gri_2003_m_46_b05_f09_039

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68816213 - jesseytucker
69773042 - THIRTYFATHOMGRAVE
70135759 - Sabine_Tuck
70177592 - slartybartfast100
70186179 - the3esses
WINNER - 70411660 - Frosty1

68816213 - jesseytucker

2

appreciation.
Two essential terms in the discussion of the sexual basis
of art are (i) sexuality and (ii) sublmiation. R. Wood has
defined the first term in the Journal of this Society (5):
The child is a sexual being with a rich but varied
sexual life of its own and will habitually and spon-
taneously engage in sexual activities which, if engaged
in by adults, would be described in our society, as
criminal, perverted, or insane. These observations
led Freud to describe the child in his famouse phase as
'polymorphous perverse'. Sexuality was not limited
to the genital reion, but expressed itself also through
other regions of the body--the ertogenetic zones.
Adult sexuality is a complex drive made up of various instict components which became organized under the
fominance of the genitals.
Freud defines sublimation as follows (6):
The sexual impulse abandons an aim previously foun
either in the gratification of a component impulse
or in the gratification incidental to reproduction--
which new aim, though genetically related to the first,
can no longer be regarded as sexual, but must be called
social in character.
Sublmiation is essentiall unconscious: there is no question
of consciously sublimating genital sexuality. Dancing, sing-
ing, writing, painting, all represent a scale of subtle trans-
formations of sexual eergies. It is not possible here to of-
fer an explanation of what causes psychic energy to be subli-
mated in different forms--why one man writes and anotehr paints.
However, the need to express a repressed desire in a socially
acceptalbe form provides the impetus for artistic creation, that
compelling and magical act. 'The new aim', as Freud said, is

69773042 - THIRTYFATHOMGRAVE

appreciation.
Two essential terms in discussion of the sexual basis
of art are (i) sexuality and (ii) submission. R. Wood has
defined the first term in the journal of this Society (5) :

The child is a sexual being with a rich but varied
sexual life of its own and will habitually and spon-
taneously engage in sexual activities which, if engaged
in adults, would be described in our society, as
criminal, perverted or insane. These observations
led Freud to describe the child in his famous phase as
'polymorphous perverse'. Sexuality was not limited
to the genital region, but expressed itself also through
other regions of the body - the erotogenic zones.
Adult sexuality is a complex drive made up of various
instinct components which became organised under the
dominance of the genitals.

Freud defines sublimation as follows (6) :

the sexual impulse abandons an aim previously found
either in the gratification of a component impulse
or in the gratification incidental to reproduction -
which new aim, though genetically related to the first,
can no longer be regarded as sexual, but must be called
social in character.

Sublimation is essentially unconscious: there is no question
of consciously sublimating genital sexuality. Dancing, sing-
ing, writing, painting, all represent a scale of a subtle trans-
formations of sexual energies. It is not possible here to of-
fer an explanation of what causes psychic energy to be subli-
mated in different forms - why one man writes and another paint
However, form provides the impetus for artistic creation, that
compelling and magical act. The new aim as Freud said,
'genetically related to the first'. The sexual elements
in sublimation will be the object of our enquiry.

70135759 - Sabine_Tuck

2

appreciation.

Two essential terms in the discussion of the sexual basis
of art are (i) sexuality and (ii) sublimation. R. Wood has
defined the first term in the Journal of this Society (5):

The child is a sexual being with a rich but varied
sexual life of its own and will habitually and spon-
taneously engage in sexual activities which, if engaged
in by adults, would be described in our society, as
criminal, perverted, or insane. The observations
led Freud to describe the child in his famous phase as
'polymorphous perverse'. Sexuality was not limited
to the genital region, but expressed itself also through
other regions of the body - the erotogenetic zones.
Adult sexuality is a complex drive made up of various
instinct components which became organised under the
cominance of the genitals.

Freud defines sublimation as follows (6):

the sexaul impulse abandons an aim previously found
either in the gratification of a component impulse
or in the gratification incidental to reproduction -
which new aim, though genetically related to the first,
can no longer be regarded as sexual, but must be called
social in character.

Sublimation is essentially unconscious: ther is no question
of consciously sublimating genital sexuality. Dancing, sing-
ing, writing, painting, all represent a scale of subtle trans-
formations of sexual energies. It is not possible here to of-
fer an explanation of what causes psychic energy to be subli-
mated in different forms - why one man writes and another paints.
However, the need to express a represssed desire in a socially
acceptable form provides the impetus for artistic creation, that
compellilng and magical act. 'The new aim', as Freud said, is
'genetically related to the first'. The sexual elements in the
sublimation will be the object of our enquiry.

70177592 - slartybartfast100

2
appreciation.
Two essential terms in the discussion of the sexual basis of are are (i) sexuality and (ii) sublimation. R Wood has defined the first term in the Journal of this Society (5):
The child is a sexual being with a rich and varied sexual life of its own and will habitually and spon-taneously engage in sexual activities with, if engaged in by adults, would be described in our society, as criminal, perverted, or insane. These observations led Freud to describe the child in his famous phase as 'polymorphous perverse'. Sexuality was not limited to the genital region, but expressed itself also through other regions of the body - the erotogenetic zones. Adult sexuality is a complex drive made up of various instinct components which became organised under the dominance of the genitals.
Freud defines sublimation as follows (6):
the sexual impulse abandons an aim previously found either in the gratification of a component impulse or in the gratification incidental to reproduction - which new aim, through genetically related to the first, can no longer be regarded as sexual, but must be called social in character.
Sublimation is essentially unconscious: there is no question of consciously sublimating genital sexuality. Dancing, sing-ing, writing, painting, all represent a scale of subtle trans-formations of sexual energies. It is not possible here to of-fer an explanation of what causes psychic energy to be subli-mated in different forms - why one man writes and another paints. However, the need to express a repressed desire in a socially acceptable form provides the impetus for artistic creation, that compelling and magical act.
The new aim, as Freud said, is 'genetically related to the first'. The sexual elements in the sublimation will be the object of our enquiry.

70186179 - the3esses

2
appreciation.

Two essential terms in the discussion of the sexual basis of are are (i) sexuality and (ii) sublimation. R Wood has defined the first term in the Journal of this Society (5):

The child is a sexual being with a rich but varied sexual life of its own and will habitually and spontaneously engage in sexual activities which, if engaged in by adults, would be described in our society, as criminal, perverted or insane. These observations led Freud to describe the child in his famous phase as 'polymorphous perverse'. Sexuality was not limited to the genital region, but expressed itself also through other regions of the body - the erotogenetic zones.
Adult sexuality is a complex drive made up of various instinct components which became organised under the dominance of the genitals.

Freud defines sublimation as follows (6):

the sexual impulse abandons an aim previously found either in the gratification of a component impulse or in the gratification incidental to reproduction - which new aim though genetically related to the first, can no longer be regarded as sexual, but must be called social in character.

Sublimation is essentially unconscious: there is no
question of consciously sublimating genital
sexuality. Dancing, singing, writing, painting, all represent a scale of subtle transformations of sexual energies. It is not possible her to offer an explanation of what causes psychic energy to be sublimated in different forms - why one man writes and another paints. However, the need to express a repressed desire in a socially acceptable form provides the impetus for artistic creation, that compelling and magical act. 'The new aim', as Freud said, is 'genetically related to the first'. The sexual elements in the sublimation will be the object of our enquiry.

WINNER - 70411660 - Frosty1

2.
appreciation.
Two essential terms in the discussion of the sexual basis of art are (i) sexuality and (ii) sublimation. R. Wood has defined the first term in the Journal of this Society (5) :
The child is a sexual being with a rich but varied sexual life of its own and will habitually and spontaneously engage in sexual activities which, if engaged in by adults, would be described in our society, as criminal, perverted or insane. These observations led Freud to describe the child in his famous phase as 'polymorphous perverse'. Sexuality was not limited to the genital region, but expressed itself also through other regions of the body - the erotogenetic zones.
Adult sexuality is a complex drive made up of various instinct components which became organised under the dominance of the genitals.

Freud defines sublimation as follows (6) :

the sexual impulse abandons an aim previously found either in the gratification of a component impulse or in the gratification incidental to reproduction - which new aim, though genetically related to the first, can no longer be regarded as sexual, but must be called social in character.

Sublimation is essentially unconscious : there is no question of consciously sublimating genital sexuality. Dancing, singing, writing, painting, all represent a scale of subtle transformations of sexual energies. It is not possible here to offer an explanation of what causes psychic energy to be sublimated in different forms - why one writes and another paints.
However, the need to express a repressed desire in a socially acceptable form provides the impetus for artistic creation, that compelling and magical act. 'The new aim', as Freud said, is 'genetically related to the first'. The sexual elements in the sublimation will be the object of our enquiry.

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