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gri_2003_m_46_b01_f08_048

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  1. 65312263 - not-logged-in-13ac4a56ef9fc898c541
  2. 65394210 - not-logged-in-fb06542e0f95d85fcba3
  3. WINNER - 65431360 - lawofrelativity
  4. 65447433 - Preacher357
  5. 65523561 - JeremyX
  6. 65690515 - not-logged-in-065a7dfda35100facdb9

65312263 - not-logged-in-13ac4a56ef9fc898c541

65394210 - not-logged-in-fb06542e0f95d85fcba3

I am dead ____ are
So dead. How your letter have occupied me - even though sometime unhappy - they are very important to me.
___________; ____ has been ___ use due to me and has drawn my attention to many things I waned have mused -in- ____ counter as wi_____ tomer.
There's no read ____ or ___ - even in toe and ___ panch - so I as a tran_____ character. I have discovered in The circus a delig__ce

WINNER - 65431360 - lawofrelativity

I am glad things are less tense. So glad. How your letters have occupied me - even though sometimes unhappy - they are very important to me.
Brian Lyltle's book has been most use-ful to me and has drawn my attention to many things I would have missed - in-cluding counters of Winchelrea's tomb.
There's no real Romanesque at Well, - even in the old North Porch. For it is of a transitorial character. I have discovered in The Circus a delightful frieze, above the Daric andes, if emblems, rarely repeating and going right round the circus - the Arts, occupations, virtues, &c &c are represented. Here I saw some Baroque plaster worls in one of the houses in Queen's Square which excited me very much.
I've written about 400 lines of a poem on and about Bath. It is only in a rough state. The influence of the later Auden is apparent technically. How I admired In Praise of Limestone. I've got Auden's new book too.
I return tomorrow afternoon so this will be my last letter from Bath.

65447433 - Preacher357

I am so glad things are less tense. So glad.
Know your letters have occupied me - even
though sometimes unhappy - they are very
important to me.
Brian Lyttles book has been most use-
ful to me and has drawn my attention to
many things I would have missed - in-
cluding counters of Windelrea's tomb.

There's no real Romanesque at Walls -
even in the old & arts porch. For it is
of a transitional character. I have dis-
covered in The Circus a delightful Siege,
above te Daric ardes, of Emblems, rarely
expecting and going right around the
circus - the Arts, Occupations, Virtues,
are represented. Here I saw some
Baroque plaster work in one of the houses
in Queen's square which excited me
very much.

I've written about 400 lines of a
poem on and about Bath. It is only in
a rough state. The influence of the
eater Auden is apparent technically.
How I admired In Praise of Limestone
I've got Suden's new book too.

I return tomorrow afternoon
so this will be my last letter from Bath.

65523561 - JeremyX

I am glad things are less tense. So glad. How your letters have occupied me - even though sometimes unhappy - they are very important to me.
Brian Lylthe's book has been most use-
ful to me and has drawn my attention to many things I would have missed - in-
cluding Countess of Winchilsea's tomb.
There's no real Romanesque at Wells - even in the old North Pouch - for it is of a transitional character. I have dis-
covered in The Circus a delightful frieze, afore the Doric andes, of Emblems, rarely repeating and going right round the Circus - the Arts, Occupation, Virtue, &c. &c. are represented. Also I saw some Baroque plaster work in one of the houses in Queen's Square which excited me very much.
I've written about 400 lines of a poem on and about Bath. It is only in a rough state. The influence of the later Auden is apparent technically. How I admired In Praise of Limestone. I've got Auden's new book too.
I return tomorrow afternoon so this will be my last letter from Bath.

65690515 - not-logged-in-065a7dfda35100facdb9

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