Previous document

Next document

gri_2003_m_46_b04_f09_033

Transcribers

  1. 67308755 - k8mielke
  2. 67779374 - SilverSeadog
  3. 68207096 - JanetCormack
  4. 68290194 - jesseytucker
  5. WINNER - 68361802 - Preacher357
  6. 68446157 - not-logged-in-8d3bd347144d35ce6bce

67308755 - k8mielke

Your suggestions about how to treat Henry are absolutely first-rate. How can you suggest they are trite? The monarch a la Hoyle is a brilliant and appropriate device, linking modern and 16th century cosmogonies. Wonderful, wonderful. And the fates in the fete acting as a chorus is a fine economy in my opinion. And of course, as you say, Katherine of Aragon as Henry's Death: it is ingenious and, now you have discovered it, inevitable. A brilliant group of ideas: I do congratulate you, I do indeed. I hope M gets the job: I should have thought M would enjoy Cambridge. Young people (sic) with whom he can engage in endless sole discourse. A dog's dream of heaven I had supposed. I cannot think why the doctors allow Doris to linger. It is making a molehill out of a mountain. This kind of thing proves once again that they are sadistic and superstitious. Why not put and end to her shameful performance? I am glad the Lion and the Unicorn (or the S*pavilion) is to stay. It will not make a very suitable picture gallery I think without some internal alterations. Still, the pleasant thing is it is to stay. As for the Shot Tower what fools everybody is about it: it's mediocre. You know the Skylon used to be considered phallic: the latest suggestion is that it symbolizes a nation existing without visible means of support. By the way I must quote for my cat a few Venetian lines from Ezra Pound (canto iii): I sat on the Dogana's steps For the gondolas cost too much, that year, And there were not 'those girls', there was one face, And the Buccentoro twenty yards off, howling 'Stretti', And the lit cross-beams, that year, in the Morosini, And peacocks in Kore's house, or there may have been. Gods float in the azure air, Bright gods and Tuscan, back before dew was shed. Dearest Sylvia, I adore, adore, adore, adore, you. Lawrence

67779374 - SilverSeadog

You suggestions about how to treat Henry are absolutely first-rate. How can you suggest they are trite? The monarch a la Royle is a brilliant and appropriate device, linking modern and 16th century cosmogonies. Wonderful, wonderful. And the fates in the fete acting as a chorus is a fine economy in my opinion. And, of course, as you say, Katherine of Aragon as Henry's Death: it is ingeious and, now you have discovered it, inevitable. A brilliant group of ideas: I do congratulate you, I do indeed.

I hope M gets the job: I should have though M would enjoy Cambridge. Young people (sic) with whom he can engage in endless solemn discourse. A dog's dream of heaven I had supposed.

I cannot think why the doctors allow Doris to linger. It is making a molehill out of a mountain. This kind of thing proves once againthat they are sadistic and superstitious. Why not put an end to her shameful performance?

I am glad the Lion and the Unicorn (or the S-pavilion) is to stay. It will not make a very suitable picture gallery I think without some internal alterations. Still, the pleasant thing is it is to stay. As for the Shot Tower what fools everybody is about it: it's mediocre. You knew the skylon used to be considered phallic: the latest suggestion is that it symbolises a nation existing without visible means of support.

By the way I must quote for my cata few Venetian lines from Ezra Pound (canto iii)

I sat on the Dogana's steps
For the gondolas cost too much, that year,
And there were not 'those girls', there was one face,
And the Buccentoro twenty yards off, howling 'Stretti',
And the lit cross-beams, that year, in the Morosini,
And peacocks in Kore's house, or there may have been.
Gods float in the azure air,
Bright gods and Tuscan, back before dew was shed.

Dearest Sylvia, I adore, adore, adore, adore, you.
Lawrence

68207096 - JanetCormack

Your suggestions about how to treat Henry are absolutely first-rate. How can you suggest they are trite? The monarch a la Royle is a brilliant and appropriate device, linking modern and 16th century ceremonies. Wonderful, wonderful. And the fates in the fete acting as a chorus is a fine economy in my opinion. And, of course, as you say, Katharine of Aragon as Henry's Death: it is ingenious and, now you have discovered it, inevitable. A brilliant group of ideas: I do congratulate you, I do indeed.
I hope M gets the job: I should have thought M would enjoy Cambridge. Young people (sic) with whom he can engage in endless solemn discourse. A dog's dream of heaven I had supposed.
I cannot think why the doctors allow Doris to linger. It is making a molehill out of a mountain. This kind of thing proves once again that they are sadistic and superstitious. Why not put an end to her shameful performance?
I am glad the Lion and the Unicorn (or the S*pavilion) is to stay. It will not make a very suitable picture gallery I think without some internal alterations. Still, the pleasant thing is it is to stay. As for the Shot Tower what fools everybody is about it: it's mediocre. You know the Skylon used to be considered phallic: the latest suggestion is that it symbolises a nation existing without visible means of support.
By the way I must quote for my cat a few Venetian lines from Ezra Pound (canto iii)

I sat on the Dogana's steps
For the gondola's cost too much, that year,
And there were not 'those girls' there was one face,
And the Buccentere twenty yards off, howling 'Stretti',
And the lit cross-beams, that year in the Moresini,
And peacocks in Kere's house, or there may have been.
Gods float in the azure air,
Bright gods and Tuscan, back before dew was shed.
Dearest Sylvia, I adore, adore, adore, adore, you.
Lawrence

68290194 - jesseytucker

Your suggestions about how to treat Henry are absol-
utely first-rate. How can you suggest they are trite?
The monarch a la Hoyle is a brilliant and appropriate
device, linking modern and 16th century cosmogonies.
Wonderful, wonderful. And the fates in the fete act-
ing as a chorus is a fine economy in my opinion. And,
of course, as you say, Katharine of Aragon as Henry's
Death: it is ingenious and, now you have discovered it,
inevitable. A brilliant group of ideas: I do congrat-
ulate you, I do indeed.

I hope M gets the job: I should have thought M
would enjoy Cambridge. Young people (sic) with thom he
can engage in endless solemn discourse. A dog's dream
of heaven I had supposed.

I cannot think why the doctors allow Doris to linger.
It is making a molehill out of a mountain. This kind of
thing proves once again that they are sadistic and sup-
erstitious. Why not put an end to her shameful perfor-
mance?

I am glad the Lion and Unicorn (or the S*pavilion) is
to stay. It will not make a very suitable picture gal-
lery I think without some internal alterations. Still,
the pleasant thing is it is to stay. As for the Shot
Tower what fools everybody is about it: it's mediocre.
You know the Skylon used to be considered phallic: the
latest suggestion is that it symbolizes a nation exist-
ing without visible means of support.

By the way I must quote for my cat a few Venetian lines
from Ezra Pound (canto iii):

I sat on the Dogana's steps
For the gondolas cost too much, that year,
And there were not 'those girls', there was one face,
And the Buccentere twenty yards off, howling 'Stretti',
And the lit cross-beams, that year, in the Morosini,
And peacocks in Kor's house, or there may have been.
Gods float in the azure air,
Bright gods and Tuscan, back before dew was shed.

Dearest Sylvia, I adore, adore, adore, adore, you.
Lawrence

WINNER - 68361802 - Preacher357

Your suggestion about how to treat Henry are absol-
utely first-rate. How can you suggest they are trite?
The monarch a lo Hoyle is a brilliant and appropriate
device, linking modern and 16th century cosmogonies.
Wonderful, wonderful. And the fates in the fete act-
ing as a chorus is a fine economy in my opinion. And,
of course, as you say, Katharine of Aragon as Henry's
Death: it is ingenious and, now you have discovered it,
inevitable. A brilliant group of ideas: I do congrat-
ulate you, I do indeed.

I hope M. gets the job: I should have thought M.
would enjoy Cambridge. Young people (sic) with whom he
can engage in endless solemn discourse. A dog's dream
of heaven I had supposed.

I cannot think why the doctors allow Doris to linger.
It is making a molehill out of a mountain. This kind of
thing proves once again that they are sadistic and sup-
erstitious. Why not put an end to her shameful perfor-
mance?

I am glad the Lion and Unicorn (or the S-pavilion) is
to stay. It will not make a very suitable picture gal-
lery I think without some internal alterations. Still,
the pleasant thing is it is to stay. As for the Shot
Tower what fools everybody is about it: it's mediocre.
You know the Skylon used to be considered phallic: the
latest suggestion is that it symbolises a nation exist-
ing without visible means of support.

By the way, I must quote for my cat a few Venetian lines
from Ezra Pound (canto iii):

I sat on the Dogana's steps
For the gondolas cost too much, that year,
And there were not 'those girls', there was one face,
And the Buccentoro twenty yards off, howling 'Stretti',
And the lit cross-beams, that year, in the Morosini,
And peacocks in Kore's house, or there may have been.
Gods float in the azure air,
Bright gods and Tuscan, back before dew was shed.

Dearest Sylvia, I adore, adore, adore, adore, you.
Lawrence

68446157 - not-logged-in-8d3bd347144d35ce6bce

Your suggestions about how to treat Henry are absol-
utely first-rate. How can you suggest they are trite?
The monarch a la Royal is a brilliant and appropriate
device, linking modern and 16th century cosmogonies.
Wonderful, wonderful. And the fates in the fete act-
ing as a chorus is a fine economy in my opinion. And,
of course, as you say, Katharine of Aragon is Henry's
Death: it is ingenious and, now you have discovered it,
inevitable. A brilliant group of ideas: I do congrat-
ulate you, I do indeed.

I hope M gets the job: I should have thought M
would enjoy Cambridge. Young people (sic) with whom he
can engage in endless solemn discourse. A dog's dream
of heaven I had supposed.

I cannot think why the doctors allow Doris to linger.
It is making a molehill out of a mountain. This kind of
thing proves once again that they are sadistic and sup-
erstitious. Why not put and end to her shameful perfor-
mance?

I am glad the Linon and Unicorn (or the S-pavilion) is
to stay. It will not make a very suitable picture gal-
lery I think without some internal alterations. Still,
the pleasant ting is it is to stay. An for the Shot
Tower what fools everyone is about it: it's mediocre.
You know the Skylon used to be considered phallic: the
latest suggestion is that it symbolises a nation exist-
ing without visible means of support.

By the way I must quote for my cat a few Venetian lines
from Ezra Pound (canto iii):
I say on the Dogana's steps
For the gondolas costs too much, that year,
And there were not 'those girls', there was one face,
And the Buccentore twenty yards off, bowling 'Stretti'
And the lit cross-beams, that year, in the Morosini,
And peacocks in Kore's house, or there may have been.
Gods float in the azure air,
Bright gods and Tuscan, back before dew was shed.
Dearest Sylvia, I adore, adore, adore, adore, you.
Lawrence

Previous document

Next document