gri_2003_m_46_b06_f08_005
- Max. dissimilarity: 0.535
- Mean dissimilarity: 0.222
- Image votes: 0.0
Transcribers
- 72038882 - Zooniverse2017
- WINNER - 72150860 - racjohn
- 72766776 - not-logged-in-41b8e2b6825dc10c3016
- 73623861 - mar15ted
- 73724458 - meganhl2102
- 73868858 - hoskinml
72038882 - Zooniverse2017
[7-8-53]Blackheath
Friday
Dearest Sylvia
Thank you for your letter from Rye. I am sorry you were not
able to finish your painting (which I admire very much) but I am
glad that you liked The Titfield Thunderbolt. I thought that you
might like it, and I'm glad I wasn't wrong. By the way. here
is the poem I mentioned:
The 2 rails of the brand line, sleight rusty.
Cross the marsh, 5 feet alone the streams
Where waterlilies are, as for dessert.
The funnel rises, like an old top-hat;
the stock a single carriage - green as the weeds
which pillow sleepers on the single way.
It will not run much longer, tho' it still
can flatten pennies to the cruder oval
of older coins pocketed by the earth.
You were absolutely correct about what I was going at Gros
on Wednesday - answering questions about Rubens. I
dealt only with the later work - stressing its organic, plan-
tastic character, and also defending the iconological methods
of humanist art. As you say - there were several people
from T. G. Today my subject is Zicgione / Titron -
half lantern slides - half in the Gallery itself. I wish you
were here to discuss it with.
Yesterday I was in the Redfern Gallery making notes on a
Pasmore painting when Pasmore came in. I couldn't have
arranged it better if I tried. Not surprisingly he invited me
to lunch of the Mat: we went to the Vega. I am having
dinner at his place on Saturday.
You make me wish to see it, again.
WINNER - 72150860 - racjohn
[7-8-53]Blackheath
Friday
Dearest Sylvia
thank you for your letter from Rye. I am sorry you were not
able to finish your painting (which I admire very much) but I am
glad that you liked The Titfield Thunderbolt.
You make me wish to see it, again.
I thought that you
might like it, and I'm glad I wasn't wrong. By the way, here
is the poem I mentioned:
The 2 rails of the branch line, slightly rusty,
cross the marsh, 5 feet above the streams
where waterlilies are, as for dessert.
The funnel rises, like an old top-hat;
the stock a single carriage - green as the weeds
which follow sleepers on the single way.
It will not run much longer, tho' it still
can flatten pennies to the cruder oval
of older coins pocketed by the earth.
You were absolutely correct about what I was doing at 6.05
on Wednesday - answering questions about Rubens. I
dealt only with the later work - stressing its organic, plan-
tastic character, and also defending the iconological methods
of humanist art. AS you say - there were several people
from the T.G. Today my subject is Giorgione / Titian -
half lantern slides, half in the gallery itself. I wish you
were here to discuss it with.
Yesterday I was in the Redfern Gallery making notes on a
Pasmore painting when Pasmore came in. I couldn't have
arranged it better if I tried. Not surprisingly he invited me
to lunch after that: we went to the Vega. I am having
dinner at his place on Saturday.
72766776 - not-logged-in-41b8e2b6825dc10c3016
Blackheath[7-8-53]
Friday
Dearest Sylvia
Thank you for your letter from Rye. I am sorry you were not
able to finish your painting (which I admire very much) but I am
glad that you liked The Titfield Thunderbolt.
You made me wish to see it, again.
I thought that you
might like it, and I'm glad I wasn't wrong. By the way, here
is the poem I mentioned:
The 2 rails of the branch line, slightly rusty,
cross the marsh, 5 feet above the streams
where waterlilies curl, as for dessert.
The funnel rises, like an old top-hat;
the stock a single carriage - green as the weeds
which pillow sleepers on the single way.
It will not run much longer, tho' it still
can flatten pennies to the cruder oval
of older coins pocketed by the earth.
You were absolutely correct about what I was doing at 6.05
on Wednesday - answering questions about Rubens. I
dealt only with the later work - stressing its organic, plan-
tastic character, and also defending the iconological methods
of humanist art. As you say - there were several people
from the T.G. Today my subject is Titian -
half lantern slides, half in the gallery itself. I wish you
were here to discuss it with.
Yesterday I was in the Redfern Gallery making notes on a
Pasmore painting when Pasmore came in. I couldn't have arranged it better if I tried. Not surprisingly he invited me
to lunch after that: we went to the Vega. I am having
dinner at his place on Saturday.
73623861 - mar15ted
Blackheath Friday Dearest Sylvia Thank you for your letter from Rye. I am sorry you were not able to finish your painting (which I admire very much) but I am glad that you like The Titfield Thunderbolt. You make me wish to see it again. I thought that you might like it, and I'm glad I wasn't wrong. By the way, here is the poem I mentioned: The 2 rails of the branch line, slightly rusty, cross the marsh, 5 feet above the streams where waterlilies are, as for dessert. The funnel rises, like an old top-hat; the stock a single carriage - green as the weeds which pillow sleepers on the single way. It will not run much longer, tho it still can flatten pennies to the cruder oval of older coins pocketed by the earth. You were absolutely correct about what I was doing at 6.05 on Wednesday - answering questions about Rubens. I dealt only with the later work - stressing its organic, fantastic character, and also defending the iconological methods of humanist art. As you say - there were several people from the T.G. Today my subject is Giorgione/Titian - half lantern slides, half in the gallery itself. I wish you were here to discuss it with. Yesterday I was in the Redfern Gallery making notes on a Pasmore painting when Pasmore came in. I couldn't have arranged it better if I tried. Not surprisingly he invited me to lunch after that : we went to the Vega. I am having dinner at his place on Saturday.73724458 - meganhl2102
BlackheathFriday
Dearest Sylvia
Thank you for your letter from Rye. I am sorry you were not able to finish your painting (which I admire very much) but I am glad that you liked The Tictied Thunderbolt. I thought that you might like it, and I'm glad I wasn't wrong. By the way, here is the room I mentioned:
The 2 nails of the mauch line, slightly rusty, was too , 5 feet above a stream where waterlilies and as .
The funnel rises, like on an ; the stock a single carriage- green as the woods which pillow sleepers on the single way.
It will not run much longer, as it slide can flatten pennies to the of Alden coins of the Earth.
You were absolutely correct about what I was doing at 6.05 on Wednesday- answering questions about Rulers. I only will do later wrong- is organic, fantastic , and also defending icoralogical methods of humanist art. As you say- there were several people from the T.G. Today my subject is .............
73868858 - hoskinml
[7-8-53]Blackeath
Friday
Dearest Sylvia
Thank you for your letter from Rye. I am sorry you were not able to finish your painting (which I admire very much) but I am glad that you liked The Titfield Thunderbolt. You make me wish to see it, again I thought that you might like it, and I'm glad I wasn't wrong. By the way, here is the poem I mentioned:
The 2 rails of the branch line, slightly rusty,
cross the marsh, 5 feet above the streams
where waterlilies are, as for dessert.
The funnel rises, like an old top-hat;
the stock a single carriage - green as the weeds
which pillow sleepers on the single way.
It will not run much longer, tho' it still
can flatten pennies to the cruder oval
of older coins pocketted by the earth.
You were absolutely correct about what I was doing at Lios on Wednesday - answering questions about Rubens. I dealt only with the later work - stressing its organic, phan-tastic character, and also defending the iconological methods of humanist art. As you say - there were several people from the T.G. Today my subject is Giorgione/Titian - half lantern slides, half in the Gallery itself. I wish you were here to discuss it with.
Yesterday I was in the Redfern Gallery making notes on a Pasmore painting when Pasmore came in. I couldn't have arranged it better if I tried. Not surprisingly he invited me to lunch after that : we went to the Vega. I am having dinner at his place on Saturday.