gri_2003_m_46_b02_f02_007
- Max. dissimilarity: 0.059
- Mean dissimilarity: 0.035
- Image votes: 0.0
Transcribers
- WINNER - 65456394 - Sabine_Tuck
- 65457572 - 73ckary
- 65461048 - Vellamoinen
- 65479069 - not-logged-in-fe2caf2ede05cb3328b6
- 65534694 - not-logged-in-255c1419cc6fa2b7a1bb
- 65585208 - Frosty1
- 65599842 - teynur
WINNER - 65456394 - Sabine_Tuck
3rd February 1949 BlackheathDearest Sylvia,
I am enchanted with news of your new painting - I am glad that you are working so well. It sounds a lovely thing - delicious thoughts of the colour come into my head as I write this. I am glad you think of your two drawings done here as studies for oils - the trees in the landscape in particular which you drew so well.
I cannot send the Bosch, though I should like to, as the only copy is in Gainsborough's hands. When it is published I'll send the Woods a copy with pleasure though.
Ruskin complains of 'base Renaissance architects' who 'covered their work with comic masks and musical instruments'. As I have been looking at Villa Madama and Vatican Loggia photographs I wrote the following for you - GROTESQUE. Its long think shape is meant to give it a pilaster's leanness and flatness.
A sphinx grows
Into a rose
Stucco putti
Lounge or flutter
Among festoons
Of honeysuckle
Hung with lanterns'
Dazzling buckles
Amoretti
Sit on parrots
Music-trophies
Hang on trees
And of the battle
Lute and lorica
Score and helmet
Bells and comets
Wings and petals
Tassels eyes
Flasks of scarlet
Anatomies
Nuptial vase
Immense guitars
Tambourines
Tangerines
Curlicues
And Cameos
An odalisque
Behind bars
In a silver cage
Motive of captivity
65457572 - 73ckary
3rd February 1949Blackheath
Dearest Sylvia,
I am enchanted with news of your new painting - I am glad that you are working so well. It sounds a lovely thing - delicious thoughts of the colour come into my head as I write this. I am glad you think of your two drawings done here as studies for oils - the trees in the landscape in particular which you drew so well.
I cannot send the Bosch, though I should like to, as the only copy is in the Gainsborough's hands. When it is published I'll send the Woods a copy with pleasure though.
Ruskin complains of 'base Renaissance architects' who 'covered their work with comic masks and musical instruments'. As I have been looking at Villa Madam and Vatican Loggia photographs I wrote the following for you - GROTESQUE. Its long thin shape is meant to give it a pilaster's leanness and flatness.
A sphinx grows
Into a rose
Stucco putti
Lounge or flutter
Among festoons
of honeysuckle
Hung with lanterns'
Dazzling buckles
Amoretti
Sit on parrots
Music-trophies
Hang on trees
And of the battle
Lute and lorica
Score and helmet
Bells and comets
Wings and petals
Tassels eyes
Flasks of scarlet
Anatomies
Nuptial vase
Immense guitars
Tangerines
Curlicues
And cameos
An odalisque
Behind bars
In a silver cage
Motive of captivity
65461048 - Vellamoinen
3rd February 1949Blackheath
Dearest Sylvia,
I am enchanted with news of your new painting - I am glad
that you are working so well. It sounds a lovely thing -
delicious thoughts of the colour come to my head as I
write this. I am glad you think of your two drawings done
here as studies for oils - the trees in the landscape in
particular which you drew so well.
I cannot send the Bosch, though I should like to, as the
only copy is in Gainsborough's hands. When it is published
I'll send the Woods a copy with pleasure though.
Ruskin complains of 'base Renaissance architects' who
'covered their work with comic masks and musical instruments'.
As I have been looking at Villa Madama and Vatican Loggia
photographs I wrote the following for you - GROTESQUE.
Its long thin shape is meant to give it a pilaster's lean-
ness and flatness.
A sphinx grows
Into a rose
Stucco putti
Lounge or flutter
Among festoons
Of honeysuckle
Hung with lanterns'
Dazzling buckles
Amoretti
Sit on parrots
Music-trophies
Hang on trees
And of the battle
Lute and lorica
Score and helmet
Bells and comets
Wings and petals
Tassels eyes
Flasks of scarlet
Anatomies
Nuptial vase
Immense guitars
Tambourines
Tangerines
Curlicues
And cameos
An odalisque
Behind bars
In a silver cage
Motive of captivity
65479069 - not-logged-in-fe2caf2ede05cb3328b6
3rd February 1949 BlackheathDearest Sylvia,
I am enchanted with news of your painting -I am glad
That you are working so well. It sounds a lovely thing-
Delicious thoughts of the colour into my head as I
Write this. I am glad you think of your two drawings done
here as studies for oils - the trees in the landscape in
Particular which you drew so well.
I cannot send the Bosch, though I should like to, as the
Only copy is in Gainsborough's hands. When it is published
I'll send the Woods a copy with pleasure though.
Ruskin complains of 'base Renaissance architects' who
'covered their work with comic masks and musical instruments'.
As I have been looking at Villa Madama and Vatican Loggia
photographs I wrote the following for you - GROTESQUE.
Its long thin shape is meant to give it a pilaster's lean-
ness and flatness.
A spinx grows
Into a rose
Stucco putti
Lounge or flutter
Among festoons
Of honeysuckle
Hung with lantern's
Dazzling buckles
Amoretti
Sit on parrots
Music-trophies
Hang on trees
And of the battle
Lute and lorica
Score and helmet
Bells and comets
Wings and petals
Tassels eyes
Flasks of scarlet
Anatomies
Nuptial vase
Immense guitars
Tambourines
Curlicues
And cameos
An odalisque
Behind bars
In a silver cage
Motive of captivity
65534694 - not-logged-in-255c1419cc6fa2b7a1bb
3rd February 1949 BlackheathDearest Sylvia,
I am enchanted with news of your new painting - I am glad that you are working so well. It sounds a lovely thing - delicious thoughts of the colour come into my head as I write this. I am glad you think of your two drawings done here as studies for oils - the trees in the landscape in particular which you drew so well.
I cannot send the Bosch, though I should like to, as the only copy is in Gainsborough's hands. When it is published I'll send the Woods a copy with pleasure though.
Fuskin complains of 'base Renaissance architects' who 'covered their work with comic masks and musical instruments'. As I have been looking at Villa Madama and Vatican Loggia photographs I wrote the following for you - GROTESQUE. Its long thing shape is meant to give it a pilaster's lean-ness and flatness.
A sphinx grows
Into a rose
Stucco putti
Lounge or flutter
Among festoons
Of honeysuckle
Hung with lanterns'
Dazzling buckles
Amoretti
Sit on parrots
Music-trophies
Hang on trees
And of the battle
Lute and lorica
Score and helmet
Bells and comets
Wings and petals
Tassels eyes
Flasks of scarlet
Anatomies
Nuptial vase
Immense guitars
Tambourines
Tangerines
Curlicues
And cameos
An odalisque
Behind bars
In a silver cage
Motive of captivity
65585208 - Frosty1
3rd February 1949 BlackheathDearest Sylvia,
I am enchanted with the news of your new painting - I am glad that you are working so well. It sounds a lovely thing - delicious thoughts of the colour come into my head as I write this. I am glad you think of your two drawings done here as studies for oils - the trees in the landscape in particular which you drew so well.
I cannot send the Bosch, though I should like to, as the only copy is in Gainsborough's hands. When it is published I'll send the Woods a copy with pleasure though.
Ruskin complains of 'base Renaissance architects' who 'covered their work with masks and musical instruments'. As I have been looking at Villa Madama and Vatican Loggia photographs I wrote the following for you - GROTESQUE. Its long thin shape is meant to give it a pilaster's leanness and flatness.
A sphinx grows
Into a rose
Stucco putti
Lounge or flutter
Among festoons
Of honeysuckle
Hung with lanterns'
Dazzling buckles
Amoretti
Sit on parrots
Music - trophies
Hang on trees
And of the battle
Lute and lorica
Score and helmet
Bells and comets
Wings and petals
Tassels eyes
Flasks of scarlet
Anatomies
Nuptial vase
Immense guitars
Tambourines
Tangerines
Curlicues
And cameos
An odalisque
Behind bars
In a silver cage
Motive of captivity
65599842 - teynur
3rd February 1949 BlackheathDearest Sylvia,
I am enchanted with new of your new painting - I am glad that you are working so well. It sounds a lovely thing - delicious thoughts of the colour come into my head as I write this. I am glad you think of your two drawings done here as studies for oils - the trees in the landscape in particular which you dreww so well.
I cannot send the Bosch, though I should like to, as the only copy is in Gainsborough's hands. When it is published I'll senn the Woods a copy with pleasure though.
Ruskin complains of 'base Renaissance architects' who 'covered their work with comic masks and musical instruments'. As I have been looking at Villa Madama and Vatican Loggia photographs I wrote the following for you - GROTESQUE. It's long thin shape is ment to give it a pilaster's leanness and flatness.
A sphinx grows
Inti a rose
Stucco putti
Lounge or flutter
Among festoons
Of honeysuckle
Hung with lanterns'
Dazzling buckles
Amoretti
Sit on parrots
Music-trophies
Hang on trees
And of the battle
Lute and lorica
Score and helmet
Bells and comets
Wings and petals
Tassels eyes
Flasks of scarlet
Anatomies
Nuptial vase
Immense guitars
Tambourines
Tangerines
Curlicues
And cameos
An odalisque
Behind bars
In a silver cage
Motive of captivity