chier Hably Horse she de-
tects a fire place. I can't tell you how interested I would be to
give her Thematic Apperception and Rorschachs tests ... She has
so easy & uninhibited a response!
The landscape between King's Cross and Peterborough is vile, especially
in this rainy overcast weather. Being so flat every retial tin, tractor,
cast wheel, furnace, telegraph post, pylon, shows up for miles. If it
were hills the inevitable squalor would be localised and shielded, as
it is in other country districts of England. This is another example of
the principle that franlines and no concealment is bad - in external
Nature as well as in human behaviour. Picturesque intricacy - like
graceful manners - satisfies everything except curiosity. Miles & miles of it.
70073112 - slartybartfast100
In the train 2 October 1952Dearest Sylvia
I have been thinking of your pictures as I worked on tomorrow's lecture. I look forward to the time when I shall be able to include a Sleigs or two in my lantern lecture. (I think I will have a couple made anyway from some of your photographs for my own use. What do you say? It would not be very expensive.) You are developing at a marvellous rate, gaining strengths and consistency with each painting. Cliff End and The Furnace are so impressive. Do not think that I disparage earlier paintings - you know better than that. You can feel that satisfactory sense of achievement and progress with each new works - no sense that your latest work is not your best. I think that in Clare and the Savages - to say nothing of M and myself - you have loyal and enthusiastic supporters.
Banstead last night was terribly tiring. About 9 people - a few more than last week, some of them different. Next week will decide is the class continues or not. Mrs Seidles has a marvellous aptitude for projective tests: show her a Degas (Montelli) & she finds a clown's head sideways on the table; show her a Picasso & Hobby Horse & she de-tects a fireplace. I can't tell you how interested I would be to give her a Thematic Apperception and ... she has so easy & uninhibited a response!
The landscape between King's Cross and Peterboro' is vile, especially in this rainy overcast weather - Being so flat every petrol tin, tractor, cart wheel, furnace telegraph poll, pylon, slows up for miles. If it were hill the squalor would be localised and shielded, as it is on other county districts of England. This is another example of the principle that frankness and no-concealment is bad - in external Nature as well in human behaviour. Picturesque intricacy - like graceful manners - satisfies everything except curiosity. Mile & mile of it -
70482415 - pogostickies
In the Train 2 october 1952Dearest Sylvia
I have been thinking of your pictures as I worked on tomorrow's lecture.
I look forward to the time when I shall be able to include a Sleigh or two
in my lantern lecture. (I think I will have a couple made anyway
from some of your photographs for my own use. What do you
say? It would not be very expensive.) You are developing at a
marvelous rate, gaining strength and consistency with each painting.
Clifford and The Furnace are so impressive. Do not think I disparage
earlier paintings - you know better than that. You can feel that
satisfactory sense of achievement and progress with each new work-
no sense that your latest work is not your best. I think that in
Chase and the Savages - to say nothing of M and myself - you have
loyal and enthusiastic supporters.
Banstead last night was terribly tiring. About 9 people - a few more
than last week, some of them different. Next week will decide if the
class continues or not. Mrs Seidle has a marvelous aptitude for
projective tests: show her a Degas (Mortelli) she finds a clown's head
sideways on the table; show her a Picasso Chien Hobly Merso she de-
tects a fire place. I can't tell you how interested I would be to
give her Thematic Apperception and Rorshach tests ... She has
so easy uninhibited a response!
The landscape between King's Cross and Peterboro' is vile, especially
in this rainy overcast weather. Being so flat every petrol tin, tractor,
cart wheel, furnace, telegraph post, pylon, slows up for a mile. If it
were hilly the inevitable ... would be localized and shielded, as
it is in other county districts of England. This is another example of
the principle that frankness and no-concealment is bad - in external
nature as well as in human behavior. Picturesque intricacy - like
graceful manners - satisfies everything except curiosity. Miles
miles of it -
WINNER - 70883611 - Chris5420
In the Train 2 October 1952Dearest Sylvia
I have been thinking of your picture as I worked on tomorrow's lecture. I look forward to the time when I shall be able to include a Sleigh or two in my lantern lecture.. (I think I will have a couple made anyway from some of your photographs for my own use. What do you say? It would not be very expensive.) You are developing at a marvellous rate, gaining strength and consistency with each painting. Clifford and The Furnace are so impressive. Do not think I disparage earlier paintings - you know better than that. You can feel that satisfactory sense of achievement and progress with each new work - no sense that your latest work is not your best. I think that in Clare and the Savages - to say nothing of M and myself - you have loyal and enthusiastic supporters.
Banstead last night was terribly tiring. About 9 people - a few more than last week, some of them different. Next week will decide if the class continues or not. Mrs Seidle has a marvellous aptitude for projective tests: show her a Degas (Mortelli) & she finds a clown's head sideways on the table; show her a Picasso Child & Hobby Horse & she de-tects a fireplace. I can't tell you how interested I would be to give her a Thematic Apperception and Rorschach tests... she has so easy & uninhibited a response!
The landscape between King's Cross and Peterboro' is vile, especially in this rainy overcast weather. Being so flat every petrol tin, tractor, cartwheel, furnace,telegraph post, pylon, shows up for miles. If it were hilly the inevitable squalor would be localised and shielded as it is in other country districts of England. This is another example of the principle that frankness and no-concealment is bad - in external Nature as well as in human behaviour. Picturesque intricacy - like graceful manners - satisfies everything except curiosity. Mile & mile of it -
71332031 - k.h.pot
In the Train2 October 1952
Dearest Sylvia
I have been thinking of your pictures as I worked on tomorrow's lectures.
I look forward to the time when I shall be able to include a Sleigs or two
in my lantern lecture. (I think I will have a couple made anyway
from some of your photographs for my own use. What do you
say? It would not be very expensive.) You are developing at a
marvelous rate, gaining strength and consistency with each painting.
Clifford and The Furnace are so impressive. Do not think I disparage
earlier paintings - you know better than tha. You can feel that satisfactory sense of achievement and progress with each new work -
no sense that your latest work is not your best. i think that in
Clare and the Savages - to say nothing of M and myself - you have
loyal and enthusiastic supporters.
Banstead last night was terribly tiring. About 9 people - a few more
than last week, some of them different. Next week will decide if the
class continues or not. Mrs Seidle has a marvelous aptitude for
projective tests: show her a Degas (Mortelli) & she finds a clown's head
sideways on the table; show her a Picasso Quiet & Hobly Morrs & she de-
tects a fireplace. I can't tell you how interested I would be to
give her Thematic Apperception and Rorshach tests... She has
so easy & uninhibited a response!
The landscape between King's Cross and Peterboro is nice, especially
in this rainy overcast weather. Being so flat every petrol tin, tractor,
cart wheel, furnace, telegraph port, pylon, slows up for miles. If it
were hilly the inevitable squalor would be localised and shillder, as
it is in other country districts of England. This is another example of
the principle that frankness and no-concealment is bad - in external
Nature as well as in human behavoir. Picturesque intricacy - like
graceful manners - satisfies everything except curiosity. Mile
& mile as is -
71773979 - Zooniverse2017
In the Train 2 October 1952Dearest Sylvia,
I have been thinking of your pictures as I worked on tomorrow's lecture.
I look forward to the time when I shall be able to include a Sleigh or two
in my lantern lecture. (I think I will have a couple made anyway
from some of your photographs for my own use. What do you
say? It would not be very expensive.) You are developing at a
marvelous rate, gaining strength and consistently with each painting.
Cliff End and The Furnace are so impressive. Do not think I disparage
earlier paintings - you know better than that. You can feel that
satisfactory sense of achievement and progress with each new work -
no sense that your latest work is not your best. I think that in
Oare and The Savages - to say nothing of M and myself - you have
loyal and enthusiastic supporters.
Barnstead last night was terribly tiring. About 9 people - a few more
than last week, some of them different. Next week will decide if the
class continue or not. Mrs. Seidler has a marvelous aptitude for
projective testsL show her a Degas (Martelli) & she finds a clam's head
sideways on the table; show her a Picasso Ciel & Halby Mosse & she de-
tects a fireplace. I can't tell you how interested I would be to
give her Thematic Apperception and Rorschach tests... She has
so easy & uninhibited responses!
The landscape between King's Cross and Peterboro is nice, especially
in this rainy overcast weather. Being so flat every petrol tin, tractor, cartwheel, furnace, telegraph post, pylon, slows up for miles. If it
were hill the inevitable squalor would be localized and shielded. as
it is in other county districts of England. This is another example of
the principle that frankness and no-concealment is bad - in external
nature as well as in human behavior. Picturesque intricacy - like
graceful manners - satisfies everything except curiosity. Mile
& mile, as if -
71821996 - JanetCormack
In the Train 2 October 1952Dearest Sylvia
I have been thinking of your picture as I worked on tomorrow's lecture. I look forward to the time when I shall be able to include a Sleigh or two in my lantern lecture. (I think I will have a couple made anyway from some of your photographs for my own use. What do you say? It would not be very expensive.) You are developing at a marvellous rate, gaining strength and consistency with each painting. Cliff End and The Furrow are so impressive. Do not think I disparage earlier paintings - you know better than that. You can feel that satisfactory sense of achievement and progress with each new work - no sense that your latest work is not your best. I think that in Chase and the Savages - to say nothing of M and myself - you have loyal and enthusiastic supporters.
Banstead last night was terribly tiring. About 9 people - a few more than last week, some of them different. Next week will decide if the class continues or not. Mrs Seidle has a marvellous aptitude for projective tests: show her a Degas (Martelli) & she finds a clown's head sideways on the table; shoe he a Picasso Chief & Hobby Horse & she detects a fire place. I can't tell you how interested I would be to give her Thematic Apperception and Rorshach tests ... She has so easy & uninhibited a response!
The landscape between King's Cross and Peterboro' is vile, especially in this rainy overcast weather. Being so flat every petrol tin, tractor, cart wheel, furnace, telegraph post, pylon, shows up for miles. If it were hilly the inevitable squalor would be localised and shielded, as it is in other country districts of England. This is another example of the principle thatfrankness and no-concealment is bad - in external Nature as well as in human behaviour. Picturesque intricacy - like graceful manners - satisifies everything except curiosity. Mile & mile of it -
73064963 - southsidesunny
In the Train 2 October 1952Dearest Sylvia
I have been thinking of your pictures as I worked on tomorrow's lecture.
I look forward to the time when I shall be able to include a Sleigh or two
in my lantern lecture. (I think I will have a couple made anyway
from some of your photographs for my own use. What do you
say? It would not be very expensive.) You are developing at a
marvellous rate, gaining strength and consistency with each painting.
Cliff End and The Furnace are so impressive. Do not think I disparage
earlier paintings -- you know better that that. You can feel that
satisfactory sense of achievement and progress with each new work --
no sense that your latest work is not your best. I think that in Chase and the Savages-- to say nothing of M and myself-- you have
loyal and enthusiastic supporters.
Banstead last night was terribly tiring. About 9 people -- a few more
than last week, some of them different. Next week will decide if the
class continues or not. Mrs Seidler has a marvellous aptitude for
projective tests: show her a Degas (Martelli) & she finds a clown's head
sideways on the table; show her a Picasso Chief & Hobby Horse & she de-
tects a fire place. I can't tell you how interested I would be to
give her Thematic Apperception and Rorschach tests ... She has
so easy & uninhibited a response!
The landscape between King's Cross and Peterboro is vile, especially
in this rainy overcast weather. Being so flat every petrol tin, tractor,
cart wheel, furnace, telegraph post, pylon, shows up for miles. If it
were hilly the inevitable squalor would be localised and shielded, as
it is in other country districts of England. This is another example of
the principle that frankness and no-concealment is bad -- in external
Nature as well as in human behavior. Picturesque intricacy -- like
graceful manners -- satisfies everything except curiosity, miles
& miles of it--