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gri_2003_m_46_b01_f04_011

Transcribers

  1. 65334806 - dwc309
  2. 65341406 - Jean-Marc
  3. 65411205 - not-logged-in-886bb43aed0756a7207f
  4. 65486686 - ekaita
  5. 65502841 - not-logged-in-886bb43aed0756a7207f
  6. WINNER - 65573505 - snikdekl

65334806 - dwc309

part of my [campoig][/campaign] until invite my parents it's a campaign which occasionally breaks down) I have tried [motles] [test] my painting is [cerinds] of [rirs] sleigh. -Hmmm,

65341406 - Jean-Marc

65411205 - not-logged-in-886bb43aed0756a7207f

As part of any campaign to conciliate my parents (it's a campaign which occasionally breaks down) I have my painting is of Miss Sleigh - Mmm, said mother don't know her, she complains ! Poor son - commited but carefully used I think it will be possible to discount (mothers) fears about Mrs Greenwood and I easing Miss Sleigh into the dominant place.

I have ( about ) upstairs ( The is occupied ) and your Pett picture is before me. In a way I think, you have re-acted here against one of the consequences of recession and what goes into recession - looking into it, the first pencil sketches - sometimes disregarded later, the delicious sliding of one color into another, I feel very vividly your personality unclear] - But I'm supposed to be an art critic and I can only say in my official role I am the picture's victims rather than its possessor. It seems to me such a lot to say as a picture that is both delicate and bold that I can honestly say it as this.

65486686 - ekaita

65502841 - not-logged-in-886bb43aed0756a7207f

WINNER - 65573505 - snikdekl

As part of my campaign to instil
into my parents (it's a campaign which
occasionally breaks down) I have told
mother that my painting is the work of
Miss Sleigh. Hmm, said mother,
don't know her, where'd she come from?
I was non-commital, but carefully
used I think it will be possible to dis-
count mothers fears about Miss Greenwood
and I am easing Miss Sleigh into the
dominant place.

I have come upstairs (The lounge is occu-
pied) and your Pett picture is before me.
In a way, I think, you have re-acted here
against one of the consequences of your Ven-
etian vision - the assumption of recess-
ion and what goes into recession look-
ing into it, the first pencil strokes - sometimes
disregarded later, the delicious sliding of
one color into another, I feel very vividly
your personality.
But I'm supposed to be an
art critic and I can only say in my official
role, I am the picture's victim rather than its
possessor. It seems to me such a lot to
say as a picture that it is both delicate &
bold yet I can honestly say it of this

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