gri_2003_m_46_b06_f12_011
- Max. dissimilarity: 1.0
- Mean dissimilarity: 0.36
- Image votes: 0.0
Transcribers
- 71762987 - MarionCrane
- 71986856 - Eboo
- 72244738 - jesseytucker
- WINNER - 72503029 - Zooniverse2017
- 72556672 - hoskinml
- 72584121 - Preacher357
71762987 - MarionCrane
Painting 4Paul VAlery.
Surrealism (perhaps because it has been so successfully assimilated into our culture pattern) is no longer a potent force, even in Paris, though the diminished movement still has gifted adherents, such as Victor Braunent. One could not avoid feeling that the real artistic drive was elsewhere, however - for example, in the 'aformal' painters who were influenced by surrealist automatism. English neo-romanticism (a compound of English nature-romanticism and School of Paris surrealism) is still influential. Graham Sutherland's new paintings had a savage darkness and power that was very impressive after the empty brilliance of his Mediterranean period.
71986856 - Eboo
72244738 - jesseytucker
PAINTING 4Paul Valery.
Surrealism (perhaps because it has been so successfully
assimilated into our culture-pattern) is no longer a potent
force, even in Paris, though the diminished movement still
has gifted adherents, such as Victor Braunch . One could not
avoid feeling that the real artistic drive was elsewhere, how-
ever--for example, in the 'aformal' painters who were influ-
enced by surrealist automatism. English neo-romanticism
(a compound of English nature-romanticism and School of
Paris surrealism) is still influential. Graham Sutherland's
new paintings had a savage darkness and power that was very im-
pressive after the empty brilliance of this Mediterranean period.
WINNER - 72503029 - Zooniverse2017
PAINTING 4Paul Valery.
Surrealism (perhaps because it has been so successfully
assimilated into our culture-pattern) is no longer a potent
force, even in Paris, though the diminished movement still
has gifted adherents, such as Victor Brauner & Jacques Heicel . One could not
avoid feeling that the real artistic drive was elsewhere, how-
ever - for example, in the 'aformal' painters who were influ-
enced by surrealist automatism. English neo-romanticism
(a compound of English nature-romanticism and School of
Paris surrealism) is still influential. Graham Sutherland's
new paintings had a savage darkness and power that was very im-
pressive after the empty brilliance of his Mediterranean period.
72556672 - hoskinml
PAINTING 4Paul Valery.
Surrealism (perhaps because it has been so successfully assimilated into our culture-pattern) is no longer a potent force, even in Paris, though the diminished movement still has gifted adherents, such as Victor Brauner & Jacques Heisel. One could not avoid feeling that the real artistic drive was elsewhere, how-ever - for example in the 'aformal' painters who were influ-enced by surrealist automatism. English neo-romanticism (a compound of English nature-romanticism and School of Paris surrealism) is still influential. Graham Sutherland's new paintings had a savage darkness and power that was very im-pressive after the empty brilliance of his Mediterranean period.
72584121 - Preacher357
PAINTING 4Paul Valery.
Surrealism (perhaps because it has been so successfully
assimilated into our culture-pattern) is no longer a potent
force, even in Paris, though the diminished movement still
has gifted adherents, such as Victor Brauner & longer . One could not
avoid feeling that the real artistic drive was elsewhere, how-
ever - for example, in the 'aformal' painters who were influ-
enced by surrealist automatism. English neo-romanticism
(a compound of English nature-romanticism and School of
Paris surrealism) is still influential. Graham Sutherland's
new paintings had a savage darkness and power that was very im-
pressive after the empty brilliance of his Mediterranean period.