gri_2003_m_46_b01_f07_007
- Max. dissimilarity: 0.085
- Mean dissimilarity: 0.048
- Image votes: 0.0
Transcribers
- 65318714 - cshepherd
- 65344748 - not-logged-in-518ffb363660f76aa6ca
- 65374789 - jaf490
- WINNER - 65386138 - pdunk
- 65393402 - ChamboPip
65318714 - cshepherd
6th augustInghilterra
Dearest Sylvia,
Thank you so very much for, in two days, sixteen
pages of correspondence. You can imagine I think
my delight. Your letters come from another world:
here in Inghilterra it might be Autumn already. The
leaves are going brown, many of them, and it has rain-
ed for two days. I have seen one bonfire of leaves
and fear more summer-pyres. With what pleasure I
read of the Italian scene you may conjecture: it is
and added source of joy to the fact of hearing from
you.
Your query Giorgione sounds most exciting and I
hope it turns out to be a possible one: I have never
heard of it. I envy you very much the Giordano
ceiling: I admire his Cupid and Psyche series at
Hampton Court but there my knowledge, alas, helas,
stops. Johnson's disregard of it is typical. I
congratulate you on your 'lady painter': I need not
tell you that she is totally unknown to me but I am
interested to hear all you have to say about her.
Thanks for your offer of your mannerist notes: I
shall take the earliest advantage of this that I can.
Beccafumi (I have seen only one original by him) is
a superb and original painter I think and you seem
to have been treated to an absolute feast of his work.
I haven't though much about Sodoma but perhaps I can
see your notes on him too so that I may learn.
The Palazzo Pavizza sounds charming: your ceiling
sounds most luxurious. Today, in Hampton Court, I
wrote a poem for you. Like so many of mine it needs
a note. The early 17th century French movement of
Preciosite produced 'la carte du Tendre' an
elaborate map prepared to cover every amorous pos-
sibility or eventuality. Lac d'indifference, the
shore of declaration, a grotto for billets-doux, etc.
With that in mind and vaguely the landscape vignettes
on your ceiling I wrote this:
Vivid amorists design
To capture by analogy
Lyrical fallacies, passive in
The ageless, natural ornaments
A web of paths persuades the swain
Like a labyrinth of kisses;
A sigh trembles like a scalloped lily
Nursed by the blue indifferent lake.
65344748 - not-logged-in-518ffb363660f76aa6ca
Inghilterra6th August
Dearest Sylvia,
Thank you so very much for, in two days, sixteen ages of correspondence. You can imagine I think my delight. Your letters come from another world: here in Inghilterra it might be Autumn already. The leaves are going brown, many of them, and it has rain-
emd for two days. I have seen one bonfire of leaves
and fear more summer-pyres. With that pleasure I read of the Italian scene you may conjecture: it is an added source of joy to the fact of hearing from you.
Your query Giorgione one sounds most exciting and I
hope it turns out to be a possible one: I have never heard of it. I envy you very much the Giordano
ceiling: I admire his Cupid and Psyche series at
Hampton Court, but there my knowedge, alas, helas,
stops. Johnson's disregard of it is typical. I
congratulate you on your 'lady painter': I need not tell you that she is totally unknown to me but I am
interested to hear all you have to say about her.
Thank you for your offer of your mannerist notes: I
shall take the earliest advantage of this that I can.
Beccafumi (I have seen only one original by him) is
a superb and original painter I think and you seem
to have been treated to an absolute feast of his work.
I haven't thought much about Sodoma but perhaps I can
see your notes on him too so that I may learn.
The Palazzo Pavizza sounds charming: your ceiling sounds most luxurious. Today in Hampton Court I
wrote a poem for you. Like so many of mine it needs
a note. The early 17th century French movement of
Preciosite produced 'la carte du Tendre' an
elaborate map prepared to cover every amorous pos-
sibility or eventuality. Lac d'indifference, the
shore of declaration, a grotto for billets-doux, &c.
With that in mind and vaguely the landscape vignettes
on your ceiling I wrote this:
Vivid amorists design
To capture by analogy
Lyrical fallacies, passive in
The ageless natural ornaments
A web of paths persuades the swain
Like a labyrinth of Kisses;
A sigh trembles like a scalloped lily
Nursed by the blue indifferent lake.
65374789 - jaf490
6th augustInghilterra
Dearest Sylvia,
Thank you so very much for, in two days, sixteen pages of correspondence. You can imagine I think my delight. Your letters come from another world: here in Inghilterra it might be Autumn already. The leaves are going brown, many of them, and it has rained for two days. I have seen one bonfire of leaves and fear more summer-pyres. With what pleasure I read of the Italian scene you may conjecture: it is an added source of joy to the fact of hearing from you.
Your query Giorgione sounds most exciting and I hope it turns out to be a possible one: I have never heard of it. I envy you very much the Giordano ceiling: I admire his Cupid and Psyche series at Hampton Court but there my knowledge, alas, helas, stops. Johnson's disregard of it is typical. I congratulate you on your 'lady painter': I need not tell you that she is totally unknown to me but I am interested to hear all you have to say about her. Thanks for your offer of your mannerist notes: I shall take the earliest advantage of this that I can. Beccafumi (I have seen only one original by him) is a superb and original painter I think and you seem to have been treated to an absolute feast of his work. I haven't though much about Sodoma but perhaps I can see your notes on him too so that I may learn.
The Palazzo Pavizza sounds charming: your ceiling sounds most luxurious. Today, in Hampton Court, I wrote a poem for you. Like so many of mine it needs a note. The early 17th century French movement of Preciosite produced 'la carte du Tendre' an elaborate map prepared to cover every amorous possibility or eventuality. Iac d'indifference, the shore of declaration, a grotto for billets-doux, &c. With that in mind and vaguely the landscape vignettes on your ceiling I wrote this:
Vivid amorists design
To capture by analogy
Lyrical fallacies, passive in
The ageless, natural ornaments
A web of paths persuades the swain
Like a labyrinth of kisses;
A sigh trembles like a scalloped lily
Nursed by the blue indifferent lake.
WINNER - 65386138 - pdunk
Inghilterra6th August
Dearest Sylvia,
Thank you so very much for, in two days, sixteen pages of correspondence. You can imagine I think my delight. Your letters come from another world. Here in Inghilterra it might be Autumn already. The leaves are going brown, many of them, and it has rained for two days. I have seen one bonfire of leaves and fear more summer pyres. With what pleasure I read of the Italian scene you may conjecture: it is an added source of joy to the fact of hearing from you.
Your query Giorgione sounds most exciting and I hope it turns out to be a possible one: I have never heard of it. I envy you very much the Giordano ceiling: I admire his Cupid and Psyche series at Hampton Court, but there my knowledge, alas, helas stops. Johnson's disregard of it is typical. I congratulate you on your "lady painter": I need not tell you that she is totally unknown to me but I am interested to hear all you have to say about her. Thanks for your offer of your mannerist notes: I shall take the earliest advantage of this that I can.
Beccafumi (I have seen only one original by him) is a superb and original painter I think and you seem to have been treated to an absolute feast of his work. I haven't thought much about Sodoma, but perhaps I can see your notes on him too so that I may learn.
The Palazzo Pavizza sounds charming: your ceiling sounds most luxurious. Today, in Hampton Court, I wrote a poem for you. Like so many of mine, it needs a note. The early 17th century French movement of Precicsite produced "la carte du Tendre" an elaborate map prepared to cover every amorous possibility or eventuality. Iac d'indifference , the shore of declaration, a grotto for billets-doux, etc. With that in mind and vaguely the landscape vignettes on your ceiling, I wrote this:
Vivid amorists design
To capture by analogy
Lyrical fallacies, passive in
The ageless, natural ornaments
A web of paths persuades the swain
Like a labyrinth of kisses;
A sigh trembles like a scalloped lily
Nursed by the blue indifferent lake.
65393402 - ChamboPip
6th august InghilterraDearest Sylvia,
Thank you so very much for, in two days, sixteen
pages of correspondence. You can imagine I think
here in Inghilterra it might be Autumn already. The
leaves are going brown, many of them, and it has rain-
ed for two days. I have seen one bonfire of leaves
and fear more summer pyres. With what pleasure I
read of the Italian scene you conjecture: it is
an added source of joy to the fact of hearing from
you.
Your query Giorgione sounds most exciting and I
hope it turns out to be a possible one: I have never
heard of it. I envy you very much the Giordano ceiling: I admire his Cupid and Psyche series at
Hampton Court but there my knowledge, alas, helas,
stops. Johnson's disregard of it is typical. I
congratulate you on your 'lady painter': I need not
tell you that she is totally unknown to me but I am
interested to hear all you have to say about her.
Thanks for your offer of your mannerist notes: I
shall take the earliest advantage of this that I can.
Peccafumi (I have seen only one original by him) is
a superb and original painter I think and you seem
to have been treated to an absolute feast of his work.
I haven't thought much about Sodaoma but perhaps I can see your notes on him too so that I may learn.
The Palazzo Pavizza sounds charming: your ceiling
sounds most luxurious. Today, in Hampton Court, I
wrote a poem for you. Like so many of mine it needs
a note. The early 17th century French movement of
Precicsite produced 'La carte du Tendre' an
elaborate map prepared to cover every amorous pos-
sibility or eventuality. Lac d'indifference, the
shore of declaration, a grotto for billets-doux, &c.
With that in mind and vaguely the landscape vignettes
on your ceiling I wrote this:
Vivid amorists design
To capture by analogy
Lyrical fallacies, passive in
The ageless, natural ornaments
A web of paths persuades the swain
Like a labyrinth of kisses;
A sigh trembles like a scalloped jelly
Nursed by the blue indifferent lake.