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gri_2003_m_46_b04_f11_006

Transcribers

  1. WINNER - 66592798 - itsmestephanie
  2. 66657264 - etipeti
  3. 66723276 - Preacher357
  4. 67710482 - _secunda
  5. 68043615 - HauteDoy777
  6. 68133053 - not-logged-in-c1681788486dc06f13ca

WINNER - 66592798 - itsmestephanie

his second Munch lecture: I think I shall only treat the graphic
work this time. Also I must make a few notes on Tuesday's lec-
ture which is Modern English Art. Then I hope to do some more
work on the two film-articles, "A Symmetry of Strangers" and the War-films
one. At last, by the way, one missing film, without which the
latter is incomplete, has been revived and I can see it at Ful-
ham in the week: "Sands of Iwo Jima".
Lion is reading Conrad's "Arrow of Gold", J.A.K. Thomson's
"Classical Influences on English Poetry" (which makes me want to
write some satire, of all things), and Bukofzer's (sic) "Music in
the Baroque Era": I am only reading the non-technical parts of
this last, which are most interesting.
Tomorrow I am going to spend at the Tate (preparing my two
lectures): then I expect to see the film I mentioned above.
Tuesday I have a lecture: then Wednesday there is Munch and
Banstead (with Paul probably coming to tea at the Tate between
them); on Thursday I am going to Brighton to see my parents.
There is part of your lion's week.
Last Friday I joined on Charles' lecture: the subject, remember,
was "Massaccio and Uccello". He reached the end and then admit-
ted he could not remember what he was talking about next week.
He fumbled for his diary, producing also a dirty roll of paper
and a scarlet comb with some teeth missing. Then he peered in the diary and said 'Oh, yes, I see: "Massaccio and Ucello"...'
Here is a poem which was suggested, really, by the notes you
made of Clifford's lecture about Generalised Others and so on:

66657264 - etipeti

His second Munch lecture: I think I shall only treat the graphic work this time. Also I must make a few notes on Tuesday's lec-ture which is Modern English Art. Then I hope to so some more
work on two film-articles, A Symmetry of Strangers and the war films one. At last, by the way, one missing film, without which the
latter is incomplete, has been revived and I can see it at Ful-ham in the week: Sand of Iwo Jima.

Lion is reading Conrad's Arrow of Gold, J.A.K.Thomson's Classical Influences on English Poetry (which makes me want to
write some satire, of all things), and Bukofzer's (sic) Music in the Baroque Era: I am only reading the non-technical parts of this last, which are most interesting.

Tomorrow I am going to spend at the Tate (Preparing my two lectures): then I expect to see the film I mentioned above.
Tuesday I have a lecture: then Wednesday there is Munch and Banstead (with Paul probably coming to tea at the Tate between them); on Thursday I am going to Brighton to see my parents. There is part of your lion's week.

Last Friday I joined on Charles' lecture: the subject, remember, was massaccio and Uccelo. He reached the end then admit-ted he could not remember what he was talking about next week. He fumbled for his diary and said 'Oh, yes, I see: Massaccio and Ucello...'
Here is a poem which was suggested, really, by the notes you made of Cliffors's lecture about Ceneralised others and so on:

66723276 - Preacher357

his second Munch lecture: I think I shall only treat the graphic
work this time. Also I must make a few notes on Tuesday's lec-
ture which is Modern English Art. Then I hope to do some more
work on two film-articles, A Symmetry of Strangers and the War films
one. At last, by the way, one missing film, without which the
latter is incomplete, has been revived and I can see it at Ful-
ham in the week: Sands of Iwo Jima.

Lion is reading Conrad's Arrow of Gold, J.A.K. Thomson's
Classical Influences on English Poetry (which makes me want to
write some satire, of all things), and Bukofzer's (sic) Music in
the Baroque Era: I am only reading the non-technical parts of
this last, which are most interesting.

Tomorrow I am going to spend at the Tate (preparing my two
lectures): then I expect to see the film I mentioned above.
Tuesday I have a lecture: then Wednesday there is Munch and
Banstead (with Paul probably coming to tea at the Tate between
them): on Thursday I am going to Brighton to see my parents.
There is part of your lion's week.

Last Friday I joined on Charles' lecture: the subject, remember,
was Massaccic and Uccello. He reached the end and then admit-
ted he could not remember what he was talking about next week.
He fumbled for his diary, producing also a dirty roll of paper
and a scarlet come with some teeth missing. Then he peered
in the diary and said 'Oh, yes, I see: Massaccio and Ucello...'

Here is a poem which was suggested, really, by the notes you
made of Clifford's lecture about Generalised Others and so on:

67710482 - _secunda

his second Munch lecture: I think I shall only treat the graphic work this time. Also I must make a few notes on
tuesday's lecture which is Modern English Art. Then I hope to do some more work on two film-articles, A Symmetry of Strangers and the War films one. At last, by the way, one missing film, without which the latter is incomplete, has been revived and I can see it at Fulham in the week: Sands of Iwo Jima.

Lion is reading Conrad's Arrow of Gold, J.A.K. Thomson's Classical Influences on English Poetry (which makes me want to write some satire, of all things) and Bukofzer's(sic) Music in the Baroque Era: I am only reading the non-technical parts of this last, which are most interesting.

Tomorrow I am going to spend at the Tate (preparing my two lectures): then I expect to see the film I mentioned above. Tuesday I have a lecture: then Wednesday there is Munch and Banstead (with Paul probably coming to tea at the Tate between them); on Thursday I am going to Brighton to see my parents. There is part of your lion's week.

Last Friday I joined on Charles' lecture: the subject, remember, was Masaccio and Uccello. He reached the end and then admitted he could not remember what he was talking about next week. He fumbled for his diary, producing also a dirty roll of paper and a scarlet comb with some teeth missing. Then he peered in the diary and said 'Oh, yes, I see: Masaccio and Uccello...'

Here is a poem which was suggested, really, by the notes you made of Clifford's lecture about Generalised Others and so on:

68043615 - HauteDoy777

his second Munch lecture: I think I shall only treat the graphic work this time. Also I must make a few notes on Tuesday's lecture which is Modern English Art. Then I hope to do some more work on two film-articles, A Symmetry of Strangers and the War-films one. At last, by the way, one missing film, without which the latter is incomplete, has been revived and I can see it at Fulham in the week: Sands of Two Jima.

Lion is reading Conrad's Arrow of Gold, J.A.Y. Thomson's Classical Influences on English Poetry (which makes me want to write some satire, of all things), and Bukofzer S (sic) Music in the Baroque Era: I am only reading the non-technical parts of this last, which are most interesting.

Tomorrow I am going to spend at the Tate (preparing my two lectures): then I expect to see the film I mentioned above. Tuesday I have a lecture: then Wednesday there is Munch and Banstead (with Paul probably coming to tea at the Tate between them); on Thursday I am going to Brighton to see my parents. There is part of your lion's week.

Last Friday I joined on Charles' lecture: the subject, remember, was Massaccio and Uccello. He reached the end and then admitted he could not remember what he was talking about next week. He fumbled for his diary, producing also a dirty roll of paper and a scarlet comb with some teeth missing. Then he peered in the diary and said 'Oh, yes, I see: Massaccio and Ucello...'

Here is a poem which was suggested, really, by the notes you made of Clifford's lecture about Generalised Others and so on:

68133053 - not-logged-in-c1681788486dc06f13ca

his second Munch lecture: I think I shall only treat the graphic
work this time. Also I must make a few notes on Tuesday's lec-
ture which is Modern English Art. Then I hope to do some more
work on two film-articles, A Symmetry of Strangers and the War films
one. At last, by the way, one missing film, without which the
latter is incomplete, has been revived and I can see it at Ful-
ham in the week: Sands of Iwo Jima.
Lion is reading Conrad's Arrow of Gold, J.A.K. Thomson's
Classical Influences on English Poetry (which makes me want to
write some satire, of all things), and Bukofzer's (sic) Music in
the Baroque Era: I am only reading the non-technical parts of
this last, which are most interesting.
Tomorrow I am going to spend at the Tate (preparing my two
lectures): then I expect to see the film I mentioned above.
Tuesday I have a lecture: then Wednesday there is Munch and
Banstead (with Paul probably coming to teat the Tate between
them); on Thursday I am going to Brighton to see my parents.
There is park of your lion's week.
Last Friday I joined on Charles' lecture: the subject, remember,
was Massaccic and Uccello. He reached the end and then admit-
ted he could not remember what he was talking about next week.
He fumbled for his diary, producing a dirty roll of paper
and a scarlet comb with some teeth missing. Then he peered
in the diary and said'Oh, yes I see: Massaccio and Ucello...'
Here is a poem which was suggested, really, by the notes you
made of Clifford's lecture about Generalised Others and so on:

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