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gri_2003_m_46_b01_f06_022

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  1. 65304107 - not-logged-in-64693ada791227ecdb9e
  2. 65317058 - not-logged-in-0d93f31137a5ccdb5e01
  3. 65362299 - not-logged-in-a9949b303c69a7b87dc5
  4. 65391617 - not-logged-in-73d19de275c1b6805ac7
  5. 65398053 - loisangelusaro
  6. WINNER - 65684388 - SREM
  7. 65738266 - JanetCormack
  8. 65741244 - srasg56
  9. 65750776 - mar15ted
  10. 65844368 - JNaz
  11. 65870828 - tinkapuppy

65304107 - not-logged-in-64693ada791227ecdb9e

65317058 - not-logged-in-0d93f31137a5ccdb5e01

65362299 - not-logged-in-a9949b303c69a7b87dc5

65391617 - not-logged-in-73d19de275c1b6805ac7

sitting for you; this privilege increased my critical delight in your handling of oils. You must never stop painting again. Your silent period has not improved your gift in the least; not in landscape and not emphatically in portraiture. I will not say you have been lucky but rather that you have been tough, persistent so that there is nothing unexpected about your new work. You have improved it. And how I enjoyed your earlier work! Your portrait of Clifford and Tiny sticks in my mind (the double one) and Clifford's head. And your nude self-portrait remains very vivid indeed to me; I reflect that you understand yourself as well as other people. How interesting it will be to compare it with your new self portrait against the liger. But now that I have started I could go on for many more lines than a letter really permits about your paintings. For example the fresh self-portrait with its charming greens and gusty nervous vigour in it and the wonderfully strong rhythms, on such a large scale, of those three flowers drawings - heroic tulips. But it is a theme that will run through many future letters, I am poet Basineate to Queen See, and you are my painter in return.
Your letters have given me such pleasure; so loved, so tender. I see, too, with what delight I need not say, that conceits enter your letters. As my past gradually assembles itself on memories of

65398053 - loisangelusaro

sitting for you: their privilege increased my critical delight in your handling of oils. You must never stop painting again. Your silent period has not impaired your gifts in the least; not in landscape and not, emphatically, in portraiture. I will not say you have been lucky but rather that you have been tough, persistent, so that there is nothing unexpected about your new work. You have improved it. And how I enjoyed your earlier work! Your portrait of Clifford and Tiny sticks in my mind (to double one) and Clifford's head. And your nude self-portrait remains very vivid indeed to me: I reflect that you understand yourself as well as other people. How interesting it will be to compare it until your new self-portrait against the tiger. But now that I have started I could go on for many more lines form a letter really permits about your paintings. For example the fresh self-portrait with charming greens and a gusty nervous rigor in it and the wonderfully strong rhythms on such large scale, of those tree flower drawings-heroic tulips. But it is a shame that will run through many future letters. I am poet bureaucrat to Queen see, and you are my painter in return.
Your letters have given me such pleasure; so bold, so tender. I see, too, with what delight I need not say, that conceit enters your letters. As my past gradually assembles itself on memories of

WINNER - 65684388 - SREM

sitting for you: this privilege increased my critical delight in your handling of oils. You must never stop painting again. Your silent period has not impaired your gifts in the least: not in landscape and not, emphatically, in portraiture. I will not say you have been lucky but rather that you have been tough, persistent, so that there is nothing unexpected about your new work. You have prepared it. And how I enjoyed your earlier work! Your portrait of Clifford and Tiny sticks in my mind (the double one) and Clifford's head. And your nude self-portrait remains very vivid indeed to me: I reflect that you understand yourself as well as other people. How interesting it will be to compare it with your new self portrait against the light. But now that I have started I could go on for many more lines than a letter really permits about your paintings. For example the fresh self-portrait with charming greens and a gusty nervous vigour in it and the wonderfully strong rhythms, on such large scale, of those three flowers drawings - heroic tulips. But it is a theme that will run through many future letters. I am poet laureate to Queen See, and you are my painter in return.

Your letters have given me such pleasure; so bold, so tender. I see, too, with what delight I need not say, that conceits enter your letters. As my past gradually assembles itself on memories of

65738266 - JanetCormack

sitting for you: this privilege increased my criticla delight in your handling of oils. You must never stop painting again. Your silent period has not impaired your gifts in the least: not in landscape and not, enphatically, in portraiture. I will not say you have been lucky but rather that you have been tough, persistent, so that there is nothing unexpected about your new work. You have prepared it. And how I enjoyed your earlier work! Your portrait of Clifford and Tiny sticks in my mind (the double self-portrait remains very vivid indeed to me: I reflect that you understand yourself as well as other people. How interesting it will be to compare it with your new self portrait against the light. But now I have started I could go on for many more lines than a letter really permits about your paintings. For example the fresh self-portrait with charming greens and a gusty nervous rigour in it and the wonderfully strong rhythms, on such large scale, of those three flowers drawings - heroic tulips. But it is a thene that will run through many future letters. I am Poet Laureate to Queen Cee, and you are my painter in return.
Your letters have given me such pleasure; so bald, so tender, I see, too, withwhat delight I need not say, that conceits enter your letters. As my past gradually assembles itself on memories of

65741244 - srasg56

sitting for you. This privilege increased my
critical delight in your handling of oils.
You must never stop painting again. Your
silent period has not impaired your gifts
in the least: not in landscape and not, em-
phatically, in portraiture. I will not say
you have been lucky but rather that you
have been tough, persistent, so that there is
something unexpected about your new work.
You have prepared it. And how I enjoyed
your earlier work! Your portrait of Clif-
ford and Tiny sticks in my mind (the double
one) and Clifford's head. And your nude
self-portrait remains very vivid indeed
to me: I reflect that you understand your-
self as well as other people. How inter-
esting it will be to compare it with your
new self portrait against the light.
But now that I have started I could go on
for many more lines than a letter really
permits about your paintings. For example
the fresh self-portrait with charming
greens and a gusty nervous vigour in it
and the wonderfully strong rhythms, on
such large scale, of those three flower
drawings - heroic tulips. But it is a
theme that will run through many future
letters. I am poet laureate to Queen Bee,
and you are my painter in return.
Your letters have given me such
pleasure; so bold, so tender, I see, too,
with what delight I need not say, that
conceits enter your letters. As my past
gradually assembles itself on memories of

65750776 - mar15ted

sitting for you: this privilege increased my critical delight in your handling of oils. You must never stop painting again. Your silent period has not impaired your gifts in the least: not in landscape and not, emphatically, in portraiture. I will not say you have been lucky but rather that you have been tough, persistent, so that there is nothing unexpected about your new work. You have prepared it. And how I enjoyed your earlier work! Your portrait of Clifford and Tiny sticks in my mind (the double one) and Clifford's head. And your nude self-portrait remains very vivid indeed to me: I reflect that you understand yourself as well as other people. How interesting it will be to compare it with your new self-portrait against the light. but now that I have started I could go on for many more lines than a letter really permits about your paintings. For example the fresh self-portrait with charming greens and a gusty nervous rigour in it and the wonderfully strong rhythms, on such large scale, of those three flowers drawings - heroic tulips. But it is a theme that will run through many future letters. I am poet laureate to Queen See, and you are my painter in return. Your letters have given me such pleasure; so bold, so tender. I see, too, with what delight I need not say, that conceits enter your letters. As my past gradually assembles itself on memories of

65844368 - JNaz

sitting for you : this privilege increased my
critical delight in your handling of oils.
You must never stop painting again. Your
silent period has not impaired your gifts
in the least: not in landscape and not, em -
phatically, in portraiture. I will not say
you have been lucky but rather that you
have been tough, persistent, so that there is
nothing unexpected about your new work.
You have prepared it. And how I enjoyed
your earlier work! Your portrait of Clif -
ford and Tiny sticks in my mind (the double
one) and Clifford's head. And your nude
self-portrait remains very vivid indeed
to me : I reflect that you understand your -
self as well as other people. How inter -
esting it will be to compare it with your
new self portrait against the light .
But now that I have started I could go on
for many more lines than a letter really
permits about your paintings. For example
the fresh self-portrait with charming
greens and a gusty nervous rigour in it
and the wonderfully strong rhythm, on
such large scale, of those three flowers
drawings - heroic tulips. But it is a
claim that will run through many future
letters. I am poet laureate to Queen See,
and you are my painter in return.
Your letters have given me such
pleasure; so bold, so tender. I see, too,
with what delight I need not say, that
conceits enter your letters. As my past
gradually assembles itself on memories of

65870828 - tinkapuppy

sitting for you; this privilege increased my
critical delight in your handling of oils.
You must never stop painting again. Your
silent period has not impaired your gifts
in the least: not in landscape and not, em-
phatically, in portraiture. I will not say
you have been lucky but rather that you
have been tough, persistent, so that there is
nothing unexpected about your new work.
You have prepared it. And how I enjoyed
your earlier work! Your portrait of Clif-
ford and Tiny sticks in my mind (the double
one) and Clifford's head. And your nude
self-portrait remains very vivid indeed
to me: I reflect that you understand your-
self as well as other people. How inter-
esting it will be to compare it with your
new self-portrait against the light.
But now that I have started I could go on
for many more lines than a letter really
permits about your paintings. For example
the fresh self-portrait with charming
greens and a gusty nervous vigour in it
and the wonderfully strong rhythm, on
such large scale, of those three flowers
drawings - heroic tulips. But it is a
theme that will run through many future
letters. I am poet laureate to Queen Bee,
and you are my painter in return.
Your letters have given me such
pleasure; so bold, so tender. I see, too,
with what delight I need not say, that
conceits enter your letters. As my past
gradually assembles itself on memories of

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