gri_2003_m_46_b06_f02_003
- Max. dissimilarity: 0.071
- Mean dissimilarity: 0.036
- Image votes: 0.0
Transcribers
- 71768460 - Chris5420
- 71798020 - RommelC
- WINNER - 71838142 - Eboo
- 72401016 - Infinicorn
- 72507803 - jesseytucker
- 72646708 - glt
71768460 - Chris5420
BlackheathI II 1953
My dearest Sylvia,
Forgive me for being so unpleasant and thoughtless dur-ing my stay with you. It was inexcusable - yet forgive me. I do love you - and so very dearly. I know I hurt you and I regret it bitterly: remember, however, please, my cold which affected me without my realising what is was. I still feel rather tired and jumpy and I am sure it was this sensation which made me behave as I did. You know how ir-rational one is when unwell, particularly if you have not realised that your mood is only a symptom, as much as a run-ning nose. Poor love, you are far from well yourself. I hope that you will rest and sleep and not worry, despite your lover's conduct.
The Kensington Art Gallery has sent me cards to the next exhibitions and they are nicely designed. The next cards I have will be yours, my love, and I long for this. Do not feel apprehensive, my love, for I am sure you will be a great success. I have extended my list of people to write to, I started it in the train on Friday, as I said I would.
Friday night when I reached the ICA I found del Renzio had been trying to contact me. Duthuit and the three paint-ers had not turned up and so he was desperately improvising a discussion. He acted as chairman, Peter Banham, somebody called Michael Compton, and I took the platform . This was very sudden and I was reluctant to do so as I felt rotten and had not seen the pictures. However, I could not say 'no' as I was there. Toni and Banham were favourable so I decided not to be. After I spoke I got a weak round of applause: it was weak, but it was the only applause there was, so maybe it was worth something. Actually, the paint-ings are not as interesting as I hoped.
You may remember that there is to be an exhibition called The Beauty and Terror of the Human Head at the ICA in March. I have been asked to lecture on it: a title like The Head in 20c art has been suggested. Banham is going to do one and, when I come back from Yorkshire, I shall do mine. It is a nice subject and I am glad to appear at the ICA.
Speaking of lectures: the Travel Agency who wrote to me (you remember the weird phrasing and a new para. for every sentence) may mean a fair amount of work during the season. It does not look as if I shall get more than a 1 a lecture but still - it would all be additional to my present earnings.
71798020 - RommelC
Blackheath1 ii 1953
My dearest Sylvia,
Forgive me for being so unpleasant and thoughtless during my stay with you. It was inexcusable- yet forgive me. I do love you- and so very dearly. I know I hurt you and I regret it bitterly: remember, however, please, my cold which affected me without my realising what it was. I still feel rather tired and jumpy and I am sure it was this sensation which made me behave as I did. You know how irrational one is when unwell, particularly if you have not realised that your mood is only a sympton, as much as a running nose. Poor love, you are far from well yourself. I hope that you will rest and sleep and not worry, depsite your lover's conduct.
The Kensington Art Gallery has sent me cards to the next exhibitions and they are nicely designed. The next cards I have will be yours, my love, and I long for this. Do not feel apprehensive, my love, for I am sure you will be a great success. I have extended my list of people to write to, I started it in the train on Friday, as I said I would.
Friday night when I reached the ICA I found del Renzic had been trying to contact me. Duthuit and the three painters had not turnd up and so he was desperately improvising a discussion. He acted as chairman, Peter Banham, somebody called Michael Compton, and I took the platform. This was very sudden and I was reluctant to do so as I felt rotten and had not seen the pictures. However, I could not say 'no' as I was there. Toni and Banham were favourable so I decided not to be. After I spoke I got a weak round of applause: it was weak, but it was only the applause there was, so maybe it was worth something. Actually, the paintings are not as interesting as I hoped.
You may remember that there is to be an exhibition called 'The Beauty and Terror of the Human Head' at the ICA in March. I have been asked to lecture on it: a title like The Head in 20th century art has been suggested. Banham is going to do one and, when I come back from Yorkshire, I shall do mine. It is a nice subject and I am glad to appear at the ICA.
Speaking of lectures: the Travel Agency who wrote me (you remember the weird phrasing and a new paragaph for every sentence) may mean a fair amount of work during the season. It does not look as if I shall get more than a pound a lecture but still- it would all be additonal to my present earnings.
WINNER - 71838142 - Eboo
Blackheath1 ii 1953
My dearest Sylvia,
Forgive me for being so unpleasant and thoughtless dur-
ing my stay with you. It was inexcusable - yet forgive me.
I do love you - and so very dearly. I know I hurt you and
I regret it bitterly: remember, however, please, my cold
which affected me without my realising what it was. I
still feel rather tired and jumpy and I am sure it was this
sensation which made me behave as I did. You know how ir-
rational one is when unwell, particularly if you have not
realised that your mood is only a symptom, as much as a run-
ning nose. Poor love, you are far from well yourself.
I hope that you will rest and sleep and not worry, despite
your lover's conduct.
The Kinsington Art Gallery has sent me cards to the next
exhibitions and they are nicely designed. The next cards
I have will be yours, my love, and I long for this. Do
not feel apprehensive, my love, for I am sure you will be
a great success. I have extended my list of people to write to, I started it in the train on Friday, as I said I
would.
Friday night when I reached the ICA I found del Renzio
had been trying to contact me. Duthuit and the three paint-
ers had not turned up and so he was desperately improvising
a discussion. He acted as chairman, Peter Banham, somebody
called Michael Compton, and I took the platform. This was
very sudden and I was reluctant to do so as I felt rotten
and had not seen the pictures. However, I could not say
'no' as I was there. Toni and Banham were favourable so
I decided not to be. After I spoke I got a weak round of
applause: it was weak, but it was the only applause there
was, so maybe it was worth something. Actually, the paint-
ings are not as interesting as I hoped.
You may remember that there is to be an exhibition
called The Beauty and Terror of the Human Head at the ICA
in March. I have been asked to lecture on it: a title
like The Head in 20c art has been suggested. Banham is
going to do one and, when I come back from Yorkshire, I
shall do mine. It is a nice subject and I am glad to ap-
pear at the ICA.
Speaking of lectures: the Travel Agency who wrote to
me (you remember the weird phrasing and a new para. for
every sentence) may mean a fair amount of work during the
season. It does not look as if I shall get more than
a lb1 a lecture but still - it would all be additional to
my present earnings.
72401016 - Infinicorn
Blackheath1 ii 1953
My dearest Sylvia,
Forgive me for being so unpleasant and thoughtless dur-
ing my stay with you. It was inexcusable - yet forgive me.
I do love you - and so very dearly. I know I hurt you and
I regret it bitterly: remember, however, please, my cold
which affected me without my realising what it was. I
still feel rather tired and jumpy and I am sure it was this
sensation which made me behave as I did. You know how ir-
rational one is when unwell, particularly if you have not
realised that your mood is only a symptom, as a run-
ning nose. Poor love, you are far from well yourself.
I hope that you will rest and sleep and not worry, despite
your lover's conduct.
The Kensington Art Gallery has sent me cards to the next
exhibitions and they are nicely designed. The next cards
I have will be yours, my love, and I long for this. Do
not feel apprehensive, my love, for I am sure you will be
a great success. I have extended my list of people to
write to, I started it in the train on Friday, as I said I
would.
Friday night when I reached the ICA I found del Renzio
had been trying to contact me. Duthuit and the three pain-
ers had not turned up and so he was desperately improvising
a discussion. He acted as chairman, Peter Banham, somebody
called Michael Compton, and I took the platform. This was
very sudden and I was reluctant to do so as I felt rotten
and had not seen the pictures. However, I could not say
'no' as I was there. Toni and Banham were favourable so
I decided not to be. After I spoke I got a weak round of
applause: it was weak, but it was the only applause there
was, so maybe it was worth something. Actually, the paint-
ings are not as interesting as I had hoped.
You may remember that there is to be an exhibition
called The Beauty and Terror of the Human Head at the ICA
in March. I have been asked to lecture on it: a title
like The Head in 20c art has been suggested. Banham is
going to do one and, when I come back from Yorkshire, I
shall do mine. It is a nice subject and I am glad to ap-
pear at the ICA.
Speaking of lectures: the Travel Agency who wrote to
me (you remember the weird phrasing and a new para. for
every sentence) may mean a fair amount of work during the
season. It does not look as if I shall get more than
a lb1 a lecture but still - it would all be additional to
my present earnings.
72507803 - jesseytucker
Blackheath1 ii 1953
My dearest Sylvia,
Forgive me for being so unpleasant and thoughtless dur-
ing my stay with you. It was inexcusable--yet forgive me.
I do love you--and so very dearly. I know I hurt you and
I regret it bitterly: remember, however, please, my cold
which affected me without my realising what it was. I
still feel rather tired and jumpy and I am sure it was this
sensation which made me behave as I did. You know how ir-
rational one is when unwell, particularly if you have not
realised that your mood is only a symptom, as much as a run-
ning nose. Poor love, you are far from well yourself.
I hope that you will rest and sleep and not worry, despite
your lover's conduct.
The Kensignton Art Gallery has set me cards to the next
exhibitions and they are nicely designed. The next cards
I have will be yours, my love, and I long for this. Do
not feel apprehensive, my love, for I am sure you will be
a great success. I have extended my list of people to
write to, I started it in the train on Friday, as I said I
would.
Friday night when I reached the ICA I found del Renzio
ad been trying to contact me. Duthuit and the three paint-
ers had not turned up and so he was ddesperately improvising
a discussion. He acted as chairman, Peter Banham, somebody
called Michael Compton, and I took the platform. This was
very sudden and I was reluctant to do so as I felt rotten
and had not seen the pictures. However, I could not say
'no' as I was there. Toni and Banham were favourable so
I decided not to be. After I spoke I got a weak round of
applause: it was weak, but it was the only applause there
was, so maybe it was worth something. Actually, the paint-
ings are not as interesting as I had hoped.
You may remember that there is to be an exhibition
called The Beauty and Terror of the Human Head at the ICA
in March. I have been asked to lecture on it: a title
like The jead in 20c art has been suggested. Banham is
going to do one and, when I come back from Yorkshire, I
shall do mine. It is a nice subject and I am glad to ap-
pear at the ICA.
Speaking of lectures: the Travel Agency who wrote to
me (you remember the weird phrasing and a new para. for
every sentence) may mean a fair amount of work during the
season. It does not look as if I shall get more than
a 1 a lecture but still--it would all be additional to
my present earnings.
72646708 - glt
Blackheath1 ii 1953
My dearest Sylvia,
Forgive me for being so unpleasant and thoughtless during my stay with you. It was inexcusable - yet forgive me. I do love you - and so very dearly. I know I hurt you and I regret it bitterly: remember, however, please, my cold which affected me without my realising what it was. I still feel rather tired and jumpy and I am sure it was this sensation which made me behave as I did. You know how irrational one is when unwell, particularly if you have not realised that your mood is only a symptom, as much as a running nose. Poor love, you are far from well yourself. I hope that you will rest and sleep and not worry, despite your lover's conduct.
The Kensington Art Gallery has sent me cards to the next exhibitions and they are nicely designed. The next cards I have will be yours, my love, and I long for this. Do not feel apprehensive, my love, for I am sure you will be a great success. I have extended my list of people to write to, I started it in the train on Friday, as I said I would.
Friday night when I reached the ICA I found del Renzio had been trying to contact me. Duthuit and the three painters had not turned up and so he was desperately improvising a discussion. He acted as chairman, Peter Banham, somebody called Michael Compton, and I took the platform. This was very sudden and I was reluctant to do so as I felt rotten and had not see the pictures. However, I could not say 'no' as I was there. Toni and Banham were favourable so I decided not to be. After I spoke I got a weak round of applause: it was weak, but it was the only applause there was, so maybe it was worth something. Actually, the paintings are not as interesting as I hoped.
You may remember that there is to be an exhibition called The Beauty and Terror of the Human Head at the ICA in March. I have been asked to lecture on it: a title like The Head in 20c art has been suggested. Banham is going to do one and, when I come back from Yorkshire, I shall do mine. It is a nice subject and I am glad to appear at the ICA.
Speaking of lectures: the Travel Agency who wrot to me (you remember the weird phrasing and a new para. for every sentence) may mean a fair amount of work during the season. It does not look as if I shall get more than a lb1 a lecture but still - it would all be additional to my present earnings.