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gri_2003_m_46_b06_f02_012

Transcribers

  1. 72106980 - jesseytucker
  2. 72222368 - ethomson
  3. 72692817 - Preacher357
  4. 73000590 - myardley
  5. 73356804 - growncynic
  6. WINNER - 73366613 - darryluk

72106980 - jesseytucker

Blackheath
4 ii 1953
Dearest Sylvia,
I am so sorry that you are still in bed and it is distressing
news that your chest is still uncomfortable. Do be careful
of yourself. But I can see that you are being careful (you
must be well for your show) from your decision not to travel
before 19th. I am terribly sorry that you will not be with
me as soon as you hoped and as soon as I hoped. That is a
vile thing to happen. However, I can see that you must, on
no account, get behind with your framing: everything having
to be prepared by 19th. Do not go out more than is absolutely
essential as the weather is stinking.
By the way, you did not tell me the price of the Still Life
with Chianti Bottle so I took it upon myself to price it at
12 guineas, which seemed to be in scale with the other prices. I hope that is about right?
Here is a poem for you: no title, yet.
The rhetoric of lovers is their breath.
Skin is their orator and harlequin
Whose words are jumps, whose dancing is a speech.
Taking a body as a sign of love
Who listens hears the tumult of the skin,
Limb alphabet and visceral tidings.
The north-south which-way delta of the nerves
Supports the purpose of the landing swan:
Leda s you, wings as your eyes, and mine.
Be eloquent by being as you are.
I saw Charles and he is going to take me to the 7 Deadly Sins on
Friday. Why is he so eager to take me to see this particular
movie, I wonder? He seems to me to keep going to it...How-
ever it is free, though not one of the best things in life.
The galleries upstairs in the Tate (many of them) are being clear-
ed for Mex. art. The permaent col. will be on view in the base-
ment. However, the basement is cleared for fear of floods. So
I may have to improvise hysterically on Thursday and Saturday as
at present none of the Impressionist or School of Paris works (my
two subjects) are on view...
I am lunching with Anthony Hill (at his place). Then Banstead.
I love you dearest Sylvia, I love love love you,
Lawrence

72222368 - ethomson

Blackheath
4 ii 1953

Dearest Sylvia,

I am so sorry that you are still in bed and it is distressing
news that your chest is still uncomfortable. Do be careful
of yourself. But I can see that you are being careful (you
must be well for your show) from your decision not to travel
before 19th. I am terribly sorry that you will not be with
me as soon as you hoped and as soon as I hoped. That is a
vile thing to happen. However, I can see that you must, on
no account, get behind with your framing: everything having
to be prepared by the 19th. Do not go out more than is absolutely
essential as the weather is stinking.

By the way, you did not tell me the price of the Still Life
with Chianti Bottle so I took it upon myself to price it at
12 guineas, which seemed to be in scale with the other prices.
I hope that is about right?

Here is a poem for you: no title, yet.

The rhetoric of lovers is their breath.
Skin is their orator and harlequin
Whose words are jumps, whose dancing is a speech.

Taking a body as a sign of love
Who listens hears the tumult of the skin,
Limb alphabet and visceral tidings.

The north-south which-way delta of the nerves
Supports the purpose of the landing swan:
Leda as you, wings as your eyes, and mine.

Be eloquent by being as you are.

I saw Charles and he is going to take me to The 7 Deadly Sins on
Friday. Why is he so eager to take me to see this particular
movie, I wonder? He seems to me to keep going to it... How-
ever it is free, though not one of the best things in life.

The galleries updates in the Tate (many of them) are being clear-
ed for Mex. art. The permanent col. will be on view in the base-
ment. However, the basement is cleared for fear of floods. So
I may have to improvise hysterically on Thursday and Saturday as
at present none of the Impressionist or School of Paris works (my
two subjects) are on view...

I am lunching with Anthony Hill (at his place). Then Banstead.

I love you dearest Sylvia, I love love love you,
Lawrence

72692817 - Preacher357

4 ii 1953 Blackheath Dearest Sylvia,

I am so sorry that you are still in bed and it is distressing
news that your chest is still uncomfortabe. Do be careful
of yourself. But I can see that you are being carful (you
must be well for your show) from your decision not to travel
before 19th. I am terribly sorry that you will not be with
me as soon as you hoped and as soon as I hoped. That is a
vile thing to happen. However, I can see that you must, on
no account, get behind with your framing: everything having
to be prepared by 19th. Well I look forward very impatiently
indeed to the 19th. Do not go out more than is absolutely
essential as the weather is stinking.

By the way, you did not tell me the price of the Still Life
with Chianti Bottle so I took it upon myself to price it at
12 guineas, which seemed to be in scale with the other prices.
I hope that is about right?

Here is a poem for you: no title, yet.

The rhetoric of lovers is their breath.
Skin is their orator and harlequin
Whose words are jumps, whose dancing is a speech.

Taking a body as a sign of love
Who listens hears the tumult of the skin,
Limb alphabet and visceral tidings.

The north-south which-way delta of the nerves
Supports the purpose of the landing swan:
Leda as you, wings as your eyes, and mine.

Be eloquent by being as your are.

I saw Charles and he is going to take me to The 7 Deadly Dins on
Friday. Why is he so eager to take me to see this particular
movie, I wonder? He seems to me to keep going to it... How-
ever it is free, though not one of the best things in life.

The galleries upstairs in the Tate (many of them) are being clear-
ed for Mex. art. The permaent col. will be on view in the base-
ment. However, the basement is cleared for fear of floods. So
at present none of the Impressionist or School of Paris works (my
two subjects) are on view...

I am lunching with Antony Hill (at his place). Then Banstead.

I love you dearest Sylvia, I love you love you,
Lawrence

73000590 - myardley

Blakcheath
4 ii 1953
Dearest Sylvia,
I am so sorry that you are still in bed and it is distressing news that your chest is still uncomfortable. Do be careful of yourself. But I can see that you are being careful (you must be well for your show) from your decision not to travel before 19th. I am terribly sorry that you will not be with me as soon as you hoped and as soon as I hoped. That is a vile thing to happen. However, I can see that you must, on no account, get behind with your framing: everything having to be prepared by 19th. Well I look forward very impatiently indeed to the 19th. Do not go out more than is absolutely essential as the weather is stinking.
By the way, you did not tell me the price of the Still Life with Chianti Bottle so I took it upon myself to price it at 12 guineas, which seemed to be in scale with the other prices. I hope that is about right?

Here is a poem for you: no title, yet.

The rhetoric of lovers is their breath.
Skin is their orator and harlequin
Whose words are jumps, whose dancing is a speech.

Taking a body as a sign of love
Who listens hears the tumult of the skin,
limb alphabet and visceral tidings.

The north-south which-way delta or the nerves
Supports the purpose of the landing swan:
Leda as you, wings as your eyes, and mind.

Be eloquent by being as you are.

I saw Charles and he is going to take me to The 7 Deadly Sins on Friday. Why is he so eager to take me to see this particular movie, I wonder? He seems to me to keep going to it...How-ever it is free, though not one of the best things in life.

The galleries upstairs in the Tate (many of them) are being clear-ed for Mex. art. The permanent col. will be on view in the basement. However, the basement is cleared for fear of floods. So I may have to improvise hysterically on Thursday and Saturday as at present none of the Impressionist or School of Paris works (my two subjects) are on view...

I am lunching with Anthony Hill (at this place). Then Banstead.

I love you dearest Sylvia, I love love love you,
Lawrence

73356804 - growncynic

Blackheath
4 11 1953

Dearest Sylvia,

I am so sorry that you are still in bed and it is distressing news that your chest is still uncomfortable. Do be careful of yourself. But I can see that you are being careful ( you must be well for your show) from your decision not to travel before 19th. I am terribly sorry that you will not be with me as soon as you hoped and as soon as I hoped. That is a vile thing to happen. However, I can see that you must, on no account, get behind with your framing: everything having to be prepared by 19th. Well I look forward very impatiently indeed to the 19th. Do not go out more than is absolutely essential as the weather is stinking.

By the way, you did not tell me the price of the Still Life with Chianti Bottle so I took it upon myself to price it at 12 guineas, which seemed to be in a scale with the other prices. I hope that is about right?

Here is a poem for you: no title, yet.

The rhetoric of lovers is their breath.
Skin is their orator and harlequin
Whose works are jumps, whose dancing is a speech.

Taking a body as a sign of love
Who listens hears the tumult of the skin,
Limb alphabet and visceral tidings.

The north-south which-way delta of the nerves
Supports the purpose of the landing swan:
Leda as you, wings as your eyes, and mine.

Be eloquent by being as you are.

I saw Charles and he is going to take me to The 7 Deadly Sins on Friday. Why is he so eager to take me to see this particular movie, I wonder? He seems to me to keep going to it. . . However it is free, though not one of the best things in life.

The galleries upstairs in the Tate (many of them) are being cleared for Mex. art. The permanent col. will be on view in the basement. However, the basement is cleared for fear of floods. So I may have to improvise hysterically on Thursday and Saturday as at present none of the Impressionist or School of Paris works (my two subjects) are on view. . .

I am lunching with Anthony Hill (at his place). Then Banstead.

I love you dearest Sylvia, I love love love you, Lawrence

WINNER - 73366613 - darryluk

Blackheath
4 ii 1953

Dearest Sylvia,

I am so sorry that you are still in bed and it is distressing news that your chest is still uncomfortable. Do be careful of yourself. But I can see that you are being careful (you must be well for your show) from your decision not to travel before 19th. I am terribly sorry that you will not be with me as soon as you hoped and as soon as I hoped. That is a vile thing to happen. However, I can see that you must, on no account, get behind with your framing: everything having to be prepared by 19th. Well I look forward very impatiently indeed to the 19th. Do not go out more than is absolutely essential as the weather is stinking.

By the way, you did not tell me the price of the Still Life with Chianti Bottle so I took it upon myself to price it at 12 guineas, which seemed to be in scale with the other prices. I hope that is about right?

Here is a poem for you: no title, yet.

The rhetoric of lovers is their breath.
Skin is the orator and harlequin
Whose words are jumps, whose dancing is a speech.

Taking a body as a sign of love
Who listens hears the tumult of the skin.
Limb alphabet and visceral tidings.

The north-south which-way delta of the nerves
Supports the purpose of the landing swan:
Leda as you, wings as your eyes, and mine.

Be eloquent by being as you are.

I saw Charles and he is going to take me to The 7 Deadly Sins on Friday. Why is he so eager to take me to see this particular movie, I wonder! He seems to me to keep going to it... However it is free, though not one of the best things in life.

The galleries upstairs int he Tate (many of them) are being cleared for Mex. art. The permanent col. will be on view in the basement. However, the basement is cleared for fear of floods. So I may have to improvise hysterically on Thursday and Saturday as at present none of the Impressionist or School of Paris works (my two subjects) are on view...

I am lunching with Anthony Hill (at his place). Then Banstead.

I love you dearest Sylvia, I love love love you,
Lawrence

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