gri_2003_m_46_b05_f12_025
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Transcribers
- 68786559 - saffyre13
- 69225611 - Chris5420
- 69271897 - Zooniverse2017
- 69371103 - Sabine_Tuck
- WINNER - 69614292 - glt
- 69681409 - jesseytucker
68786559 - saffyre13
-1-Apart from commenting on the artist and what to look for in
the individual paintings illustrated I should try and draw some
general conclusion each time. For instance about portraiture
apropos of the Maugham portrait or about Sunday paintings gen-
erally in connection with Greaves, and so on.
Tourlous-Lautrec: A Private Room at La Rat Mort.
Quote from 90s literature about Paris night-light. Brief
biography of artist: topical at present with Moulin Rouge
being filmed. Over-emphasis on his deformity: great artist
as well as a dwarf.
Van Gough: Sunflowers.
Sunflowers one of series painted to welcome Paul Gauguin on
visit. This visit ended in Van Gough's first attack of mad-
ness. The popularity of Van Gough's art shows Victorian taste
for realism is breaking down. He expresses how he feels, not
only what he sees.
Renoir: La Loge.
Great interest in contemporary life in 19c. France. Renoir
presents a glamourised version of it. The apparently prosper-
ous sitters actually his brother and a model. This painted to
Attract well-off sitters. Sometimes art makes up what reality
misses. Biography
Bonnard: The Window.
This artist continues Renoir's outlook on life, like to paint the
sun, flowers, pretty girls. His art is very bold in colour
and design; in character Bonnard was shy and reticent, how-
ever. Quote account on B. at work.
Dufy: Deauville
Dufy's interest in fashionable places (including London and
the Derby). Explain his distortions which produces movement
(sails of yachts in the wind, for example). He obtains his rich color by several methods of putting the paint on, too (discuss).
Pissarro: Boulevard des Italiens
Study of light and reflections not of solid objects them-
selves. Quote his letters concerning England, Paris as sub-
ject for painter, Mde. Pissarro. After life of struggle his
old age spent in touring hotel bedrooms for views of the boul-
evards and bridges. Tie up with this picture.
Utrillo: Porte S Marin:
Paris as seen by Toulous-Lautrec and Pissarro. Utrillo's
Paris is for tourists. His version of the city has influ-
enced all of us in our idea of Montmartre, &c. Some bio-
graphy.
Picasso: Femme a la Chemise.
Conditions of Picasso's life in early 20c. when he painted
this work. Melancholy women delicately painted in 'blue' per-
iod, blue in colour and in mood. (Mention artist's subsequent
69225611 - Chris5420
-1-Apart from commenting on the artist and what to look for in
the individual paintings illustrated I should try and draw some
general conclusion each time. For instance about portraiture
apropos of the Maugham portrait or about Sunday paintings gen-
erally in connection with Greaves, and so on.
Toulouse-Lautrec: A Private Room at La Rat Mort.
Quote from 90s literature about Paris night-life. Brief
biography of artist: topical at present with Moulin Rouge
being filmed. Over-emphasis on his deformity: great artist
as well as a dwarf.
Van Gogh: Sunflowers.
Sunflowers one of the series painted to welcome Paul Gaugin on
visit. This visit ended in Van Gogh's first attack of mad-
ness. The popularity of Van Gogh's art shows Victorian taste
for realism is breaking down. He expresses how he feels, not
only what he sees.
Renoir: La Loge.
Great interest in contemporary life in 19c. France. Renoir
presents a glamourised version of it. The apparently prosper-
ous sitters actually his brother and a model. This painted to
attract well-off sitters. Sometimes art makes up what reality misses. Biography
Bonnard: The Window.
This artist continues Renoir's outlook on life, liking to paint the
sun, flowers, pretty girls. His art is very bold in colour
and design; in character Bonnard was shy and reticent, how-
ever. Quote account on B. at work.
Dufy: Deauville.
Daf's interest in fashionable places (including London and the Derby). Explain his distortion which produces movement
(sails of yachts in wind, for example). He obtains his rich
colour by several methods of putting the paint on, too (discuss).
Pissarro: Boulevard des Italiens
Study of light and reflections not of solid objects them-
selves. Quote his letters concerning England, Paris as sub-
ject for painter, Mde. Pisarro. After life of struggle his
old age spent in touring hotel bedrooms for views of the boul-
evards and bridges. Tie up with this picture.
Utrillo: Ports S Martin.
Paris as seen by Toulouse-Lautrec and Pissarro. Utrillo's Paris is for tourists. His version of the city has influ-
enced all of us in our idea of Montmartre, &c. Some bio-
graphy.
Picasso: Femme a la Chemise.
Conditions of Picasso's life in early 20c, when he painted
this work. Melancholy women delicately painted in 'blue' per-
iod , blue in colour and in mood. (Mention artist's subsequent
69271897 - Zooniverse2017
-1-Apart from commenting on the artist and what to look for in
the individual paintings illustrated I should try and draw some
general conclusions each time. For instance about portraiture
apropos of the Haugham portrait or about Sunday paintings gen-
erally in connection with Greaves, and so on.
Toulouse-Lautrec: A Private Room at La Rat Mort.
Quote from 90s literature about Paris night-life. Brief
biography of the artist: topical at present with Moulin Rouge
being filmed. Over-emphasis on his deformity: great artist
as well as a dwarf.
Van Gogh: Sunflowers.
Sunflowers one of series painted to welcome Paul Gauguin on
visit. This visit ended in Van Gogh's first attack of mad-
ness. The popularity of Van Gogh's art shows Victorian taste
for realism is breaking down. He expresses how he feels, not
only what he sees.
Renoir: La Loge.
Great interest in contemporary life in 19c. France. Renoir
presents a glamourised version of it. The apparently proper-
ous sitters actually his brother and a model. This painted to
attract well-off sitters. Sometimes art makes up what reality
misses. Biography.
Bonnard: The Window.
This artist continues Renoir's outlook on life, liking to paint the
sun, flowers, pretty girls. His art is very bold in colour
and design: in character Bonnard was shy and reticent, how-
ever. Quote account on B. at work.
Dufy: Deauville.
Dufy's interest in fashionable places (including London and
the Derby). Explain his distortions which produces movement
(sails of yachts in wind, for example). He obtains his rich
color by several methods of putting the paint on, too (discuss).
Pissarre: Boulevard des Italiens
Study of light and reflections not of solid objects them-
selves. Quote his letters concerning England, Paris as sub-
ject for painter, Mde. Pissarre. After life of struggle his
old age spent in touring hotel bedrooms for views of the boul-
evards and bridges. Tie up with this picture.
Utrille: Porte S Martin.
Paris as seen by Toulouse-Lautrec and Pissarro. Utrillo's
Paris is for tourists. His version of the city has influ-
enced all of us in our idea of Monmartre, &c. Some bio-
graphy.
Picasso: Femme a la Chemise.
Conditions of Piccasso's life in early 20s. when he painted
this work. Melancholy women delicately painted in 'blue' per-
iod, blue in colour and in mood. (Mention artist's subsequent
69371103 - Sabine_Tuck
- 1-Apart from commenting on the artist and what to look for in the individual paintings ilustrated I should try and draw some general conclusion each time. For instance about portraiture apropos of the Maugham portrait or about Sunday paintings generally in connection with Greaves, and so on.
Toulouse-Lautrec: A Private Room at La Rat Mort.
Quote from 90s literature about Paris night-life. Brief biography of artist: topical at present with Moulin Rouge being filmed. Over-emphasis on his deformity: great artist as well as a dwarf.
Van Gogh: Sunflowers.
Sunflowers one of series painted to welcome Paul Gauguin on visit. This visit ended in Van Gogh's first attac of madness. The popularity of Van Gogh's art shows Victorian taste for realism is breaking down. He expresses how he feels, not only what he sees.
Renoir: La Loge.
Great interest in contemporary life in 19c. France. Renoir presents a glamourised version of it. The apparently properous sitters actually his brother and a model. This painted to attract well-off sitters. Sometimes art makes up what reality misses. Biography.
Bonnard: The Window.
This artist continues Renoirs outlook on life, like to paint the sun, flowers, pretty girls. His art is very bold in colour and design; in character Bonnard was shy and reticent, however. Quote account on B. at work.
Dufy: Deauville.
Dufy's interest in fashionable places (including London and the Derby). Explain his distortions which produces movement (sails of yachts in wind, for examplet). He obtains his rich colour by several methods of putting the paint on, too (discuss).
Pissarro: Boulevard des Italiens.
Study of light and reflections not of solid objects themselves. Quote his letters concerning England, Paris as subject for painter, Mde. Pissarro. After life of struggle his old age spent in touring hotel bedrooms for views of the boulevards and bridges. Tie up with this picture.
Utrillo: Porte S Martin.
Paris as seen by Toulouse-Lautrec and Pissarro. Utrillo's Paris is for tourists. His version of the city has influences all of us in our idea of Montmartre, etc. Some biography.
Picasso: Femme a la Chemise.
Conditions of Picasso's life in early 20c. when he painted this work. Melancholy women delicately painted in 'blue' period, blue in colour and in mood. (Mention artist's subsequent
WINNER - 69614292 - glt
-1-Apart from commenting on the artist and what to look for in the individual paintings illustrated I should try and draw some general conclusion each time. For instance about portraiture apropos of the Maugham portrait or about Sunday paintings generally in connection with Greaves, and so on.
Toulouse-Lautrec: A Private Room at La Rat Mort.
Quote from 90s literature about Paris night-life. Brief biography of artist: topical at present with Moulin Rouge being filmed. Over-emphasis on his deformity: great artist as well as a dwarf.
Van Gogh: Sunflowers.
Sunflowers one of series painted to welcome Paul Gauguin on visit. This visit ended in Van Gogh's first attack of madness. The popularity of Van Gogh's art shows Victorian taste for realism is breaking down. He expresses how he feels, not only what he sees.
Renoir: La Loge.
Great interest in contemporary life in 19c. France. Renoir presents a glamourised version of it. The apparently prosperous sitters actually his brother and a model. This painted to attract well-off sitters. Sometimes art makes up what reality misses. Biography
Bonnard: The Window.
This artist continues Renoir's outlook on life, liking to paint the sun, flowers, pretty girls. His art is very bold in colour and design; in character Bonnard was shy and reticent, however. Quote account on B. at work.
Dufy: Deauville.
Dufy's interest in fashionable places (including London and the Derby). Explain his distortions which produces movement (sails of yachts in wind, for example). He obtains his rich color by several methods of putting the paint on, too (discuss).
Pissarro: Boulevard des Italiens
Study of light and reflections not of solid objects themselves. Quote his letters concerning England, Paris as subject for painter, Mde. Pissarro. After life of struggle his old age spent in touring hotel bedrooms for views of the boulevards and bridges. Tie up with this picture.
Utrillo: Porte S Martin.
Paris as seen by Toulouse-Lautrec and Pissarro. Untrillo's Paris is for tourists. His version of the city has influenced all of us in our idea of Montmartre, . Some biography.
Picasso: Femme a la Chemise.
Conditions of Picasso's life in early 20c. when he painted this work. Melancholy women delicately painted in 'blue' period, blue in colour and in mood. (Mention artist's subsequent
69681409 - jesseytucker
-1-Apart from commenting on the artist and what to look for in
the individual paintings illustrated I should try and draw some
general conclusion each time. For instance about portraiture
apropos of the Maugham portrait or about Sunday paintings gen-
erally in connection with Greaves, and so on.
Toulouse-Lautrec: A Private Room at La Rat Mort.
Quote from 90s literature about Paris night-life. Brief
biography of artist: topical at present with Moulin Rouge
being filmed. Over-emphasis on his deformity: great artist
as well as a dwarf.
Van Gogh: Sunflowers.
Sunflowers one of series painted to welcome Paul Gauguin on
visit. This visit ended in Van Gogh's first attack of mad-
ness. The popularity of Van Gogh's art shows Vicotrian taste
for realism is breaking down. He expresses how he feels, not
only what he sees.
Renoir: La Loge.
Great interest in contemporary life in 19c. France. Renoir
presents a glamourised version of it. The apparently prosper-
ous sitters actually his brother and a model. This painted to
attract well-off sitters. Sometimes aret makes up what reality
misses. Biography.
Bonnard: The Window.
This artist continues Renoir's outlook on life, liking to paint the
sun, flowers, pretty girls. His art is ver bold in colour
and design; in character Bonnard was shy and reticent, how-
ever. Quote account on B. at work.
Dufy: Deaville.
Dify's interest in fashionable places (including London and
the Derby). Explain his distortions which produces movement
(sails of achts in wind, for example). He obtains his rich
color by several methods of putting the paint on, too (discuss).
Pissarro: Boulevard des Italiens
Study of light and reflections not of solid objects them-
selves. Quote his letters concerning England, Paris as sub-
ject for painter, Mde. Pissarro. After life of struggle his
old age spent to touring hotel bedrooms for views of the boul-
evards and bridges. This up with this picture.
Utrillo: Porte S Martin.
Paris as seen by Toulouse-Lautrec and Pissarro. Utrillo's
Paris is for tourists. His version of the city has influ-
enced all of us in our idea of Montmartre, &c. Some bio-
graphy.
Picasso: Femme a la Chemise.
Conditions of Picasso's life in early 20c. when he painted
this work. Melancholy women delicately painted in 'blue' per-
iod, blue in colour and in mood. (Mention artist's subsequent