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gri_2003_m_46_b06_f04_016

Transcribers

  1. 71825490 - the3esses
  2. 71845429 - Frosty1
  3. 72108501 - not-logged-in-8e672012ef0a33ef8834
  4. 72111150 - Preacher357
  5. WINNER - 72356330 - gaart2
  6. 72446961 - not-logged-in-0231c24bad786cb7af8b

71825490 - the3esses

10
Souvenirs Perdues belongs with the vertical group though it has a fatal centrifugal tendency. It provides excellent opportunities for talented French actors and, it should be said, nobody disappoints in this respect, though it is the very vitality and resource of the acting which makes the film fall apart. The linking device is very slight and there is a feeling that the authors of the four episodes wrote for the actors and tacked on the objects dictated by the device afterwards. The film opens in the lost property office in Paris and one of this omnipotent understanding commentator takes over at once, pointing Life's little ironies, asking the questions which his stories will answer.
An Egyptian doll with a ballet skirt on it, a violin, a fur, and a wreath: the doll is the souvenir of a sentimental Love affairs; the violin is part of a pleasant story of a policeman's unsuccessful wooing of a widow with a 'musical' son; the fur was used by a maniac to strangle a girl; the wreath introduces a farce, violently amusing in the bathroom and at the graveside. The stories do not

71845429 - Frosty1

Souvenirs Perdues belongs with the vertical group though it has a fatal centrifugal tendency. It provides excellent opportunities for talented French actors and, it should be said, nobody disappoints in this respect, though it is the very vitality and resource of the acting which makes the film fall apart. The linking device is very slight and there is a feeling that the authors of the four episodes wrote for the actors and tacked on the objects dictated by the device afterwards. The film opens in the lost property office in Paris and one of those omnipotent understanding commentators takes over at once, pointing Life's little ironies, asking the questions which his stories will answer.
An Egyptian doll with a ballet skirt on it, a violin, a fur, and a wreath : the doll is a souvenir of a sentimental love affaire; the violin is part of a pleasant story of a policeman's unsuccessful wooing of a widow with a 'musical' son; the fur was used by a maniac to strangle a girl; the wreath introduces a farce, violently amusing in the bathroom and at the graveside. The stories do not

72108501 - not-logged-in-8e672012ef0a33ef8834

10

Souvenirs Perdues belongs with the vertical group though it
has a fatal centrifugal tendency. It provides excellent oppor-
tunities for talented French actors and, it should be said, no-
body disappoints in this respect, though it is the very vitality
and resources of the acting which makes the film fall apart. The
linking device is very slight and there is a feeling the
authors of the four episodes wrote for the actors and tacked on
the objects dictated by the device afterwards. The film opens
in the lost property office in Paris and one of those omnipotent
understanding commentator takes over at once, pointing Life's lit-
tle ironies, asking the questions which his story will answer.
An Egyptian doll with a ballet skirt on it, a violin, a fur, and
a wreath : the doll is the souvenir of a sentimental love affaire ;
the violin is part of a pleasant story of a policeman's unsuccess-
ful wooing of a widow with a 'musical' son ; the fur was used by a
maniac to strangle a girl ; the wreath introduces a farce, violently
amusing in the bathroom and at the graveside. The stories do not

72111150 - Preacher357

10
Souvenirs Perdues belongs with the vertical group thought it
has a fatal contrifugal tendency. It provides excellent oppor-
tunities for talented French actors and, it should be said, no-
body disappoints in this respect, though it is the very vitality
and resource of the acting which makes the film fall apart. The
linking device is very slight and there is a feeling that the
authors of the four episodes wrote for the actors and tacked on
the objects dictated by the device afterwards. The film opens
in the lost property office in Paris and one of those omnipoten
understanding commentator takes over at once, pointing life's lit-
tle ironies, asking the questions which his stories will answer.
An Egyptian doll with a ballet skirt on it, a violin, a fur, and
a wreath: the doll is the souvenir of a sentimental love affaire;
the violin is part of a pleasant story of a policeman's unsuccess-
ful wooing of a widow with a 'musical' son; the fur was used by a
maniac to strangle a girl; the wreath introduces a farce, violently
amusing in the bathroom and at the graveside. The stories do not

WINNER - 72356330 - gaart2

10
Souvenirs Perdues belongs with the vertical group though it has a fatal centrifugal tendency. It provides excellent opportunities for talented French actors and, it should be said, nobody disappoints in this respect, though it is the very vitality and resource of the acting which makes the film fall apart. The linking device is very slight and there is a feeling that the authors of the four episodes wrote for the actors and tacked on the objects dictated by the device afterwards. The film opens in the lost property office in Paris and one of those omnipotent understanding commentator takes over at once, pointing life's little ironies, asking the questions which his stories will answer. An Egyptian doll with a ballet skirt on it, a violin, a fur, and a wreath: the doll is the souvenir of a sentimental love affair; the violin is part of a pleasant story of a policeman's unsuccessful wooing of a widow with a 'musical' son; the fur was used by a maniac to strangle a girl; the wreath introduces a farce, violently amusing in the bathroom and at the graveside. The stories do not

72446961 - not-logged-in-0231c24bad786cb7af8b

Souvenirs Perdues belongs with the veritical group though it has a fatal centrifugal tendency. It provides excellent opportunities for talented French Actors and, it should be said, nobody disapproves in this respect, though it is the very vitality and resource of the acting which makes the film fall apart. The linking device is very slight and there is a feeling that the authors of the four episodes wrote for the actors and tacked on the objects dictated by the device afterwards. The film opens in the lost property office in Paris and one of those omnipotent understanding commentator takes over at once, pointing life's little ironies, asking the questions which his story will answer. An Egyptian doll with a ballet skirt on it, a violin, a fur, and a wreath: the doll is a souvenir of a sentimental love affaire; the violin is part of a pleasant story of a policeman's unsuccessful wooing of a widow with a 'musical' son; the fur was used by a maniac to strangle a girl; the wreath introduces a farce, violently amusing in the bathroom and at the graveside. The stories do not

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